MeetMe bor

New to Caitlyn and ADC role as a whole. TEACH ME =3

2020.10.16 17:54 wiented New to Caitlyn and ADC role as a whole. TEACH ME =3

New to Caitlyn and ADC role as a whole. TEACH ME =3
Hello there!
My name is Dawid, I'm from Poland and I main Vi. Currently I'm trying my absolute best to hit d4 for the second year in the row and I'm doing actually pretty well so far. It's nice to meet you all :)
Botlane is my weakness overall (both support and adc) and so I thought it could be nice to change it up a bit for the next year (since just grinding for 1 month at the end of each season for d4 is kinda borring at this point) and learn new roles.
Next season I plan to hit at least P2 with Mid/ADC only and I chose Caitlyn as my main champ for the role (Vi is my bae and I need to have a little talk with Caitlyn about something haha).
Caitlyn in my opinion (and correct me if im wrong) is pretty good blindpick, she is pretty solid all around and she can just farm in hard matchups. She doesn't seem to be very difficult to play (If you think EQ combo is hard, try to land Vi's Q Flash on someone haha) but I've seen good Cait players and damn, that shit hurts. She seems to be champion who rewards with VERY good value for the time invested... Unlike my champion...
I would like you to teach me some stuff regarding Cait and maybe give me advice on topics such as:
  1. When to pick Cait and when not to (Would you rather get Death Marked by Zed or slept by Zoe from across the map),
  2. Which Supports are good with Cait and which aren't,
  3. Her power-spikes and power-chokes,
  4. Lane counters and very good match-ups,
  5. Another champion which would be good to main along. Something that would be good against Caitlyn counters (Midlane example: Ekko for mages, Renekton for Yasuos and Kassadins),
  6. What to do in the midgame, other than swapping with midlaner and keeping the farmfest going haha :D
  7. How to close out the game,
  8. Anything alse you would like to say :)
TLDR: I'm new and I want to learn. Tell me how to play Cait and ADC pls.
PS. Every comment will be adressed and no advice is stupid or worthless. I'm very grateful for your time spent and wisdom shared!
Have a great day my dear Cupcakes =3
submitted by wiented to Caitlynmains [link] [comments]

2020.10.08 05:34 sticks14 The case for the shortened graphite displacers effect not existing in 1975 - Alexander Nikolaevich Rumyantsev

The case for the shortened graphite displacers effect not existing in 1975 - Alexander Nikolaevich Rumyantsev
Let's take a detour from the reports and revisit a titillating topic. It can be summarized as so from a ProAtom (Russian publication/information agency) 2016 article titled Chernobyl: tragedy, farce and lesson:
In the period 1976-1978. In order to save concrete by reducing the height of the under-reactor space, both the Chief Designer (NIKIET) and the Scientific Supervisor (I.V. Kurchatov Institute of Atomic Energy) made a joint decision to shorten the graphite displacers on the control rods with the formation of 1.2 m high water columns under them.
The design decision to save concrete by reducing the height of the sub-reactor space by 2 meters with subsequent shortening of the displacers of the control rods, under which water columns 1.2 meters high were formed, turned out to be fatal for the RBMK reactors. Three years before the Chernobyl accident, direct experiments showed the danger of such a decision.
The main conclusion was and remains that it was precisely the shortening of the graphite displacers on the control rods that predetermined the unprecedented scale of the Chernobyl accident. Without shortening the displacers on the control rods, the scale of the accident would be commensurate with the accident at Unit 1 of the Leningrad NPP in December 1975, which is no longer remembered today.
A lot more context is provided by another ProAtom article published five years earlier written by the same author, for which I would appreciate the direct source as this one seems to be missing some lines:
Ignorance or ignorance of the revealed competition of two spatial effects in subsequent (without my participation) improvements to RBMK-type reactors led to the fact that graphite displacers (end switches) on the control rods and AZ. Instead of graphite, at the bottom of these rods, there were columns of water about 1.2 meters high. These pillars played the role of an absorber of thermal neutrons and their size was quite correlated with the abovementioned effective diameter of the local criticality zone (2.5-3 meters). When the core rods were dropped in the lower part of the core, water was displaced by graphite ends of the core rods, which brought additional positive reactivity to the already existing positive vapor effect of reactivity and the effect of “squeezing” the neutron field down. The predicted effect of the increase in the volumetric coefficient of non-uniformity of energy release during the release of the core at low power levels with the possibility of creating local zones of supercriticality was in the early 80s. of the last century was experimentally confirmed during the start-up of reactors both at the Chernobyl NPP and at the Ignalina NPP with the RBMK-1500 reactor. In 1986, this effect was again experimentally confirmed by the accident at the 4th unit of the Chernobyl nuclear power plant, which happened on my birthday on April 26.
In the course of work on the development of the computing base of the I.A. IV Kurchatov managed to learn about the improvements in RBMK-1000, introduced at the Chernobyl NPP. The greatest interest was aroused by the decision to shorten the graphite displacers on the control rods and cores. Attempts to find out from the persons who were then already Laureates of the State Prize for the RBMK reactor, the measure of the validity of such improvements did not lead to anything. It only remained to wait. E.P. Kunegin, who served as the deputy scientific supervisor of the RBMK project, passed away in 1983. V.A.Sidorenko was transferred to work at Gosatomnadzor. A.P. Aleksandrov became the President of the USSR Academy of Sciences. The actual management of the reactor directions was transferred to the Deputy Director of the Institute V.A.Legasov, a talented chemist.
At an expanded meeting of the party and economic activists of the I.A. I.V.Kurchatov on November 13, 1984, led by A.Yu. Gagarinsky, just elected secretary of the Party Committee of the Institute, on behalf of OVTiR (OVTiR director I.I.Malashinin, as usual, urgently “fell ill” - “lay down on bottom ”), a program for the development of the Institute's computing base for the future 10-15 years was outlined in the framework of the implementation of the Resolution of the Central Committee and the Council of Ministers. The program was developed together with IN Polyakov, then Deputy Director of OVTiR, future director of the RRC “Kurchatov Institute” (2003-2006), with the most active participation of the Chairman of the Council of Computer Users LV Mayorov and members of the Council. When presenting the program, it was emphasized that the lack of computing power does not allow for the necessary analysis of the safety of the design decisions for NPPs, and that the most likely candidate for a severe accident is the newest RBMK units with all their improvements. LV Mayorov stressed the acute shortage of computing power and the risk of incomplete reactor designs. In the first row of the conference hall, bld. 158 were sitting A.P. Aleksandrov and V.A.Legasov. V.A.Legasov reacted violently to what he heard, turning to personal insults at L.V. Mayorov. A.P. Aleksandrov was mostly silent, but he took this information so close to his heart that three days later he raised the issue of abolishing OVTiR, which was done. [lol, I just got what he was writing here and in the following sentences] At the same meeting, the Chief Engineer of the I.A. IVKurchatova EOAdamov (the future head of Minatom) made a proposal to build a garage and automated mechanical workshops instead of a computer center within the framework of his developed program of engineering reconstruction of the Institute. As a result, the proposal of E.O. Adamov was implemented. The decision of the Central Committee and the Council of Ministers was ignored without consequences. The garage was built and stood empty for over 10 years until it was “handed over” to the car company Audi. The mechanical workshops, declared the “All-Union Shock Komsomol Construction Project,” are still unfinished. The only person who unequivocally assessed what had happened at this party and economic asset was N.N. Ponomarev-Stepnoy, who, after the end of the asset, told me that the Exhibition and Convention Center would be built. Despite all the difficulties, the building for the Exhibition and Convention Center was built 12 years later within the framework of the program for the creation of space reactor facilities solely thanks to the initiative and support from N.N. Ponomarev-Stepnoy. The design assignment for this structure was written by I.N. Polyakov and myself. This building with all its structures turned out to be extremely suitable for the deployment of work on microelectronics and, then, for the deployment of multiprocessor computing systems in it. Tape tapes with the recording of speeches and discussions at this extended meeting of the party and economic activists disappeared from the archives of the Party Committee in May-June 1986 after the accident at the 4th block of the Chernobyl nuclear power plant.
Information about the accident at the 4th unit of the ChNPP was received from A.Yu. Gagarinsky on April 28, 1986 without any details. In terms of details, he, the secretary of the Party Committee, publicly advised to listen to the Voice of America radio station. A week later, as the leader of the political and economic seminar of the OVT, I held a scheduled seminar. On it, A.A. Derbenev, who knew well the history of my work on RBMK, asked about the possible causes of this accident. Not knowing any details of what happened, except for the official reports of the accident, I put forward a number of versions, the main one of which was the unevenness of energy release provoked by low power operation, which initiated the formation of local supercriticality zones in the lower part of the core near the side reflector with subsequent acceleration (see details higher). Later it turned out that it was so. In June 1986 g. A.Ya. Kramerov, the head of the RBMK Laboratory, who returned from a business trip to the Chernobyl nuclear power plant, met me in the dining room of the Institute and asked the same question. And I got the same answer, which was very surprised.
In May 1986, during a personal meeting with V.A.Legasov, who had returned from the Chernobyl nuclear power plant, I asked to be included in the team of the Institute, which was engaged in analyzing the causes of the accident. He promised to do it. Two years later, after the death of V.A.Legasov, we managed to find out that he gave the command not to allow me to analyze this accident for a “cannon” shot. The reasons for this decision are not known to me.
However, a little lower in the same report there is a phrase (quoted from [1], Section 5 “Priority measures to improve the safety of NPPs with RBMK reactors”): “It was decided to rearrange the limit switches of control rods at operating NPPs with RBMK reactors so that in the extreme position, all the rods were immersed in the core to a depth of 1.2 m. This measure increases the speed efficiency of protection and eliminates the possibility of increasing the multiplying properties of the core in its lower part ( highlighted by me, AHR ) when the rod moves from the upper limit switch. "
The highlighted fragment of the text was intended to disguise the true cause of such a large-scale accident associated with the shortening of the graphite displacers “control rods” by 1.2 meters as part of the work on the improvement of RBMK-1000 reactors carried out by the Chief Designer with the participation of the Scientific Supervisor, who ignored the already known features of neutron physics and thermal hydraulics in the lower part of the core when the reactor is operating at low power. I believe that without shortening the graphite displacers, any manipulations by the Chernobyl NPP personnel could only lead to a repetition of the accident that occurred at Unit 1 of the Leningrad NPP in December 1975. Maybe on a somewhat larger scale. For this they could be punished. As far as I know, none of the personnel of Unit 1 of the Leningrad NPP was brought to trial for the accident in December 1975.
This is a lot to take in but it's actually an introduction that will eventually tie into Politburo meeting remarks. First things first, I had previously combined this Alexander Nikolaevich Rumyantsev with Alexander) Yuryevich Rumyantsev into one person, who graduated from the same place and ended up at the same place but is in fact two different people. This is not The Revenge of the Atomic Czar.
What is the significance of it? In one word - humiliation. The central claim doesn't really change accountability for the incident - whether the positive scram effect, or more specifically the water columns under the graphite displacers effect, existed from the beginning of these large RBMK commercial reactors or since a later "improvement" makes little difference to the failure to appreciate its potential significance and implement any sort of rational solution. But trying to save concrete, which in terms of availability in the Soviet Union may have been comparable to bread, resulting in this,
The direct and indirect damage from the accident at the Chernobyl nuclear power plant many times exceeded all investments in the nuclear energy of the USSR and, in fact, having initiated an economic catastrophe in the context of low world oil prices, led to the disappearance of the USSR.
a notion the USSR's leader Mikhail Gorbachev also presently seems to subscribe to, is downright ironic. Of course if such a thing had come to light in the aftermath of Chernobyl the furor and consternation would have been a sight to behold, most horrifyingly for those directly responsible who also had the demonstrable advantage of inside knowledge and expertise they used to deceive, as best they could, even (or especially) their government. To quote Politburo June 5 1986 Gorbachev:
About Chernobyl. We should make every agency individually responsible (for dealing with the consequences). Because the effect of getting used to it is already kicking in. And they will be held to strict account. In this case, we are responsible to our people, responsible to the entire world. And let's put an end to the bureaucratic parochialism. One hears all the time: I am in charge of my own objective there. Everybody is in charge of their own objective, it turns out. No, the objective is the same for everybody--Chernobyl! But comrades are incapable of looking beyond the lines of their particular work responsibilities. Chernobyl is everybody's business: of all the ministers, and all the members of the Central Committee, and the entire CC apparatus.
The social aspect is extremely important. We have to have very strict oversight here. We must determine all the social parameters of the consequences before July. I am very concerned about the work of the government commission, which is investigating the causes of the catastrophe. We will raise this issue very strictly and very extensively at the Politburo, and we will not allow them to manipulate us with all kinds of professional conclusions, which are actually just excuses.
It is quite obvious--lack of responsibility, dissoluteness. Nobody should count on mercy. A repetition of anything like this should be absolutely excluded. One or two accidents like this and we would get it worse than from a total nuclear war. Already now you see the resonance and the kind of expense! The loss of production by now is already at one billion eight hundred million rubles. And the expenditures for the object itself are at about two billion rubles. In a word, we are talking about very serious things.
Addresses Shcherbina (Deputy Chairman of the USSR Council of Ministers): Be at your best. We are talking about life itself. You must prepare a very serious party-state document (about the causes and consequences). We should not shy away from anything. Now, trying to present it as an easy task would be the worst thing.
Alexander Nikolaevich Rumyantsev is the key to this for as far as we know he's the only one who has made the claim that the graphite displacers were intentionally shortened at an intermediate point. INSAG-7 states they were always the same size. The 2009/2011 article he wrote gives a substantial amount of background, granted he is the author of it.
Alexander Nikolaevich Rumyantsev was educated at MEPhI. Until 1965, he worked at NIKIET as a design engineer, mastering the computer technology that was new at that time, and conducting massive neutron-physical calculations. In 1966 he went to work at the IAE [Kurchatov Institute of Atomic Energy], where he participated in the development of an alternative design for the RBMK-1000 reactor, as an independent control over the developers of the main project. Along the way, work continued on mastering new advanced computing technology, creating programs and carrying out three-dimensional neutron-physical and thermal-hydraulic calculations. In 1974, the competitive activity on the RBMK-1000 project was terminated, and A.N. Rumyantsev went to work at the IAEA. Upon his return to the IAE in 1981, he held the position of Deputy Director of OVTiR (Department of Computer Technology and Radioelectronics). Below are the memoirs of AN Rumyantsev, inspired by the next anniversary of the Chernobyl accident, and published by the information agency PROatom [21/02/2011] . These lengthy recollections are valuable because they describe the initial stage of the development of the RBMK-1000 project (1965-1975), which predetermined the choice of the main parameters of the physics and design of the reactor, and was forever buried under the Chernobyl accident.
This description of who Rumyantsev was isn't very accurate but it pulls out some of the basics. Rumyantsev was educated at perhaps the top Soviet university for nuclear research, then proceeded to work at the Chief [Designe]Design Engineer (NIKIET), the Scientific SupervisoManager (Kurchatov Institute/IAE), and the International Atomic Energy Agency. In other words, this guy was where the action happened and privy to things that operators and other commentators weren't.
Immediately after graduating from MEPhI in 1963 with a degree in engineer-physicist, I was sent to work as a design engineer in the organization P. Ya. 788, now - Scientific Research and Design Institute of Power Engineering (NIKIET) named after N.A. Dollezhal. Starting in August 1963, work in the group of Yu.I. Mityaev, which was part of the Physics Department No. 5, headed by A.D.Zhirnov, two months later I received a temporary pass at the I.A.E. IV Kurchatov for the purpose of using the computer equipment available in it (M-20 type computers) to carry out work in the field of computational modeling of the characteristics of channel reactors with direct steam superheating installed and constructed at the Beloyarsk NPP (AMB type reactors). NIKIET did not have the necessary computing base.
So as soon as he graduates from university Rumyantsev goes to work at the organization/institute that seems to have split primary responsibility for RBMK reactors with the Kurchatov Institute in the lead-up to the Chernobyl explosion. You see repeated mentions in INSAG-7 and other sources of the Chief Design Engineer and the Scientific Manager (with slight variations) in tandem as the two top supervisors and decision makers. The RBMK reactors may have been under the Ministry of Energy but they seem to have been more so used by the Ministry of Energy rather than totally controlled by it. Midnight in Chernobyl by Adam Higginbotham describes how in the aftermath of the incident the Ministry of Energy was pointing to design flaws whereas the high profile experts from the Ministry of Medium Machine Building, which may have spawned NIKIET and the Kurchatov Institute, and the Kurchatov Institute (NIKIET must have been involved too) were blaming operators and various levels of management. The two identified fathers of the RBMK reactor headed NIKIET and the Kurchatov Institute - Nikolai Dollezhal and Anatoly Aleksandrov respectively. The latter was also the president of the USSR Academy of Sciences. The third old nuclear titan was at the head of the Ministry of Medium Machine Building whereas the Ministry of Energy was headed by a man Higginbotham describes as "a nuclear neophyte". [p. 267]
Rumyantsev proceeded to quickly obtain a pass to the Kurchatov Institute as NIKIET lacked computing equipment. In about a year, Rumyantsev's translation of calculation methods to computers resulted in a great efficiency boost to a particular presumably non-RBMK but still uranium-graphite reactor type work group. Other NIKIET employees sought to avail themselves of these computers. By the decision of NIKIET director Dollezhal Rumyantsev was entrusted with finding computer time for NIKIET employees and paying for it. Together with two other NIKIET employees Rumyantsev developed "a complex program for calculating the physical characteristics of the cells of the working channels of uranium-graphite reactors taking into account burnout" that served as a working tool for NIKIET until the beginning of the 1970s.
Rumyantsev's "work in the field of physics and thermal hydraulics of uranium-graphite reactors using computers" was noticed by a Kurchatov Institute employee upon whose recommendation Rumyantsev was transferred from NIKIET to the Kurchatov Institute with a promotion from "young specialist" to "senior engineer". The director of NIKIET Dollezhal and his deputy tried to keep Rumyantsev at NIKIET with a carrot and stick approach but off the young specialist turned senior engineer went.
Since the beginning of 1967, S.M. Feinberg completely switched me over to designing channel uranium-graphite reactors with boiling water cooling - RBMK reactors. Almost all theoretical and experimental work on RBMK reactors was concentrated in Sector-15, which was headed by E.P. Kunegin. Sector-15 was mainly responsible for scientific supervision and support of industrial plutonium production reactors. However, S.M. Feinberg, as the deputy scientific director of the RBMK project, considered it necessary to conduct independent design studies in order to be able to make a relatively independent judgment on the work of the RBMK Chief Designer, to whom NIKIET was appointed, the work of Sector-15 and the work of the Chief Designer, who was appointed VNII "Hydroproject". He himself, in fact, acted as an integrator of ideas and approaches,
In 1967 Rumyantsev is switched to work on RBMK design studies in order "to make a relatively independent judgment" on the work of NIKIET/the Chief Design Engineer and the other design organization involved that is mentioned less often. No clue about its role or who headed it, and it doesn't sound like the one mentioned in INSAG-7.
Being an architect by training, figuratively perceiving graphics, S.M. Feinberg loaded me, V.A. Chebotarev and then a very young specialist V.E. Nikulshin, with work on the design of technological channels (TC) for RBMK, requiring the development of sets of assembly drawings equipped with thermohydraulic and neutron-physical characteristics of the reactor, which he used when discussing design solutions proposed by Chief Designer N.A. Dollezhal and his team from NIKIET. Several times S.M. Feinberg took me to these discussions.
Rumyantsev had a first row seat at times to the development of the RBMK reactor.
With the approval of S.M. Feinberg, in the period from the end of 1967 to the end of 1968, for several months I had to be on business trips at the branch of the I.A.E. I.V. Kurchatova - NITI, Sosnovy Bor, next to the construction site of the 1st unit of the Leningrad NPP with the RBMK-1000 reactor. The purpose of the missions was to carry out multiple variant calculations of the RBMK-1000 reactor core with the fullest possible analysis of the influence of the FC design and modes of their operation on the neutronic and thermohydraulic characteristics of the RBMK-1000 reactor. At NITI there was a relatively lightly loaded computer of the M-220 type, on which it was possible to obtain a large (up to 6-12 hours) machine time almost daily. In the IAE them. IV Kurchatov, the possibilities of obtaining computer time were limited to an interval from 15 minutes to 1 hour per day. [at least in the beginning he was working at night]
Then he was sent to conduct more intensive computer work where the first RBMK-1000 reactor would be built.
The results of the performed computational studies were summarized in a number of closed reports of the I.A. I.V. Kurchatov (1968), edited and approved personally by S.M. Feinberg. Not all of the results obtained were included in the reports. From the performed computational studies, it followed that:
The general conclusion from the calculations performed was that the choice of a step of 25 cm leads to the appearance of a significant positive vapor effect of reactivity, which may result in the appearance of large and uncontrollable irregularities in the energy release over the reactor volume. But by this time, the main design characteristics of the RBMK-1000 had already been approved and it was no longer possible to change the pitch of the graphite stack. Proposals to reduce the density of graphite to the equivalent of a step of 20-22 cm (“bubble” graphite or filling the masonry with graphite balls) were considered practically unrealizable...
In a number of later works of Sector-15 (1969-71), including those presented at closed seminars, a positive vapor effect of reactivity was also found. But the degree of uncertainty of this effect was considered too large to make immediate decisions on changing the design of the graphite stack, or other elements of the reactor design, or revising the operating modes of the reactor.
Rumyantsev was personally involved in determining that due to design choices a large enough positive void coefficient would appear that may result in spatial irregularities of energy release. This should be the very thing that the Operating Reactivity Margin was meant to control, the lower limit of which was violated routinely, even encouraged and applauded, from the very beginning of RBMK-1000 operation even when that limit was as low as 8 control rods or didn't exist. From the beginning there was a disconnect between design and operation that was never closed, although this issue is not to be confused with the shortened graphite displacers positive scram effect nor with how high the positive void coefficient could go. By this time the main design characteristics were already set, solutions were practically unrealizable, and despite further studies the degree of uncertainty was considered too large to be actionable.
Due to the presence in the NITI and the subsequent appearance in the IAE them. IV Kurchatov, a computer of the BESM-6 type with a record for those times productivity of up to 1 million operations per second, I in the period 1969-1971. a complex of programs for three-dimensional neutron-physical and thermohydraulic calculation of stationary characteristics of channel reactors was developed. The modeling of neutron-physical characteristics was based on the Galanin-Feinberg method developed for three-dimensional geometry. The neutron-physical parameters of each TC [technical channels, these being where the fuel was?], rods of the control and protection system (CPS), additional absorbers (DP) were described by the correlation functions obtained by processing variant calculations of the parameters of the cells of the TC, CPS, DP as a function of burnout, water density, graphite temperature. The thermal-hydraulic calculation was based on the method of channel-by-channel calculation of all (up to 2 thousand) TKs with individual thermohydraulic parameters, including the lengths and other features of the lower supply water and upper outlet steam-water communications (NVK and PVK), which took place in 1969-70. experimental verification at the stand of the Space Station of the I.A. I.V. Kurchatov.
In the late 1960s a more powerful computer seems to have appeared. With computer assisted calculations and modeling being Rumyantsev's area of specialization from the start of his career it seems that again he was at the forefront of availing himself of greater computing capability. The Google translation is unclear as to whether he individually was developing complex programs for calculating characteristics.
The developed software package was used to analyze several critical loads of the UG stand. The calculation results are in satisfactory agreement with the experiment. In the period 1971-1973. Three-dimensional neutron-physical and thermohydraulic calculations of the stationary parameters of RBMK-type reactors were carried out for various power levels and various compositions of cores - from initial start-up to steady-state in the mode of continuous refueling. One calculation took 2-3 hours of processor time on the BESM-6 computer. When carrying out these calculations, it turned out that the applied methods for calculating the effective multiplication factor (Keff) as an eigenvalue of the matrix operator give the maximum first eigenvalue in the form of a negative number in the range 10-12. The mathematically correct solution had no physical meaning. This problem was intensively discussed with V.I. Lebedev and Ya.V. Shevelev. Only the second eigenvalue was found to be positive and in the range of unity, as expected for Keff. Following the formal logic of interpreting the eigenvalues ​​and eigenvectors of matrix operators, it was possible to conclude that initially the most stable state of the reactor core is “its absence”. This was the “first” call regarding the initial safety of future RBMK reactors.
In the early 1970s, as the first Leningrad RBMK-1000 reactor was approaching coming online, the developed software appears to have enabled better analysis of how the reactor would behave in different conditions. "It was possible to conclude that initially the most stable state of the reactor core is “its absence”". I'm not sure how to interpret this comment. Does it bluntly mean that the reactor sucked from a stability standpoint? Rumyantsev marks this as being the first major pivotal point related to the safety of RBMK reactors.
The subsequent analysis of the available information on the problems of eigenvalues ​​and eigenvectors of matrix operators showed that this effect is typical for the so-called. "Loosely coupled systems", i.e. systems consisting of many subsystems that are weakly coupled to each other. It was known from calculations and experiments that a group of 35-40 fresh RBMK type TCs is already forming a critical system. It followed from the calculations that if there are up to 1700 TCs in the core of an RBMK-type reactor, even after equilibrium burnup is reached, a local group of 70-110 TCs can also reach criticality if it does not include DP [additional absorbers] or inserted control rods.
This is more familiar territory. INSAG-7 page 6:
Owing to the largeness of the reactor core (height 7 m, diameter 11.8 m) of the RBMK-1000 reactor, the chain reaction in one part of the core is only very loosely coupled with that in other, distant, regions. This leads to a requirement to control the spatial power distribution almost as if there were several independent reactors within the core volume. This situation in extreme conditions can be highly unstable, because small spatial redistributions of reactivity can cause large spatial redistributions of the power. One manifestation of this decoupling of the core is that just prior to the accident the chain reactions in the upper and lower halves of the reactor were proceeding almost independently, a situation that was exacerbated by heavy xenon poisoning in the intervening central region. When control and safety rods were inserted from fully withdrawn positions under these circumstances, the positive scram effect discussed earlier could cause the lower part of the core to become supercritical and the neutron distribution to shift quickly downwards irrespective of the distribution just prior to rod insertion. Under the conditions of the accident, the shift in power distribution resulting from the positive scram could be substantial.
Pages 83-84:
The causes of the accident have been analysed in many documents and their complexity has been noted. In particular, Ref. [46] presents a concise view of the causes of the accident:
"An analysis of the Chernobyl accident has identified: the major role played by the displacers; the large void reactivity effect; and the formation of extremely large volumetric power density irregularities in the core during the accident. This last fact is one of the most important ones and is caused by the large dimensions of the core (7 m x 12 m), the slow speed of movement of the non-uniform rods (having absorbers, displacers and water columns) (0.4 m/s), and the large void reactivity effect (5/3eff). All these factors predetermined the scale of the Chernobyl accident.
' 'The scale of the Chernobyl accident was therefore not determined by personnel actions, but by a lack of understanding, primarily on the part of the scientific managers, of the effect of steam quality on the reactivity of the RBMK core. This led to an incorrect analysis of the operational safety; to a disregard of repeated manifestations of the large void reactivity effect during operation; to a false confidence in the effectiveness of the RCPS which, in fact, failed to cope with both the Chernobyl accident and many others, in particular with DBAs; and, naturally, to the formulation of incorrect operating procedures.
"This inadequate level of scientific management is explained, above all, by the following:
— the extremely low number of studies of the neutron physics processes taking place in the RBMK core;
— a disregard for discrepancies in the results obtained using different methods;
— the lack of experimental studies under conditions close to the natural ones;
— the lack of analysis of specialized publications; and
— in the long run, the transmission to the Chief Design Engineer of incorrect techniques for calculating the neutron physics processes used to analyse the processes taking place in the core and the safety of plants with RBMK reactors.
' 'It is also an important point that for a long time the USSR Ministry of Power had been operating plants with RBMK reactors with neutron physics instabilities in the core, but did not take sufficient notice of the repeated unusual signals of the emergency power protection system and of the emergency power increase rate protection system following triggering of the EPS, and did not demand thorough investigations of emergency situations.
"...We are bound to conclude that an accident such as that at Chernobyl was inevitable."
Whereas INSAG-7, particularly Annex I, conveys that there was a lack of scientific understanding and research - and there certainly was a disconnect with operation - here is Rumyantsev claiming that he was doing this very sort of research at the Kurchatov Institute.
Let's tie the aforementioned newly released Politburo transcript here:
At the Politburo Gorbachev is under the impression that theoretical research wasn't continued. Legasov says little, Shcherbina doesn't know what planet he's on. Dollezhal is brought up, as he was in the documents released last year, having misgivings about building these reactors next to populated areas. He is supposed to have been embarrassed in front of foreign press and his concern was dismissed.
Here Gorbachev gets into it with Meshkov, who's the deputy minister of the Ministry of Medium Machine Building. Again Gorbachev brings up the point that the RBMK reactor hasn't been studied enough with an unusually reticent Legasov in these documents affirming it. The director of the Kurchatov Institute had claimed to Gorbachev that theoretical studies were halted and not financed, being "sad about what happened".
Guess who was doing this sort of research? Kurchatov Institute employee Alexander Nikolaevich Rumyantsev, and his account conflicts with the "aww, shucks, it's sad more research wasn't done" stance of the leaders of the Kurchatov Institute Anatoly Aleksandrov and Valery Legasov. Go back to the beginning of this post and read about that 1984 meeting the record of which disappeared after the Chernobyl explosion and Legasov's exclusion of Rumyantsev in the investigation.
To be continued. This is an awkward point at which to cut off this post but the character limit is reached. Rumyantsev proceeds to detail further research indicating problems relevant to Chernobyl, and claims to have even been part of developing a solution that was not adopted.
What's the point of all this with respect to the length of the graphite displacers? It's important to establish who Rumyantsev claims he is, what he did, and what he knew. The proximity of his position to the design and science of the reactor exceeds anything I've seen from another singular source. Hell, Legasov likely knew a good deal less than this man. The question is is he actually credible. I want to go through the rest of his article, for which the original source is needed as there are truncated paragraphs, and then go through the three witness accounts of the 1975 Leningrad incident I've seen that in my opinion indicate the witnesses didn't actually know if there was a shortened graphite displacers effect.
submitted by sticks14 to chernobyl [link] [comments]

2020.10.07 15:03 1trance_org Trance SEPTEMBER Megapack (782 releases)

Trance SEPTEMBER Megapack (782 releases over 44 GB):


26_Astronauts_Left-Atacama-(LR1699415)-SINGLE-WEB-2020-KLIN 303_Dreams-Burning-(00602435118338)-WEB-2020-KLIN 3G1K-The_Invisible_Swordsman-(PUHEEP035)-WEB-2020-VRG 3Nv3Lop3-Belzebub-(STS613)-SINGLE-WEB-2020-KLIN 4Joann-Time_Heals_Nothing-(AS1380101)-WEB-2020-AFO 7ROSES_and_Rebecca_Louise_Burch_-_This_Heart_(Eximinds_Remix)-SINGLE-(YR1337)-WEB-2020-JUSTiFY_iNT A.R.D.I.-Nocturne_138-(IHM119)-SINGLE-WEB-2020-AFO A_Klyuchinskiy-Isolation-(29TRANCE00014)-WEB-2020-KLIN Abscure-Subtle_Depth-(AEP412)-READNFO-WEB-2020-AOV_INT Abscure-Subtle_Depth-(AEP412)-SINGLE-WEB-2020-KLIN Ace_Ventura-The_Answer-(IBOGADIGITAL644)-SINGLE-WEB-2020-KLIN Acquavitta-Back_To_The_Dark_Side-(CAT414577)-SINGLE-WEB-2020-KLIN Adam_Morris_and_Joyline_Snow-Escape_From_Silence-(LTM089)-SINGLE-WEB-2020-AFO Adam_Taylor-Firmament-(NK058)-WEB-2020-AFO Adip_Kiyoi-Aquarius-(BASE101A)-WEB-2020-AFO Adrenalin_Drum_and_California_Sunshine_-_Desert_Power-(PAO1DW306)-WEB-2020-JUSTiFY Aeden_-_Dusk_Sonata-(SDR374)-WEB-2020-JUSTiFY Ahmed_Helmy-Symphony-(SND234A)-WEB-2020-AFO Airborn-Valkyria_2020-(ABPR029)-WEB-2020-AFO Airdream-Another_Dimension-(RDX403)-WEB-2020-AFO Akerman-Careful_Desires-(ESR460)-WEB-2020-AFO Akretis-Tempura-(10178909)-SINGLE-WEB-2020-AFO Alan_Morris-A_Shadow_Prophecy-(TSC060)-SINGLE-WEB-2020-AOV Alan_West-Oxygen-(DMAX643)-SINGLE-WEB-2020-AFO Alchimyst-Rudra-(195497305612)-SINGLE-WEB-2020-KLIN Aleksey_Litunov-Top_10_Uplifting-(R2638)-WEB-2020-VRG_INT Aleksey_Litunov_-_25_Ultra_Uplifting_Trance-(R2670)-WEB-2020-ZzZz Aleton-Gravity-(GRVV1059)-SINGLE-WEB-2020-KLIN Alex_Demar-Back_To_The_Game-(LC014)-SINGLE-WEB-2020-KLIN Alex_Di_Stefano-365_Days_at_Dawn-(ITWT7590)-WEB-2020-AFO Alex_Kunnari_and_Christina_Novelli-The_Love_You_Give-WEB-2020-AOV Alex_Leavon_pres._Wesand_-_After_Me-(PRSPCTV013)-WEB-2020-JUSTiFY Alex_Soun-Come_Back-(ATR98)-SINGLE-WEB-2020-KLIN Alex_Starsound-Lasertechno-(IT050)-WEB-2020-AFO Alexander_Dark-Sirens-(195595726081)-SINGLE-WEB-2020-KLIN Alexander_Pilyasov-Time_Machine-(YAWR259)-WEB-2020-KLIN Alexander_Tokun-Planet_Revolt-(29TRANCE00015)-SINGLE-WEB-2020-KLIN AlexRusShev-Christina_(Emotional_Anthem)-(NS923)-SINGLE-WEB-2020-AOV Alhena-Overload_(Andrew_Fraid_Remix)-(TMM121)-WEB-2020-AFO Alicvn-Destination-(UPLY122)-WEB-2020-KLIN Alien_Waves-Out_Of_Reality-(4061798725564)-SINGLE-WEB-2020-KLIN Allan_Berndtz-Keep_Rising-(DIGISOC378)-WEB-2020-AFO Allbitrik-Firestorm-(SMM012)-SINGLE-WEB-2020-KLIN Allen_Watts_ft._Gid_Sedgwick-Another_You-WEB-2020-AOV Alpha_Frequency-Bushido-(DMAXDR071)-SINGLE-WEB-2020-AFO Alter_Nature-A_Piece_Of_Happiness-(SPN1DIGI604)-SINGLE-WEB-2020-KLIN Alternate_High-Rising_Tides_(The_Anthem)-(VRS105)-SINGLE-WEB-2020-AFO Altior-Summer_Morning-(GRVV1032)-SINGLE-WEB-2020-KLIN Aly_and_Fila_and_Plumb-Somebody_Loves_You-(FSOE476A)-WEB-2020-AFO Amai-Shadow_World-(SSCD2190)-SINGLE-WEB-2020-KLIN Ambra_and_Chris_Rain_-_Ibiza_Sunrise_2020-(MDR028)-SINGLE-WEB-2020-MARiBOR Amir_Rad_-_Presentiment-(LSR032)-WEB-2020-JUSTiFY Amos_and_Riot_Night-Operation_Pear_Tree-(RGEN048)-SINGLE-WEB-2020-AFO Anastasia_Laser_-_Fis_Blue_Cornflower-(49375)-SINGLE-WEB-2020-ZzZz Ando-Vega-(BASE102A)-WEB-2020-AOV_INT Andor_-_Whiskey_Sour-(5059580463137)-WEB-2020-ZzZz Andre_Visior_and_Kay_Stone-Sunrise_(Ciaran_McAuley_Remix)-(NKR007)-WEB-2020-AFO Andrea_Ribeca-The_Mask-(FSOE475A)-WEB-2020-AFO_INT Andrea_Ribeca-The_Mask-(FSOE475B)-WEB-2020-AFO Andrew_Rayel_and_Roxanne_Emery-Never_Going_Down_(Richard_Durand_Remix)-WEB-2020-AOV Andy_Duguid_ft_Leah-Wasted_(Remixes)-(BH10290)-WEB-2020-AFO Andy_Jornee_and_Zara_Taylor-Without_You-(U71120)-WEB-2020-AFO Andy_Jornee_ft_Zara_Taylor-Just_A_Break_(U7Trance4ever)-(U70920)-SINGLE-WEB-2020-AFO Andy_Kern_(DE)-Daybreak-(RDX138162)-WEB-2020-AFO Andy_Kern_(DE)-Levitate-(KSX426)-SINGLE-WEB-2020-AFO Andy_Kern_(DE)-Levitate_(Extended_Mix)-(KSX426)-SINGLE-WEB-2020-AOV_INT Angelic_-_Its_My_Turn_(Luke_Bond_Remix)-(ARMD1558)-WEB-2020-JUSTiFY Anomalia-Illumination-(NUEP201)-SINGLE-WEB-2020-KLIN Anomique_and_Michael_Fate_ft_Maee-Stoneheart-(NIX177)-WEB-2020-AFO Anton_By-Ocean-(NS930)-WEB-2020-KLIN Apsola_-_The_Sound_Of_Paradise-(LEV132)-WEB-2020-JUSTiFY_iNT Arctic_Ocean_and_Henry_Moe-Aurora-(NRG038)-SINGLE-WEB-2020-AFO Arggic_ft_Kmile-Dont_Leave_Me-(10178484)-WEB-2020-AFO Arjona-Break-(PHZ308)-SINGLE-WEB-2020-KLIN Arkham_Knights-Are_You_Out_There-(CLHR417)-SINGLE-WEB-2020-KLIN Armin_Van_Buuren_and_AVIRA-Hollow_Mask_Illusion_(EP)-(ARMD1556)-WEB-2020-AOV Arsen_Gold_and_Maya_Wolff_-_Captured-WEB-2020-JUSTiFY_iNT Arsen_Gold_and_Maya_Wolff_-_Captured_(Through_The_Night)-WEB-2020-JUSTiFY_iNT Arshbro-Love-(AMPS050)-SINGLE-WEB-2020-KLIN Ascent-Shadow_Bolt-(LR1675305)-SINGLE-WEB-2020-KLIN Asteroid_and_Ellie_Lawson-The_Distance-(AMSTR350)-WEB-2020-AFO Ath_Noize_-_Mind-(GLX005)-WEB-2020-JUSTiFY_iNT Atomic_Pulse-New_World_Order_II_(Remix_EP)-(ZOOEP012)-WEB-2020-AFO Atongmu-Buddhist_Force-(PSY095)-SINGLE-WEB-2020-KLIN Aurosonic_and_Ricardo_Ferraro_and_Korah-Hold_Me_Now-(AUSOM018)-WEB-2020-AFO Axbla-Back_In_The_Dutch-(GLERX111)-SINGLE-WEB-2020-KLIN Axure-Retrospective_Future-(DMAX641)-SINGLE-WEB-2020-AFO Axxound_-_Jamaica-(BT274)-WEB-2020-JUSTiFY_iNT Azima-Your_Way_(Kiyoi_and_Eky_Remixes)-(LAR078)-WEB-2020-AOV Baked_Until_Death-Take_A_Trance-(637357899733240206)-SINGLE-WEB-2020-KLIN Baragula-Starbound-(10179171)-SINGLE-WEB-2020-KLIN Barby-Jaguar-(OVNIEP425)-SINGLE-WEB-2020-KLIN Beam_-_The_Rhythm_Of_My_Heart-WEB-2020-JUSTiFY Beat_Controllers-Requiem_For_A_Dream-(MSR041)-SINGLE-WEB-2020-KLIN Beatsole_x_Eugenio_Tokarev-Midnight-(EUPH327)-WEB-2020-AFO Ben_McConnell-Spheres-WEB-2020-AFO Beyond_Third_Spring-Mosquito_Live_Performance-(CGT030)-WEB-2020-NDE Bibhu_Prasad_Samantray-Nowhere_To_Go-(OZR037)-SINGLE-WEB-2020-KLIN Bigtopo_vs_Yoshi_and_Razner-High_Voltage-(UPLFT060)-WEB-2020-AFO Billy_Gillies-Buenos-WEB-2020-AOV Billy_Gillies-See_You_Again-(ADR063)-WEB-2020-AFO Bladestylez_feat._Scottyz_-_Hes_A_Pirate-SINGLE-WEB-2020-MARiBOR Bladestylez_feat._Scottyz_-_Hes_A_Pirate_3.0-SINGLE-WEB-2020-MARiBOR Bliss29-Anonym-(PLST0004)-WEB-2020-AFO Blue_Serigala-Damaged_Trust-(GRTSQ143)-WEB-2020-AFO Blvr-The_Launch-(DWR00043)-SINGLE-WEB-2020-KLIN Bobby_Neon_and_Hit_The_Bass-Outcast-(RA121)-WEB-2020-AFO Bobina_and_Roxanne_Emery-Rising_Tide-(MM13510)-WEB-2020-AOV Bodo_Kaiser-Scars_Always_Show-(RUR101)-WEB-2020-KLIN Bogdan_Vix_and_Claudiu_Adam_vs_Ahmed_Helmy-Celestia_(UNTOLD_Fortune_2019_Anthem)-(ASOT619)-WEB-2020-AFO Bogdan_Vix_and_Claudiu_Adam_vs_Ahmed_Helmy-Fortuna-(ASOT619)-REPACK-WEB-2020-AFO Boriz_Vicious-Mayunia-(ATR99)-SINGLE-WEB-2020-KLIN Born_87_and_Denis_Karpynskiy-You-(EA084)-SINGLE-WEB-2020-AOV Braintrip-Experiment-(NE20203)-SINGLE-WEB-2020-KLIN Brandon_Hombre-World_Is_Madness-(PSY255)-SINGLE-WEB-2020-KLIN Bruno_Oloviani-Santa_Monica-(PRFCT176)-WEB-2020-AOV BT-The_Lost_Art_Of_Longing-2CD-2020-FNT By_Xavier-Beat_Is_Strong-(ELPIDAMUSIC004)-REPACK-WEB-2020-AFO By_Xavier-Beat_Is_Strong-(ELPIDAMUSIC004)-SINGLE-WEB-2020-AFO C-Mo_and_Liquidized_Elements_-_Two_Decades-(PVM099D)-SINGLE-WEB-2020-JUSTiFY_iNT Calvin_OCommor-Breath-(SCR368)-SINGLE-WEB-2020-AFO Calvin_Shelar-Milky_Way-(TCOTS004)-SINGLE-WEB-2020-KLIN Cambyses-Portavia-(ANK004)-SINGLE-WEB-2020-KLIN Cameron_Mo-Faultline_(Remixes)-(PRFCT178)-WEB-2020-AFO Carl_Nicholson-Reverent-TIDYTWOREV01D-WEB-2020-XTC Cephalopod-Varanus_Indicus-(NH19335)-SINGLE-WEB-2020-KLIN Chapter_47-Cipher-(RRL003)-SINGLE-WEB-2020-KLIN Chapter_XJ-Awaken-(BTSR344)-WEB-2020-AFO Checho_Suarez-Restart-(AS1380102)-SINGLE-WEB-2020-KLIN Chih_and_Kaistal.A.O-Enthusiastic_Mind-(TAR138129)-SINGLE-WEB-2020-AFO Chris_Rain-Sound_Of_Nature-(MDR027)-WEB-2020-KLIN Chris_Raynor_-_Andromeda-(NS924)-SINGLE-WEB-2020-JUSTiFY Chris_SX-Heliopolis-(NK060)-WEB-2020-AFO Christopher_Corrigan-Accomplish-(TRUE139A)-WEB-2020-AFO Christopher_Maison-Arbitrage-(AE414)-SINGLE-WEB-2020-KLIN Chronomirage-Sidereal-(PAO1DW307)-SINGLE-WEB-2020-KLIN Ciaran_Mcauley-Daring_To_Love-(NK053)-WEB-2020-KLIN Ciaran_Mcauley-Our_Journey_(TFSFX_Anthem)-(FSOE474)-WEB-2020-AOV_INT Ciaran_McAuley-Our_Journey_(TFSFX_Anthem)-(FSOE474B)-WEB-2020-AFO Cimi-Titanic-(PDUK002)-WEB-2020-KLIN Cirizen-Economic_Pyramid-(STREP51)-WEB-2020-KLIN Ciro_Visone_Bluespark-Fire_Waves-(RDX138160)-WEB-2020-AOV CJ_Alexis_-_Harder_Than_Hard_Trance-(BSR589)-WEB-2020-JUSTiFY CJ_Seven_pres._5irius7_-_1980-WEB-2020-JUSTiFY Cloudriver-In_My_Mind-(EGMSIN293)-WEB-2020-AFO Coke_Montilla_ft_Laura_Johnston-All_Your_Love-(4061707438646)-SINGLE-WEB-2020-AFO Complex_Sound-Humanity-(ART116)-WEB-2020-KLIN Corrie_Theron-Getting_Through_It-WEB-2020-AOV Corydalics_and_MakeFlame-Huuma-(ENTRMR096)-WEB-2020-AFO Cosmic_Gate_and_Andrew_Bayer-The_Launch-WEB-2020-AOV Cosmic_Wolf_Oficial-Voices_Of_My_Soul-(CAT422288)-SINGLE-WEB-2020-KLIN Cosmological-Into_The_Future-(STREP52)-SINGLE-WEB-2020-KLIN Cosmonet-Horizon-(SPN1DIGI620)-SINGLE-WEB-2020-KLIN cquenz-Asylum-(MPS109)-WEB-2020-AFO Craig_Connelly_and_Peter_Steele-The_Fire-(BH10360)-WEB-2020-AOV Craig_London-Terminal_Velocity-(GRVV1034)-SINGLE-WEB-2020-KLIN Craig_London_ft._Craig_Boughton_-_Deliverance-(GRVV1057)-SINGLE-WEB-2020-JUSTiFY Craig_Riser-Resurgence-(RISE01)-WEB-2020-AOV Cressida-Varuna-(RUR100)-WEB-2020-KLIN Cresta-Kingdom-(WATR055)-WEB-2020-AOV Dan_Delaforce-Power_Message-(RDX138161)-WEB-2020-AFO Dan_Stone-Light_It_Up-(ESR501)-WEB-2020-AFO Dan_Thompson-Amnesia-(MCV100)-WEB-2020-AOV_INT Dan_Thompson_and_Arjans-Stratosphere-(BASE103A)-WEB-2020-AOV_INT Dance_Fly_FX-Inspiration__The_Future_Today-(ESR459)-WEB-2020-AFO Daniel_Jose-Ray-(VRC030)-SINGLE-WEB-2020-KLIN Daniel_Kandi_and_Boris_Deckert-Concorde_(On_The_Edge)-(ALWAYSA350)-WEB-2020-AFO Daniel_Marcelo_Dj-Voyage-(500590)-SINGLE-WEB-2020-KLIN Danilo_Marinucci-Lifetime__Momentum-(ENTRM190)-WEB-2020-AFO Dante-Live_At_Trance_Room_N_HQ_Live_Night_26_09-WEB-2020-XTC_iNT Darren_Porter-Species-(NK057)-WEB-2020-AOV Darth_Athena-Only_You-(LR1694009)-SINGLE-WEB-2020-KLIN Dave_Neven_and_Dan_Thompson-Lost_In_Amsterdam-(FLASHTR163)-WEB-2020-AOV_INT Dave_Steward-Caliber_(Original_Mix)-(NC0125)-WEB-2020-AFO Dave_Steward-Waxxed_(Incl._Miroslav_Vrlik_Remix)-(NC0108)-WEB-2020-AOV Dave_Steward_-_Decay_and_Delay-(NC0130)-WEB-2020-JUSTiFY Dave_Steward_-_Steamtank-(NC0127)-WEB-2020-JUSTiFY Davey_Asprey_and_Roman_Messer-Oblivion-(SND237A)-WEB-2020-AOV_INT David_Forbes_and_Will_Rees-Sub_Zero-(OUT165)-WEB-2020-AOV_INT Deathnov-Samaya-(IMO115)-SINGLE-WEB-2020-KLIN Dee_Conaghan-Live_At_Trance_Room_N_HQ_Live_Night_26_09-WEB-2020-XTC_iNT Dee_Conaghan_-_Elation-(HG042)-WEB-2020-JUSTiFY_iNT Dee_Johnston-Deep_Within-(TRNCTRXX041)-SINGLE-WEB-2020-KLIN Deme3us_and_Dilara_Gadel-Like_A_Bird-(VOICE092A)-WEB-2020-AFO Denis_Airwave-Eternity-(2RR064)-SINGLE-WEB-2020-AOV Dennis_Moskvin-Light_Blue_Planet__Tin_Plate_As_She_There_Is-(ESR461)-WEB-2020-AFO Dennis_Sheperd_and_George_Jema_and_Eric_Lumiere-In_Your_Hands-(BH10350)-WEB-2020-AFO Diago-Encircle-(UN123)-WEB-2020-AFO Digital_Energy_(UK)-Constellations-(DMAX645)-SINGLE-WEB-2020-AFO Digital_Vision_ft_That_Girl-With_Every_Heartbeat-(AVAW178)-WEB-2020-AFO Diksha-Voices_Calling-(DM7004)-SINGLE-WEB-2020-KLIN Dirkie_Coetzee-Hyperion-(DIGISOC376)-WEB-2020-AOV Dirkie_Coetzee-Yin_Yang-WEB-2020-AOV District_12-Reach_For_The_Sky-(NUCRD106)-WEB-2020-AFO Dj_156_Bpm-Solid_Ground-(R2642)-WEB-2020-KLIN DJ_Abscence-FrequenC-(RDXM120)-WEB-2020-AFO Dj_Centaury-Lazarus_2020-(HTE093)-WEB-2020-KLIN Dj_Darroo-Hell_On_Earth-(IT045)-SINGLE-WEB-2020-KLIN Dj_Darroo-Scheisse-(IT048)-SINGLE-WEB-2020-KLIN Dj_Darroo-To_Survive-(IT049)-SINGLE-WEB-2020-KLIN Dj_Darroo-Waves_Of_Summer-(IT046)-SINGLE-WEB-2020-KLIN Dj_Dcuellar-Lost_In_Time-(LPR065)-SINGLE-WEB-2020-KLIN Dj_Jim-Just_A_Freak-(YCORE41)-SINGLE-WEB-2020-KLIN Dj_Musgenix-Yaar_Sajan_Mera-(637310078358597437)-SINGLE-WEB-2020-KLIN DJ_Noise_and_Wavetraxx_-_Flying_To_Heaven-(VNR20003)-WEB-2020-JUSTiFY DJ_Panda_and_Ricci_Jr-Elaborate-(RDXRED167)-WEB-2020-AOV Dj_Rasja-Lockdown-(4061798720606)-SINGLE-WEB-2020-KLIN Dj_Rodrigo_Leal-Nave_Espacial-(195397027515)-SINGLE-WEB-2020-KLIN Dj_Rudo-Bass_Drop-(WIK054)-SINGLE-WEB-2020-KLIN DJ_Stress_(M.C.P)-Milky_Way-(EER694)-WEB-2020-AFO DJ_T.H._ft._Robin_Vane-Be_My_Hero_(Woody_van_Eyden_Remix)-WEB-2020-AOV DJ_Undertaker_-_Liubov_(Incl_Taranhawk_Remix)-(SOVIET095)-WEB-2020-ZzZz Djeriko-Musical_Medecine-(NBTSOPT09)-SINGLE-WEB-2020-KLIN DJT_pres._DJ_Tenrai_and_Magic_Mellow_-_Dimension_Of_Trance-(TSOUNDT006)-WEB-2020-JUSTiFY Dmitry_Bereza-Intangible-(TRNCA383)-SINGLE-WEB-2020-KLIN Dmitry_Bereza-Rebel-(R2667)-SINGLE-WEB-2020-KLIN Dmitry_Meretskiy-Humanity-(R2657)-SINGLE-WEB-2020-KLIN Dmpv_and_Anveld-Fly_With_Me-(RDXRED168)-WEB-2020-AFO Doktor_Kore_and_Demaklenco_-_Kattiveria-WEB-2020-JUSTiFY Doktor_Loop-Psy_Techno_Trance-(4061798691722)-WEB-2020-KLIN Dosem-Eternal_Summer-WEB-2020-AOV Double_Motion_and_Air_Project-Broken_Soul-(ABRD232)-WEB-2020-AFO DoZzz-Passage-WEB-2020-TosK Dreaman-Journey_Of_The_Soul-(BSR591)-SINGLE-WEB-2020-KLIN Dreamtrak-The_Funnel-(DRTRK15)-WEB-2020-KLIN Drival_and_Liel_Kolet-Hold_My_Hand-(AVAW177)-WEB-2020-AOV Duneflyer-You_And_Me-(10178601)-SINGLE-WEB-2020-KLIN Dynamic_Freakuencies-Ulka-(10180513)-SINGLE-WEB-2020-KLIN Echodelic-The_Mind-(195597594077)-SINGLE-WEB-2020-KLIN Ed_Lynam-Full_Force_(Extended_Mix)-(HTE092)-SINGLE-WEB-2020-AOV_INT Efemgie-Terra_Lava-(ATR100)-SINGLE-WEB-2020-KLIN Elec3Moon-Provider-(CAT421362)-SINGLE-WEB-2020-KLIN Elite_Electronic_with_DMPV_and_Anveld_-_Morning_Star-(TM151)-WEB-2020-JUSTiFY Elysian-Water_EP-WEB-2020-AFO Emanuele_Congeddu_and_Claudiu_Adam-Alyssa_(Mercurial_Virus_Remix)-(BTSR339)-WEB-2020-AOV EMDIVITY-Iron_Sky-(DARK065A)-WEB-2020-AOV EMEREX-Luminant-(GRVV1061)-SINGLE-WEB-2020-AOV Empirian-Thermal-(PROG074A)-WEB-2020-AFO Enharmor-War_and_Peace-(TAR138128)-WEB-2020-AOV Enlusion-Misty_Shadows-FOR075-WEB-2020-TranceTraffic Ephemeris-Bodhi-(SAHMAN063)-SINGLE-WEB-2020-KLIN Epic_Future-Alpha_Breed_(Talla_2XLC_Remix)-(TCR003)-WEB-2020-AOV_INT Ergit_Krahs-Psychedelics-(195541419487)-SINGLE-WEB-2020-KLIN Ericksii-Tell_Me_How-(ECT174)-SINGLE-WEB-2020-KLIN Ericksii-Whats_to_Lean_On-(ECT178)-WEB-2020-AFO Eritas-Sabaidee-(PUHEDGT005)-WEB-2020-NDE Eugenio_Tokarev_-_Inefable-(ALWAYSA347)-WEB-2020-JUSTiFY_iNT Evan_Kendricks-Just_Believe-(HCR368D)-WEB-2020-AFO Evan_Kendricks-Just_Believe-(HCR368D)-WEB-2020-AOV Evgeny_Lebedev-Blinding_Lights-(PURETRANCE194)-WEB-2020-AOV_INT Ex-Driver-Roots_(Incl._Aimoon_Remix)-(2RR065)-WEB-2020-AOV Exis-Emergency_Call-(CNMTK102DJ)-SINGLE-WEB-2020-KLIN F_E_B-Xxiv7-(AZINK003)-SINGLE-WEB-2020-KLIN Fallen_Order-War_God-(TD002)-WEB-2020-KLIN Fantazm-Plasmoid-(GRVV1039)-SINGLE-WEB-2020-KLIN Farius-Miami_Love_(Sysdemes_Remix)-(ENPROG377R)-WEB-2020-AFO Farius_ft_Kyle_Reynolds-Way_Back_When_(Sunny_Lax_Remix)-(ENPROG407)-WEB-2020-AFO Fawzy-Resonating_Force-(SUBMISSION203)-WEB-2020-KLIN FAWZY_and_DJ_Pusher-Sunday_Silence-(NRG039)-SINGLE-WEB-2020-AFO FAWZY_and_Hotze_-_World_Of_Falsehoods-(ENTRM188)-WEB-2020-JUSTiFY_iNT FAWZY_and_Pusher-The_Force-(MR024)-WEB-2020-AFO Feel-Anaconda-(TM153)-SINGLE-WEB-2020-AFO Fisical_Project-Eternity-(MNEOS006)-WEB-2020-AOV_INT Fln-Radiation-(PHZ306)-SINGLE-WEB-2020-KLIN Flowjob-Royal_Crush-(ITWT7580)-SINGLE-WEB-2020-AOV Fluorspar_Music-Escape-(637336800426600065)-SINGLE-WEB-2020-KLIN Flutlicht-Icarus_(James_Dymond_featuring_Jennifer_K_Remix)-(NKR008)-WEB-2020-AFO Follenberg-Athena-(DMAXD333)-SINGLE-WEB-2020-KLIN FPL-Try_It__Life_Boat-(TF047)-WEB-2020-AFO Franco_Scaravaglione-Cat_of_the_Canals-(NIX176)-WEB-2020-AFO Frank_Dueffel-Flamingo-(VAN2404)-WEB-2020-AFO Frank_Waanders-Aztec-(ABL007)-WEB-2020-AFO Freeman-Physical_Reality-(RDXF045)-WEB-2020-AFO Gabriel_and_Dresden_ft._Sub_Teal-All_Ive_Got_(Lumisade_Balearic_Mix)-WEB-2020-AOV Gabriele_De_Santis-Otherside-(TGR042)-WEB-2020-AOV Gabriele_De_Santis_-_Cambodia-(WATR054)-WEB-2020-JUSTiFY_iNT Gai_Barone-Unicorn__Rutger-(CLHR413)-WEB-2020-AOV_INT Galactic_Explorers-Mindset-(EXP102)-SINGLE-WEB-2020-KLIN Ganesh-Live_At_Trance_Room_N_HQ_Live_Night_26_09-WEB-2020-XTC_iNT Gareth_Emery_-_THE_LASERS_Remixes_03-(GE011B)-WEB-2020-JUSTiFY_iNT Gareth_Emery_-_Unplugged_EP_Pt._1-WEB-2020-JUSTiFY_iNT Gareth_Emery_-_Unplugged_EP_Pt._2-WEB-2020-JUSTiFY_iNT Gasp_Uplift-This_Evening_Without_You-(AURALSN143)-SINGLE-WEB-2020-AFO Gayax-Rising_Force-(WATR056)-WEB-2020-AFO Geronimo-Goyo-(NUAM049)-WEB-2020-KLIN Giuseppe_Ottaviani_and_Sue_McLaren-Not_One_Goodbye-(BH10370)-WEB-2020-AFO Glacial_Storm_-_Full_Moon-(ART62)-WEB-2020-JUSTiFY_iNT GloryTune-Broken_Angel-(NRG037)-SINGLE-WEB-2020-AFO Golden_Fall-Walking_The_Planet-(SACR074)-SINGLE-WEB-2020-KLIN Grand_Canyon-Artcat-(GDSTR0008SI)-SINGLE-WEB-2020-KLIN Granz_Enemy_and_Hidden_Effect-Aeon-(BTSR341)-WEB-2020-AFO Green_Pirates-Oasis-(APREP018)-WEB-2020-JUSTiFY Greg_Downey-Rendezvous-(SKLD037)-SINGLE-WEB-2020-KLIN Greg_Downey-Rendezvous-(SKLD037)-WEB-2020-AOV_INT GXD-Evolution-(AVA335)-WEB-2020-AOV HamzeH-Dancing_In_The_Dark-(FLASHTR164)-WEB-2020-AOV HamzeH-Dancing_In_The_Dark-SINGLE-WEB-2020-AOV Han_Beukers_-_Holiday_At_Hintergarten-(LOT025)-WEB-2020-JUSTiFY_iNT Headsrolls-Multiverse-(BT276)-SINGLE-WEB-2020-AFO Henrik_Nilsson-Dark_Star_(Uplifting_Mix)-(EER695)-SINGLE-WEB-2020-AFO Henry_Caster-Angel_Alto-(RW013)-SINGLE-WEB-2020-KLIN Henry_Caster-In_The_Valley-(MSBKR186)-SINGLE-WEB-2020-AFO Herudor-Wrath-(IC004)-WEB-2020-KLIN Hidden_Effect-Universal_Moon-(WATR057)-WEB-2020-AFO HP_Energetic-Blue_Girl-(INFRAP186)-WEB-2020-AOV Husman_and_Fisherman-The_South-(IHM112)-WEB-2020-AOV Ian_Source_ft._Ann-Thalia-Feel_The_Same-(MNEOS004)-WEB-2020-AOV_INT Iant-Dakeia-(GRVV1079)-SINGLE-WEB-2020-KLIN Iberian-Trance_Oxygen-(SDR375)-SINGLE-WEB-2020-AFO Iblis-Sound_Creation-(BLV7567941)-SINGLE-WEB-2020-KLIN Ilan_Bluestone_pres._Stoneblue_ft._Emma_Hewitt-Hypnotized_(Markus_Schulz_Remix)-(MCS9632)-WEB-2020-AOV_INT Illitheas-Rise_Again-(ABSK077)-WEB-2020-AOV Illuminor-Umzansi-(AV044)-WEB-2020-AFO Illuminor-Umzansi_(Incl._A.R.D.I._Remix)-(AV044)-WEB-2020-AOV_INT Ilya_Fly_-_Above_The_Horizon-(NM222)-WEB-2020-JUSTiFY INCARMA_-_Frozen_(Ravest_Hard_Remix)-(10180326)-SINGLE-SINGLE-WEB-2020-MARiBOR Inspire-Light_Year-(10178487)-WEB-2020-AFO Intelligence-Organic_Sources-(EXP103)-SINGLE-WEB-2020-KLIN Isoprospect-Hyperlight-(OHMM082)-SINGLE-WEB-2020-KLIN J_Huntz-Hazard__Booty_Bounce-(ESR0451)-WEB-2020-AFO Jahrin-Time_To_Dance-(EUIL119)-SINGLE-WEB-2020-KLIN Jak_Aggas-Greyson-(FSOE477)-WEB-2020-AOV_INT James_Clarke-Olympus-(SUP263)-SINGLE-WEB-2020-KLIN James_De_Torres-Rampage_Madness-(UPLFT058)-WEB-2020-AOV James_Dust_and_Thorsten_F-Loverz_Without_Time-(IE026)-WEB-2020-AFO James_Dust_and_Thorsten_F-Loverz_Without_Time-(IE026)-WEB-2020-AOV_INT James_Dymond_And_Sam_Laxton-Outbound-(FSOE472)-SINGLE-WEB-2020-wAx James_Kitcher_and_Adam_Taylor_and_Susie_Ledge-Come_In_From_The_Cold-(RGEN046)-WEB-2020-AFO James_Williams-Waiting_For_You-(SCR367)-SINGLE-WEB-2020-AFO Jan_Johnston_and_DJ_Xquizit-Disorientated_(Progressive_Mix)-(ARD074)-WEB-2020-AFO Jay_Flynn-In_My_Head-(RGEN044)-WEB-2020-KLIN JayB-Eleven_Thirty_(10th_Anniversary_Rework)-(HG044)-WEB-2020-AOV_INT Jaytech-Feel_Free_EP-(ANJ649D)-WEB-2020-AOV Jerry_Calderone-Great_Spirit-(PMP062)-SINGLE-WEB-2020-KLIN Jimmy_Chou_-_Star_Crossed-(DIGISOC374E)-WEB-2020-JUSTiFY_iNT Jkl-Ten_Minutes_To_Landing-(637331892770174652)-SINGLE-WEB-2020-KLIN Jochan_Morrisen_x_Michael_Wild-Manzana-(INTER178)-SINGLE-WEB-2020-AOV Joe_Fares-Nothing-(ASPROG102)-WEB-2020-AFO Joe_Fares-Walk_Of_Life-(AURALSN121)-WEB-2020-AFO Joe_Hastes-Iron-(DMAX644)-SINGLE-WEB-2020-AFO Joel_Hirsch_and_Jennifer_Rene-Pieces-WEB-2020-AOV John_Spider-Sunset_Dream-(ARD073)-WEB-2020-AFO Joorg_Matt-Sunshine-(AURALSN176)-SINGLE-WEB-2020-AFO Jordy_Eley-Storm-(TM152)-WEB-2020-AFO Joyline_Snow-Take_Me_Home-(SDR378)-WEB-2020-AFO Ka-Da_-_Everytime_I_See_You-(VRS104)-WEB-2020-JUSTiFY Kaimo_K_and_Tricia_McTeague-Begin_The_Ride-(AMSTR347)-WEB-2020-AOV Kassus-The_Kingdom_Of_Judea-(NUAS025)-SINGLE-WEB-2020-KLIN Kate_Miles-Voice_Of_Suanda-(VOICECL066)-WEB-2020-AFO KayZen-Just_A_Dream-(ENTRM189)-SINGLE-WEB-2020-AFO Keith_Snow-Sailor_Of_Dreams-(195541680054)-SINGLE-WEB-2020-KLIN Key_Lean-Xenon_(ReOrder_Extended_Remix)-(ITP122E)-SINGLE-WEB-2020-AFO Key_Lean_and_Kyler_England-Oceans_(Vocal_Mix)-(SND233)-WEB-2020-AOV_INT Khoa_Tran-Reality_Somewhere-(SDR376)-WEB-2020-AFO Kinnarva-What_We_Are-(SSR382)-WEB-2020-AFO Klepper-Come_With_Me-(637344164684280048)-SINGLE-WEB-2020-KLIN Kojun-Wild_Call__Miracles_(Incl._DSM_Remix)-(SDM060)-WEB-2020-AOV_INT KoRay-Time_Traveler-(EDGE123)-WEB-2020-AFO Kristian_Nairn_and_Unterberg-Lightstream-(ENPROG408)-WEB-2020-AFO Kriticall_and_Frank_Watson-Beyond_The_Sky___High_Purity-(RDX404)-WEB-2020-AFO Kriztian_Krooz-Lost_Memories__Old_Night-(TMM123)-WEB-2020-AFO Kronomode-Moon_Base-(STREP50)-SINGLE-WEB-2020-KLIN Kukuzenko-Regada__Longer_Than_Forever-(PHW411)-WEB-2020-AFO Kyau_and_Albert-What_It_Takes_(Remixes)-(EUPH326)-WEB-2020-AFO Kyle_Wong-Hypnotized-(UPLY117)-WEB-2020-KLIN Kyle_Wong-Nightmist-(UPLY115)-WEB-2020-KLIN Last_Soldier-Shining_Star-(LSR030)-WEB-2020-AFO Last_Soldier_and_Vahid_Ghandizadeh-Dimensionless-(LSR029)-WEB-2020-AOV Laura_May-Live_At_Trance_Room_N_HQ_Live_Night_26_09-WEB-2020-XTC_iNT Laura_May_and_Mickey_Marr-Kamikaze_(Extended_Mix)-(HTE091)-SINGLE-WEB-2020-AOV_INT Lee_McNeill-In_the_Crosshairs-(DISCOVER270)-SINGLE-WEB-2020-AOV Leyso_-_11th_Midnight-(JMJR086)-WEB-2020-JUSTiFY Liam_Wilson_and_Corin_Bayley-Poltergeist-(MR050)-SINGLE-WEB-2020-AFO Limit_X-Forest_Fairy_Tale-(R2649)-SINGLE-WEB-2020-AOV Liquid_Dream-Rainbow_In_The_Storm-(LSR031)-WEB-2020-AFO Lokimusic-Point_Of_View-(DMAX637)-SINGLE-WEB-2020-KLIN Loreno_Mayer_-_Stronger-(NS095)-WEB-2020-JUSTiFY Lovegun-Human_Consciousness-(LG03)-SINGLE-WEB-2020-KLIN LTN-Remixed_2-(AVA334)-WEB-2020-AOV Luc_Poublon-Gelisah-(ITRANCE010)-SINGLE-WEB-2020-KLIN Lucid_Alias-Darkest_Passion-(BUT039)-SINGLE-WEB-2020-KLIN LUCIEN-Incantation-(AVAW179)-WEB-2020-AFO LUCIEN-Incantation-(AVAW179)-WEB-2020-AOV Luke_Browne-Balearic_Sunrise-(SR0006)-SINGLE-WEB-2020-AFO Lumidelic-Buried_in_the_Snow_(Remixes)-(SMLD028R)-WEB-2020-AFO Maarten_de_Jong-Tomahawk-(WAO138305)-WEB-2020-AOV Made_Of_Light-Overnight-(ABL008)-WEB-2020-AFO Madwave-Live_At_Trance_Room_N_HQ_Live_Night_26_09-WEB-2020-XTC_iNT Madwave_-_Orient_Express-(SCR365)-SINGLE-WEB-2020-JUSTiFY Magnetik-Synaesthesia-(195497123445)-WEB-2020-KLIN Mahaputra-Into_The_Imagination-(PHAT086)-WEB-2020-KLIN Mahaputra-Into_The_Music-(NS096)-WEB-2020-KLIN Major7-Afterlife-(X7M230)-SINGLE-WEB-2020-KLIN Mantrelich-Mantrelich-(ES0008)-SINGLE-WEB-2020-KLIN Manuel_Rocca-Lionheart_(Sandro_Mireno_Remix)-(ABSK078)-WEB-2020-AFO Maq-Stories_From_Space-(NSM370)-SINGLE-WEB-2020-KLIN Maratone_and_Frailai-Opus_(Kiyoi_and_Eky_Remix)-(ABRD233)-WEB-2020-AFO Marc_Van_Linden_and_Leroy_Moreno_ft._Emma_Harrop-Find_A_Way-(MWAY15)-WEB-2020-AOV Marcell_Stone_and_Floe-Fusion-(ENTRMR098)-WEB-2020-AFO Marcos-Arrow-(NKF033)-WEB-2020-AFO Marcos_Vs_Amos_And_Riot_Night_-_A_Long_Time_Coming-SINGLE-WEB-2020-iDC Maria_Healy-Mimosa-(RGEN045)-WEB-2020-AOV Mario_De_Caine-Mystery_Of_The_Mind-(DSR040)-WEB-2020-AFO Mario_Lopez_-_2020-WEB-2020-JUSTiFY Mark_Blue-Eclipse-(ODR064)-SINGLE-WEB-2020-AOV Mark_Dekoda-Between_Reality_and_Darkness-WEB-2020-JUSTiFY Mark_Sixma_pres_M6-Bad_Dreams-WEB-2020-AFO Mark_Wild_and_Eldream-Evolution-(SUBMISSION211)-WEB-2020-AFO Markus_Schulz-Escape-(BHCD207)-WEB-2020-AFO Markus_Schulz_and_London_Thor_and_Valentino_Alessandrini-Feel_Alive-WEB-2020-AOV Marlo_X_Triode_X_HALIENE_-_Castles_In_The_Sky-SINGLE-WEB-2020-JUSTiFY Marul_Manik-Admire-(637347499144562136)-SINGLE-WEB-2020-KLIN Masaru_Hinaiji_ft_Kayumai-Im_Here_You_Are_There-(TMM122)-WEB-2020-AFO Masaru_Hinaiji_ft_Kayumai-Warm_Wind-(AS1380100)-WEB-2020-AFO Matthew_Gross-Apollo-(OR102)-WEB-2020-KLIN Matthias_Bishop-Dust_From_My_Eyes-(ASPROG107)-WEB-2020-AFO Matthias_Bishop-Summer_Wind-(AURALSN169)-WEB-2020-AOV Matys_and_CJ_Stone-Silent_Waves-(AE415)-WEB-2020-AOV_INT Max_Ray_-_Neowise-(UPLY120)-WEB-2020-JUSTiFY Max_Shandula-Inner_World-(R2659)-SINGLE-WEB-2020-KLIN Maywave-September_EP-(EUPH325)-WEB-2020-AOV Men_In_Space-Nuclear_Kitten-(STREP49)-SINGLE-WEB-2020-KLIN Meraj_Uddin_Khan-Influence-(TPR105)-SINGLE-WEB-2020-KLIN Metronome_-_Shadows_Of_You-(BTRDR790)-SINGLE-WEB-2020-JUSTiFY Metta_and_Glyde-The_Shimmering-(AMSTR348)-WEB-2020-AOV Mfg-Global_Light-(MMS01)-SINGLE-WEB-2020-KLIN Mhammed_El_Alami-Rebirth-(FO140R073)-WEB-2020-AFO Mhammed_El_Alami_and_Bigtopo-Ludhiana-(RDXF044)-WEB-2020-AFO Mhammed_El_Alami_and_Imi-Summer_Is_Over-(AMSTR349)-WEB-2020-AFO Michael_Kaelios-Our_Destiny_(Extended_Mix)-(RGEN047)-SINGLE-WEB-2020-AFO Michael_Milov-Thanatos-(BASE100A)-WEB-2020-AFO Midnight_Evolution-Glimmer_Of_Hope-(AURALSN172)-WEB-2020-AFO Mike_Efex-Midnight_Colours-(CLHR415)-SINGLE-WEB-2020-KLIN Mike_Felks_and_King_Karim-San_Trancisco-(PTP123)-WEB-2020-AOV_INT Mike_Foyle_vs_Signalrunners-Love_Theme_Dusk_(Nikolauss_140_Remix)-WEB-2020-AOV Mike_Nero_and_Luke_Evil_-_Party_People_2.0_(Persian_Raver_Remixes)-(OWT76)-WEB-2020-MARiBOR Mike_Zaloxx-Nova-(MOLSO058)-WEB-2020-AOV Milad_E_and_DJ_Xquizit-Pacific_States-(ITP121)-SINGLE-WEB-2020-AOV Milla_Lehto-World_Outside_(Extended_Mix)-(PTP122)-SINGLE-WEB-2020-AOV_INT Mind_Evolution-We_Made_Revolution-(PH0061)-SINGLE-WEB-2020-KLIN Mind_Of_One-Muses-(AND032)-SINGLE-WEB-2020-KLIN Mind_Reflection-Pursuit_Of_Peace-(SPIT220)-WEB-2020-KLIN Mindbenderz_-_Cosmic_Package-(INM1SP035)-WEB-2020-JUSTiFY Minicied-Under__Shadows-(INC198)-WEB-2020-AFO Minus_One_ft._UDO-Hey-(FLASH216)-WEB-2020-AOV Miroslav_Vrlik_-_Miroslav_Vrlik_EP3-(NC0151)-WEB-2020-JUSTiFY Mk8-Saving_You-(HARMOR0378)-SINGLE-WEB-2020-KLIN Moa_Kruz-My_House-(DMAXDR070)-SINGLE-WEB-2020-KLIN Moelamonde-Spectral_Gateway-(DMAXD336)-SINGLE-WEB-2020-AFO Mohamed_Ahmed-The_Echo_Of_Her-(ECT175)-WEB-2020-AOV Mono_Sapiens-Helium-(180DR011)-SINGLE-WEB-2020-KLIN Morgan-Quantic_Overlay-(4DS004)-SINGLE-WEB-2020-KLIN Mr_Greidor_pres_Hardstationmaster-Trancestation_B._2020-(ESR458)-WEB-2020-AFO Mr_Magicall_and_Farhang_ft._Nelly_Tgm-Before_I_Go_(Averagaint_Remix)-(EBR088)-WEB-2020-AOV Muhamed_Sherief-Jaan-(EDGE124)-WEB-2020-AFO Muhamed_Sherief-Jaan-(EDGE124)-WEB-2020-AOV Mystic_Light_-_Awakening-(PER056)-WEB-2020-JUSTiFY Nakhiya-Crystal_Elevation-(MSBKPR0073)-SINGLE-WEB-2020-AFO Nakhiya-Stonehenge-(ESR455)-SINGLE-WEB-2020-KLIN Narciss_-_Language_Of_Love-(LT073)-WEB-2020-JUSTiFY Nat_Monday-Lights_On-(PRFCT174)-WEB-2020-AOV Neava-Invisible-(PDE13)-SINGLE-WEB-2020-KLIN Netek-Cosmic_Feel-(PRT038)-WEB-2020-KLIN Neurogenic-I_Am-(119)-SINGLE-WEB-2020-KLIN Nhexis_and_Obie_Fernandez-Vision-(DISDAR233)-SINGLE-WEB-2020-AFO Nicholson-Reverent-(TIDYTWOREV01D)-WEB-2020-AFO Night_Reflections-Kozak-(BLV7942259)-SINGLE-WEB-2020-KLIN Nikzad_and_Sina-The_Seventh_Sky-(LSR033)-WEB-2020-AFO Nima_van_Ghavim-Dopamine__Oxytocin-(EVO106)-WEB-2020-AFO Nima_Van_Ghavim_and_Quizzow-Serotonin-(NS094)-WEB-2020-AFO Normalize-Kemet-(BTRDR791)-SINGLE-WEB-2020-KLIN Norni-Freedom-(ASOT617)-WEB-2020-AOV Novel-I_Believe_You-(LTM088)-SINGLE-WEB-2020-AFO Novel-Oasis-(UPLY119)-WEB-2020-KLIN Novlik-Early_Rising-(CAT415796)-SINGLE-WEB-2020-KLIN Nozem-Lost-(TGNX021)-WEB-2020-KLIN NyTiGen_and_Ruslan_Borisov-Culmination-(SNM072)-SINGLE-WEB-2020-AFO O.B.M_Notion_and_Glorius-Back_To_The_Origin-(TAR138130)-SINGLE-WEB-2020-AFO Oliver_Smith-Sacrifice-(ANJ651D)-WEB-2020-AOV Omegakot_-_Flow-(ITD311)-WEB-2020-JUSTiFY Omel-Change_The_System-(195081789743)-WEB-2020-KLIN Omiki-Way_Down-(SPN1DIGI610)-SINGLE-WEB-2020-KLIN onTune-Sin_City-(PHAT088)-WEB-2020-AFO Optix-Anubis-(SSCD2185)-SINGLE-WEB-2020-KLIN Otistic-Freaky_Traveller-(CRZ004)-WEB-2020-KLIN Pablo_Artigas_-_Outer_Heaven-(IND041)-WEB-2020-JUSTiFY Paladium92-Essential-(IWMTRANCE001)-SINGLE-WEB-2020-KLIN Para_X-Different_Ways-(DISCOVER271)-WEB-2020-AFO Para_X-Different_Ways-(DISCOVER271)-WEB-2020-AOV_INT Parcker_Montivero_-_Infinite_Dreams-(GLX004)-WEB-2020-JUSTiFY_iNT Paul_Di_White-Starfall-(EGMSIN294)-WEB-2020-AFO Paul_elov8_Smith-Love_For_Mishca-(STATICS045)-SINGLE-WEB-2020-AFO Paul_Elov8_Smith-Outland-(TPR104)-SINGLE-WEB-2020-KLIN Paul_ICZ-Humanity_Reloaded-(BTSR343)-WEB-2020-AFO Pavel_Koreshkov-Friday_(Incl._Syntouch_Remix)-(BM073)-WEB-2020-AOV_INT Pavel_Koreshkov-On_The_Light-(BT277)-SINGLE-WEB-2020-AFO Pennyman-Terra_Bella-(ALWAYSA348)-WEB-2020-AOV Pete_Delete-Live_At_Trance_Room_N_Hq_Live_Night_26_09-WEB-2020-XTC_iNT Pete_Delete_and_Phazer-Save_The_Millennials-(HQ025)-WEB-2020-AFO Pete_Delete_and_Phazer_-_Save_The_Millennials-(HQ025)-WEB-2020-JUSTiFY Peter_Illias-El_Nido-(ESM422)-WEB-2020-AOV Peter_Martijn_Wijnia-Latitude__Momentum-(EGMSIN295)-WEB-2020-AFO Phil_Reynolds-Conspiracy_Theory_(Original_Mix)-(NC0126)-SINGLE-WEB-2020-AFO Philippe_El_Sisi_and_Omar_Sherif-The_Phoenix_(FSOE_650_Anthem)-(FSOE473B)-WEB-2020-AFO Phykro12-Dawn_On_My_Heart-(SDR377)-SINGLE-WEB-2020-AFO Physis-Blue_Sky-(BTRDR789)-SINGLE-WEB-2020-KLIN Plastic_3-Call_Me_In_The_Dark-(018736601903)-SINGLE-WEB-2020-KLIN Project_O.K_and_Miles_I.D-Silence-(RDXM119)-WEB-2020-AFO Protoculture-Sweet_Fine_Crystalline_(Inner_Sphere_Remix)-(TSR0137)-SINGLE-WEB-2020-AOV Prototype-The_Story_Of_3_Worlds-(637322829258997434)-SINGLE-WEB-2020-KLIN Prox_-_Wiggo-(ALWAYSA346E)-WEB-2020-JUSTiFY_iNT Psy_Fact-Darkside-(4061798717743)-SINGLE-WEB-2020-KLIN Psycho_Cat-The_Joker-(REG072)-SINGLE-WEB-2020-KLIN Psyjag-Without_You-(PVR0037)-SINGLE-WEB-2020-KLIN Psymes-Fusion_Philosopher-(EGMSIN292)-WEB-2020-KLIN Psyrate_Paul_-_Der_Einpool_Song-(RLS00117516)-SINGLE-WEB-2020-JUSTiFY_iNT Pulse_and_Sphere-Ultraviolet-(PHAT087)-WEB-2020-AFO Pulse_Junkie-Why_Not-(ESTR019)-WEB-2020-KLIN Push_-_Elegance-(BCD2020006)-WEB-2020-JUSTiFY Push_-_From_Beyond_(Remastered)-(BCD2020004)-WEB-2020-JUSTiFY Quantor-Mosaic-(HCR374D)-WEB-2020-AFO Qudu-Triangle-(TPR103)-SINGLE-WEB-2020-KLIN R.A.T.-Im_A_Freak-(IC222D)-WEB-2020-AOV Raaz-4808_North-(OHMM084)-SINGLE-WEB-2020-KLIN Rafael_Osmo-Gerum_(Extended)-(VAN2385)-SINGLE-WEB-2020-AOV Rafael_Osmo-Imagine__Pluck-(ENTRMR097)-WEB-2020-AFO Raz-Dragon_Ball_Z-(REG071)-SINGLE-WEB-2020-KLIN Redub_-_Memories__Bliss_(Original_Mixes)-(BRX015)-WEB-2020-JUSTiFY Redub_-_Memories__Bliss_(Radio_Mixes)-WEB-2020-JUSTiFY Relaz-Revolution-(ART117)-SINGLE-WEB-2020-KLIN Rene_Ablaze_and_Tiff_Lacey-Nebula-(AVAW176)-WEB-2020-AOV ReOrder_and_Xijaro_and_Pitch-Elevate-(WAO138300)-WEB-2020-AOV Rezwan_Khan-Freeborn_(The_Remixes)-(NRG036)-WEB-2020-AFO Rich_Harrison-From_A_Distance-(DMAXD335)-SINGLE-WEB-2020-AFO Rich_Triphonic-A_Life_Time_Away-(GOM031)-WEB-2020-AOV Richard_Tanselli-Wake_Up-(OUT164)-WEB-2020-AOV_INT Richard_Tanselli_and_Lee_Greenaway-Waiting_(Extended_Mix)-(HTE090)-SINGLE-WEB-2020-AOV_INT Rik_Martyn-Life_Renewed-(CLR01)-SINGLE-WEB-2020-KLIN Rising_Dust-Universo-(SHAMAN014)-SINGLE-WEB-2020-KLIN Robbie_Seed_and_Mary_Sweet-Okay_To_Fall-(IHM118)-SINGLE-WEB-2020-AFO Robert_Reazon-Confusion-(DMAXD337)-SINGLE-WEB-2020-AFO Robi_Beats-Boom_Boom-(IND5F4614BD6964140)-SINGLE-WEB-2020-KLIN Robi_Beats-Tribe-(IND5F0ECA7D4719475)-SINGLE-WEB-2020-KLIN Rodg-Evocations-WEB-2020-AFO Rodri_Santos-The_Path-(NSM368)-SINGLE-WEB-2020-KLIN Roger-M-On_Fire-(ARCV165)-WEB-2020-AOV Roger_Shah_and_Kristina_Sky_ft._Emma_Shaffer-Take_Me_Back-SINGLE-WEB-2020-AOV Roger_Shah_And_Kristina_Sky_Ft._Emma_Shaffer-Take_Me_Back_(Extended_Mix)-(DIT011)-SINGLE-WEB-2020-AOV_INT Roman_Messer_ft._Joe_Jury-Ive_Been_Needing_You_(Remixes)_(Single)-(SND235A)-WEB-2020-AOV_INT Roman_Messer_ft_Joe_Jury-Ive_Been_Needing_You_(Remixes)-(SND235A)-WEB-2020-AFO Rose_Well-Wanna_Play_With_Me_Now-(OVNIREC056)-SINGLE-WEB-2020-KLIN Rowan_Van_Beckhoven-Reverie-(LEV133)-WEB-2020-AFO Rowdy-Crazy-(PH0058)-SINGLE-WEB-2020-KLIN Royal_Triad-City_Lights-(195542313951)-SINGLE-WEB-2020-KLIN Rusty_Spica-Perfection-(DARK066A)-WEB-2020-AFO S.G.B._ft_Honoo-Neverending_Summer-(DMAX642)-WEB-2020-AFO S_H_O_K_K_-Reflux-(HTE094)-WEB-2020-KLIN Saad_Ayub_and_Andy_Teixeira-Retrofuture-(VAN2407)-WEB-2020-AFO Safarda-Lost-(EVO107)-WEB-2020-AFO Salekh-Abandoned-SINGLE-WEB-2020-AOV Salekh-Leila-(NSM373)-SINGLE-WEB-2020-KLIN Sali_-_Triplift-(BTSR342)-WEB-2020-JUSTiFY Sam_Heyman-Nessus-WEB-2020-AOV San_Frozen-The_Labyrinth-(SSR229)-SINGLE-WEB-2020-KLIN Saurav-Moksh-(IND5F3968BA8378132)-SINGLE-WEB-2020-KLIN Sean_and_Xander_-_Shimmer_Of_Tides-SINGLE-WEB-2020-JUSTiFY_iNT Sean_Tyas-The_Rhythm-(VII056)-SINGLE-WEB-2020-KLIN Seawayz_and_Thea_Riley-Mind_Made_Up-(RNMR197)-WEB-2020-AOV Section303-Bunker-(RIG060)-WEB-2020-KLIN Seif_M_Khairat-Unforgivable-(494533)-SINGLE-WEB-2020-KLIN Seif_Osama-Renaissance-(RW014)-SINGLE-WEB-2020-KLIN Seif_Osama_meets_Tp_One_and_Christoph-Sahara-(SR004)-SINGLE-WEB-2020-AOV Sekten7-Next_Realm-(SEKT190)-WEB-2020-KLIN Semper_T.-Two_Faces-(DMAX646)-SINGLE-WEB-2020-AFO Seypro-Forever-(CMS011)-SINGLE-WEB-2020-KLIN Shane_Infinity-Reborn-(TAR138131)-WEB-2020-AFO Shedona-Stellina-(INFRAR033)-WEB-2020-AFO Sholan-Celtic_Heart-(MNEOS007)-WEB-2020-AOV_INT Shortwave-Time_To_Leave_EP-(SCR366)-WEB-2020-AFO Signal3-Birdie-(MR014)-SINGLE-WEB-2020-AOV Signal3-Original_Sin-(MR015)-SINGLE-WEB-2020-KLIN Sinestro_and_Darknoizer_-_Insane-(MDR029)-SINGLE-WEB-2020-MARiBOR SixthSense-Doncella-(SMLD076)-WEB-2020-AFO Skilsara-Escalade-(OZR039)-SINGLE-WEB-2020-KLIN Smirnovlezha-In_The_Heart_Of_The_Galaxy-(R2656)-SINGLE-WEB-2020-KLIN Solarstone-island-(BHCD206)-WEB-2020-AFO Solarstone-When_I_Dream-(BH10380)-WEB-2020-AFO Solid_Iron_-_Black_Witches-(YSEDEP101)-WEB-2020-JUSTiFY Soul_Gressive-What_If-(PTL00030)-SINGLE-WEB-2020-KLIN Soul_Seers-Brilliant_You-(TRNCA382)-SINGLE-WEB-2020-KLIN Soundbuster-Mars_Red_Sky-(EUIL116)-SINGLE-WEB-2020-KLIN Space_Travellers-Outer_Worlds-(180DR010)-SINGLE-WEB-2020-KLIN Spacewind-Smell_Of_Music-(29TRANCE00016)-WEB-2020-KLIN Spectro_Senses-Awakening-(DM7007)-SINGLE-WEB-2020-KLIN Spyndl-Vibrations-(INR049)-SINGLE-WEB-2020-KLIN StanV_ft_glasscat-World_On_Fire-(ESM425)-WEB-2020-AFO Starmos-Time_Can_Not_Be_Returned-(R2645)-SINGLE-WEB-2020-KLIN Starpicker-Origins-WEB-2020-AFO Steve_Brian_ft._Eric_Lumiere-Somebody-(ENPROG406)-WEB-2020-AOV Stormline-Waves_From_The_Sky-(UPLY118)-WEB-2020-KLIN Subora-Wings_Ascending-(SDR379)-SINGLE-WEB-2020-AFO Suncatcher_and_Exolight_pres_Sunlight_State-Vacation-(ALWAYSA349)-WEB-2020-AFO Sunlight-Feel_The_Melody-(VRC034)-SINGLE-WEB-2020-KLIN Sunlight_Project-For_You-(10179808)-SINGLE-WEB-2020-AFO Super8_and_Tab-Cova-(ARMD1559)-WEB-2020-AOV Superoxide-Hypnosis_EP-(PHARMACY231)-WEB-2020-AFO Synthetic_Fantasy-Last_Sight_EP-(GERT0534)-WEB-2020-AFO Synthetic_Fantasy_-_The_Final_Empire-(GERT0528)-WEB-2020-JUSTiFY Syntheticsax_and_Dream_Travel_-_When_You_See_Me-WEB-2020-JUSTiFY System_F-Out_Of_The_Blue_(Ilan_Bluestone_Remix)-(FLASHBACK020R1)-WEB-2020-AFO T_Davids-To_the_Next-(ECT177)-WEB-2020-AFO T_K_O_-Spirit_Gun-(DMRDIG024)-WEB-2020-KLIN Talla_2XLC-Cicada-(NK059)-WEB-2020-AFO Tandava-Nina-(492125)-SINGLE-WEB-2020-KLIN Tasadi-Regulus-(STAR003)-WEB-2020-AFO Tasadi-Surrender_(Incl._Aimoon_and_Somna_Remixes)-(STAR002)-WEB-2020-AOV Tastexperience_and_Sara_Lones-Reach_Out_(Madwave_Remix)-WEB-2020-AOV TbO_and_Vega-Moldau-(VTR043)-WEB-2020-AFO Temple_One-LEnvoi-(DIGISOC377)-WEB-2020-AFO Terra_V-Ready-(ABL006)-WEB-2020-AFO Terra_V-Silentii-(RDX405)-WEB-2020-AFO Terra_V-Space_For_Life-(BTSR340)-WEB-2020-AFO Terra_V.-Back_To_Life-(SR005)-SINGLE-WEB-2020-AFO Terrorguyz-Psylok-(DCR155)-SINGLE-WEB-2020-KLIN Terry_Tane-Recognise_This-(EFF227)-WEB-2020-KLIN TH3_ONE-Spectrum-(INFRAR032)-SINGLE-WEB-2020-AFO The_Freak_Show-Cinematic-(BTRDR788)-WEB-2020-KLIN The_Infonaut--Informatics-(CGT029)-WEB-2020-BABAS The_Skysurfers-Never_Ending_Story-(SCR0045)-SINGLE-WEB-2020-KLIN The_Technicians-Lost_In_Musik-(FSOEC112B)-WEB-2020-AFO Thiago_Gloomy-Reverse_Face-(BLV7666902)-SINGLE-WEB-2020-KLIN Thomas_Benscher-Gratitude-WEB-2020-AOV Thomas_Johan-Magnanimity-(RDXM121)-WEB-2020-AFO Thomas_Johan-Magnanimity-(RDXM121)-WEB-2020-AOV Tommytechno-Freesystem-(43136)-SINGLE-WEB-2020-KLIN Tommytechno-Tranzeuzuer-(43135)-SINGLE-WEB-2020-KLIN Trance_Wax-Beul_Un_Latha-WEB-2020-AFO Transfuse-What_We_Know-(BTRDR786)-SINGLE-WEB-2020-KLIN Transpose-Life_Before-(TSR0138)-SINGLE-WEB-2020-KLIN tranzLift-Quarterfoil_(The_Remixes)-(BTSR345)-WEB-2020-AFO Tripnosis-Penguins_Look_Fat-(PTND010)-SINGLE-WEB-2020-KLIN Tritonal-Love_Is_Power-(ENHANCED469)-WEB-2020-AFO Trstnmrk-Here_We_Go_Again-(195542040307)-SINGLE-WEB-2020-KLIN Turker_Ozsoy_-_This_Is_Turker_Ozsoy-(YV108)-WEB-2020-ZzZz Turn_The_Doll-Multiverses-(EUIL115)-WEB-2020-KLIN Twin_View-Cold_Horizon-(FIM003)-SINGLE-WEB-2020-KLIN U-Mount_and_SpaceLine-Moon_Rise-(SUBMISSION210)-WEB-2020-AFO UDM-Supernova-WEB-2020-AFO Uku_Pacha-Bloodline-(10179978)-SINGLE-WEB-2020-KLIN and much more... 
submitted by 1trance_org to u/1trance_org [link] [comments]

2020.10.02 20:50 birnaxa I can't deal with the stress in a new friendship

So, I am a 19F recently i met a 18M boy on tinder. We have known each other for 1,5 week and we meet once. I also feel like i know him too well but about that below. The problem is that i feel obligated to continue our friendship and now the context.
He is a very nice, sweet and caring pearson. We have a lot (i really mean it) in common but he is a story teller. You know a pearson that base 80% of the conversations on stories from his past, i couldn't keep a normal topic going with him because he would always start telling me about his past experiences to make the conversation funny. I don't mind a bit of it but when you feel like you know a pearson 5 months just from talking with him for a week then idk i just don't feel it. I was also okay with it an the beginning because we were getting to know each other. We also talked all day which is exhausting but as i said earlier we were getting to know each other so i was cool with that too.
I actually broke it off with him 2 days ago because i was so stressed and depressed (also from that texting all day when we really didn't have much to talk about and after a while was just borring) that he seemed like he wanted something more and i couldn't give him the same. We actually spoke today about all of this. He said that he really doesn't want to lose me and he would fight for just a bit of contact. We set our boundaries and it seemed that we just didn't told each other everything. It turned out that he too didn't want to talk all day but he didn't want to leave me ( he is a guy that will do everything to make the other side happy so he just sacrifice himself) and that we just started off from the bad ground, the relationship ground. Also he won't be telling as much stories as before.
And that was it, we talked for a bit after that and there should be a happy ending, right? The problem is that i just can't stop stressing about this friendship. I feel obligated to continue it even tho he told me that if after all this i still didn't feel this friendship he wouldn't be sad or pressure me because he wants me to be happy. I am scared that i will hurt him again after breaking off things for the second time and i know it is possible, and that is what i fear the most. I really don't know what to do in this situation, i am stressing so much that i can't really focuse on other things because i always have a thought int the back of my head that our conversation will be boring and too long and i will eventually cut him off for the second time... I know this is a bit haotic but if something is not clear just let me know.
THE QUESTION: a simple what should i do?
tl;dr. I am stressing so much that i can't really focuse on other things because i feel obligated to continue a new friendship even after talking out our problems with it. I don't want to lose him but i just feel like i can't do this anymore even tho i know i will regret this
submitted by birnaxa to relationships [link] [comments]

2020.10.01 08:50 guilelessgull når e-tjenesten blir mediehus

Ingen dominerer dekningen av konfliktsoner som vestlige e-tjenester. De har kontakter og budsjetter nok til å kjøpe akkurat den dekningen som passer deres agenda.
De verste løgner blir avslørt av og til, men aldri i samtid. Når avsløringene kommer er hensikten for lengst oppnådd. Krigen er allerede vunnet eller godt i gang.
Taktikken fungerer så flott at den stadig gjentas, og selv når den avsløres blånekter etablerte norske medier å ta opp temaet. Derfor denne posten, som dokumenterer tre tilfeller.
En dråpe i havet men bedre enn ingenting.
"På innsiden av IS"
Historien om IS-bøddelen gir et nærbilde av brutalitet og ondskap som Vesten absolutt må bekjempe med makt. Reporteren får beundrende omtale:
nøytralitet er grunnsteinen i journalistikken.
arbeidet er tuftet på en form for nærhet til IS, som kommer tydelig frem i Caliphate. Hun vil komme så nære gruppas medlemmer som overhodet mulig uten å bli tatt livet av, forteller hun nøkternt.
Men historien er falsk. Reporteren snakket ikke med "kilder på innsiden av IS". Hun snakket med en mann med falsk identitet, som ikke var medlem av IS, og som ble plantet i media av føderale agenter innen "nasjonal sikkerhet".
Kilden heter Shehroze Chaudhry, han bor i Toronto, og ble nylig arrestert for "terrorism Hoax" i Canada.
Callimachi was informed by New York Times national security correspondent Eric Schmitt that “two different officials in the U.S. government at different agencies have told me is that this individual, this Canadian, was a member of ISIS.”
Den store nyheten er ikke at en norsk journalist ble lurt. Heller ikke at en stjernereporter i NYT ble lurt av en kollega. Skandalen er at statlige sikkerhetstjenester planter falske kilder i våre medier.
Den råttenskapen burde graves godt og hardt opp i, men jeg regner med historien raskt dysses ned i USA, og forblir oversett i Norge.
I vinter begynte noen nettsteder å avsløre hvordan britisk etterretning finansierte krigspropaganda fra Syria:
five UK covert propaganda programmes in Syria [] began in 2012, involving the creation of a network of citizen journalists across the country to shape perceptions of the conflict.
British covert action contributed to the war, helping to prolong it.
prominent British journalists visiting Istanbul would be introduced to Syrians acting as opposition spokespeople, who had been prepared for the encounter by British handlers.
(høyst sannsynlig at norske medier fikk samme service)
Nå i september ble dokumentene sluppet i sin helhet:
"Aktis Strategy" er bare ett av mange PR selskaper, men gir et godt bilde av industrien.
På toppen sitter hvite briter fra diplomatiet, militæret og e-tjenestene. Lenger ned i hierarkiet finner vi syrere, som trenes opp, filtreres og lønnes avhengig av hvor godt de tjener britiske interesser. I media opptrer de som "aktivister".
Blandt Aktis' falske aktivister finner vi Dima Shehadeh, som bl.a. dukket opp i Norge:
Jeg var ikke i Oslo Rådhus den dagen, men vet godt hva Dima sa til Oslofolket: "Vesten har et ansvar for å beskytte (R2P - som det forkortes). Assad må bombes, og vesten må sette sin lokale favoritt på tronen, så vil Syria få frihet og demokrati" - og tragedien fra Irak, Libya, Afghanistan og Somalia vil gjentas.
Hvordan kan jeg være så sikker på hva Dima sa?
Hun hadde ikke fått jobb eller lønn hvis hun ikke fremmet krig i Syria. Det var oppgaven hennes, som nå kan dokumenteres.
De falske mediahusene tok inn store fortjenester og slapp løs en megaflom av aktivister på sosiale medier. Det er umulig å nå over en brøkdel av hele kampanjen, men jeg tar med to, fordi de kom til Norge.
Robin Yassin-Kassab og Leila Al-Shami besøkte Litteraturhuset i Oslo i 2016. De holdt foredrag og stilte villig opp for norsk presse:
De to aktivistene fikk selvsagt rød løper rett inn i NRK og Urix. Norske støttespillere var utvilsomt involvert, men jeg har null bevis.
Sidekommentar: Komisk at den norske verten ikke makter å si hvem som kontrollerer Øst-Aleppo. "Rebels" er det nærmeste hun kommer. Det får holde, ellers skjønner nordmenn hvem Assad faktisk kjemper mot. Det kan ikke Urix risikere.
Budskapet er som forventet krigshissing av simpleste sort: "Assad må bombes, ellers svikter dere Syria."
Verdt å merke at Leila Al-Shami kun stiller til avisintervju, og ikke i NRK. I dag vet vi at hun bruker falskt navn, og nekter å la seg filme og fotografere:
Leila skriver aldri på arabisk. Hun legger ut lenker og kommentarer som henger særdeles dårlig på greip for det som angivelig er en syrer.
Informasjon om krig fra en så lyssky kilde burde aldri nå et norsk publikum. Men det bekymrer ikke NRK. De har sine egne målsettinger, godt i tråd med britisk etterretning.
Da "Middle East Eye" avslørte massiv britisk kontroll av "Syrisk Media" la Leila Al-Shami ut en lenke til denne forsvarstalen, skrevet av de britisk-lønnede aktivistene selv:
Det er det nærmeste vi kan forvente å komme en tilståelse fra Leila:
"Ja, vi er finansiert og styrt av britiske e-tjenestemenn, men vi mener det godt og vil det beste for Syria. Vær så snill å bomb Syria.
Hilsen navnløse personer som kanskje er syrere, eller kanskje ikke."
submitted by guilelessgull to undeletenorge [link] [comments]

2020.09.30 05:29 Jimenez230 The lost ones, F for F rp

Please be over 18 and no NSFW. Romance, adventure, cuteness, action. This is a fantasy plot based in an ever expanding world I have been creating since I was at least 11 years old. I really cherish this world, and miss having someone to share it with, someone to get excited about our stories, someone who loves to grow it and cares for their characters. The older I have gotten, I’m 23 now, the darker the plots involving the kingdoms and families in this world have become. This plot in particular centers on two powerful young mages from two different royal families. I am willing to world build and develop characters with my partner, and the names mentioned in this next part can be changed if you like. I am always interested in adding onto this world and creating a wonderful story we both can enjoy. The first royal family serve the goddess of war and Victory, Ysarus. This family lives in Arraisia and have 23 children, but only one of them is interested in taking the throne as her siblings are pursuing academic studies, glory in the military, and careers alongside the arch mages of the realm. She is also the conduit for Ysarus’s magic and her link between her people and the realm of the Gods, Lieria. With all this responsibility, crown Princess Cacia Ariadne Lanayia Hayaus doesn’t get out much. And with her father about to abdicate his throne and hand his kingdom to her, freedom is something that is about to come in even smaller quantities. Her father is planning a ball for her coronation, and the other royal families from the empires of fire, water, earth, air and chaos are each sending a representative or two to welcome the new queen and by for the favor of the children of Victory. Cacia grew up with some of these children around her, and they have history, but a dangerous variant mage, one born with light and dark magic in her blood and thought long dead is gathering an army and has a score to settle. Cacia’s father, and lady Ysarus, hope that the gods and their children can form an alliance and stop the bloodshed before it even begins. Cacia just wants to keep her head above water. While Cacia comes from the south where food is plentiful, cities are safe and life is good, Thalia Reyes lead a very different life. Vengria is cold, desolate, beautiful and harsh, and it is home to Thalia. When Thalia was younger her older sister took the crown of Vengria by force, exiled their parents and inslaved her. Though blood magic is outlawed and punishable by death in all the empires, this did not stop Sellece from using it to torment her younger sister for decades, until the God of water and Ysarus’s younger brother Losyn claimed her as his avatar. He gave her the strength to in prison her sister and she had worked to restore Vengria to its former glory. But her past still haunts her, and she finds it hard to open up to people or trust. Rumors have been going around that she is a dangerous tyrant,as cruil as she is beautiful and Thalia likes it that way because no one can hurt her if they are afraid to get close to her. When Cacia and Thalia meet, one offers the other freedom, joy, and an escape, and the other offers stability, comfort, loyalty and peace after years of turmoil. Weeks spent together have made Thalia fall fast and hard for Cacia, but if Sellece ever gets lose from her prison and comes after them, it could insight a fierce reaction from the Hayaus clan and lead to war between the Reyes Hayaus bloodlines and the rest of the Victory and water tribes. This plot can go in so many different directions, and we can come up with another plot if you want if we get borred. This world has griffins, dragons, poisonous unicorns, non lethal unicorns, Pegasus, this world is my escape from the harsh reality of life and I hope it can be someone else’s to. There is also an alternate high tech universe for this world, super heros and bounty hunters, I had a group of friends that would escape with me into this world but they have all moved on and left the care of it to me. I can’t wait to create a story with you.
submitted by Jimenez230 to AdvancedLiterateRP [link] [comments]

2020.09.28 02:32 CanadianTelco RECO Complaint on Broker

As a first time home buyer, my broker was found from an advertisement as being knowledgeable of an area I was interested in buying within. From the outset, he was helpful and knew how quick and at what price a home was likely to go for, guiding our purchase decision.
After looking at about 12 properties, we fell in love with one he said he was representing his seller on in passing. We put an offer in on a Friday at $30k less than asking to get the negotiation rolling and he sent us the offer and agent representation letter the next morning to formalize.
This started him asking me how soon we would sign the form, that we would lose the house if we didnt formalize the offer. I didnt have the time to read the forms I was signing because he told us we were at risk of losing the house. I signed the forms and sent it back and he said he would present it to the buyers. He called back about 8hrs later and told us there was another offer and we should come up a bit, to which we increased $10k. He told us it wasn't enough and we backed out.
In my gut, I knew something was off so I consulted another agent that was an agent in another part of town. He read our agreements and found that he locked us into an 8month contract for the whole province and that he didnt even explain to us the impacts of multiple representation. He also made the offer we put in valid for more than a week, irrevocably. I stupidly signed the contracts fearing I may lose the house, without understanding what I signed.
I sent the realtor a cancellation of representation form and he called me right back asking me to meet in his office. I refused and gave him a 5hr deadline to sign and return to which he didnt do. I called the broker on record, he advised me to go to the meeting which I again refused. I then told the BOR that if I didnt get the cancellation form, I would approach the RECO and BBB., to which he said "go ahead."
I drove by the house today and noticed a SOLD sign infront of the house, no surprise. On the board also said "Sold to my own Buyer."
Not only did he have us put offers on a house where he represented the sellers, he was playing us against another buyer who he also represented. None of which we were explained the impacts of.
I submitted the RECO complaint as this has scared me out of the market.
What is my recourse here? I feel trapped and in a bad relationship with my realtor.
submitted by CanadianTelco to RealEstateCanada [link] [comments]

2020.09.25 07:15 PotateTheOs I got bored and mapped out the MCU timeline(s)

Sorry guys, its gonna be a long one... If you want to, give it a read, let me know what I'm missing. It's very rough copy. I kinda wanna make this abomination one day, hence the movie titles.
THOR: THE DARK WORLD- EONS AGO Dark Elves vs Bor on Nifilheim
THOR- 965AD-? Odin vs Laufy in Tönsberg Norway Odin finds Loki. Young Thor and Loki on Asgard
CAPTAIN AMERICA: THE WINTER SOLDIER- 1941 Steve and Bucky come back from Steve's in Brooklyn, New York.
CAPTAIN AMERICA: THE FIRST AVENGER- 1941-1945 World War II Across America and Germany Captain America is born and fights along side the Howling Comandos against Hydra and The Red Skull.
AVENGERS: ENDGAME- 1970 Captain America and Iron Man (2023) go to New Jersey in search of the Tesseract.
GUARDIANS OF THE GALAXY VOL. 2- 1980 Meredith Quill and Ego drive through Missouri and plant a seed.
AVENGERS: INFINITY WAR- Gamora is separated from her mother, she meets the Mad Titan: Thanos.
GUARDIANS OF THE GALAXY- 1988 Meredith dies of cancer in a Missouri hospital and Peter leaves the hospital only to be abducted by Yondu and the Ravagers.
ANT-MAN- 1988-1989 Ant-Man and The Wasp stop a Soviet missile. Janet is lost to the Quantum Realm. Hank Pym confronts Howard Stark and S.H.I.E.L.D at the Triskellion in Washington DC about them trying to replicate his Pym Particle formula.
CAPTAIN MARVEL- 1989 Carol Danvers flies a prototype jet with Lawson through California. She gains powers after a crash. Lawson is a Kree named Mar-Vell, killed by Yonn Rogg.
CAPTAIN AMERICA: CIVIL WAR- 1991 The Winter Soldier is tasked with obtaining Super Soldier serum. He kills Howard and Maria Stark.
BLACK PANTHER- 1992 King T'Chacka, the Black Panther kills his brother N'Jobu in his appartment in Oakland.
GUARDIANS OF THE GALAXY VOL. 2- Yondu teaches Peter.
CAPTAIN MARVEL- 1995 Vers arrives in Los Angeles in 1995, fights and promptly befriends the Skrulls and takes down a conspiracy made by the Kree. She reclaims her name: Carol Danvers and becomes Captain Marvel.
IRON MAN 3- 1999/2000 Tony Stark and Maya Hansen meet Aldrich Killian, head of A.I.M. in Sweden on New Year's Eve 1999.
IRON MAN- 2009 Tony Stark is held captive in Iraq where he builds the Mark I Iron Man armour in a cave, with a box of scraps. He fights the Ten Rings and takes down Obadiah Staine, his former business partner, now Iron Monger in California.
THE INCREDIBLE HULK- 2009 Bruce Banner is tracked down while living in Brazil. He escapes army capture and returns home to America where he reunites with Betty Ross, daughter of General Thaddeus "Thunderbolt" Ross. He takes down Abomination in the streets of Harlem, New York
IRON MAN 2- 2010 Tony is Dying. He is challenged by Ivan Vanko, AKA Whiplash. He constructs Mark 5 and 6, creating a new element to power his Arc Reactor in his chest. Justin Hammer employs Ivan to build an Army of Iron Man clones. Agent Coulson tells Tony that he needs to go to New Mexico to deal with a situation.
THOR- 2010 Thor takes his brother, Lady Sif and the Warriors Three to Jotenhiem. He faces the frost giants but is ultimately cast out by his father, Odin. He arrives in New Mexico, learns to be more humble and becomes a true Hero as Thor once again, defeating Loki.
IRON MAN 2- 2010 Iron Man with he help of War Machine beat Hammer's drones and Whiplash.
CAPTAIN AMERICA: THE FIRST AVENGER- 2011 Steve Rogers awakes in New York 2011.
MARVEL'S THE AVENGERS- 2012 Captain America, Iron Man, Hulk, Thor, Black Widow and Hawkeye are assembled to take on the threat of Loki and his Chitauri army. They form The Avengers.
AVENGERS: ENDGAME- 2012 Captain America, Iron Man and Ant-Man 2023 arrive to pick up the Scepter, Tesseract and Eye of Agamoto.
MARVEL'S THE AVENGERS- 2012 The Avengers defeat Loki and his army.
AVENGERS: ENDGAME- 2012 Hulk gets the Time Stone from the Ancient One and Steve gets the Scepter from Stiwell and Rumlo however Tony and Scott aren't able to retrieve the Tesseract and have to come up with another plan.
SPIDER-MAN: HOMECOMING- 2012 Adrian Toomes and his crew clean the mess left by the Battle of New York. Damage Control orders them to leave
IRON MAN 3- 2012-2013 Iron Man is broken by "The Mandarin" and is left with PTSD From the Battle of New York and is stuck in Rose Hill, Tennessee. Pepper and President Ellis are captured by Aldrich Killian and A.I.M who inject Pepper with Exremis. He recovers and with the help of Rhody, he saves the President and Pepper from Aldrich. After he dies, Tony blows up all his remaining suits.
THOR: THE DARK WORLD- 2013 Jane Foster accidentally imbues herself with the power of the Ether, the Reality Stone, and is reunited with Thor who takes her to Asgard.
AVENGERS: ENDGAME- 2013 Thor and Rocket arrive on Asgard to gain the Reality Stone. Thor talks to his mother and Rocket collects the stone.
THOR: THE DARK WORLD- 2013 Thor, Loki and Jane travel to Nifilhiem to meet with Malakith, the Dark Elf. Thor unsuccessfully destroys the Ether. Malekith arrives on Earth in London but is stopped by Thor, Jane, Darcy and Eric.
CAPTAIN AMERICA: THE WINTER SOLDIER- 2014 Nick Fury is downed by The Winter Soldier, a weapon of Hydra who is revealed to secretly have corrupted half of S.H.I.E.L.D's personale in Washington DC. Steve and Natasha turn to Sam Wilson: The Falcon, for help.Bucky turns out to be the mind wiped Hydra puppet. Pierce, leader inside Hyrda, is defeated and Bucky disappears. Falcon and Steve hunt for Bucky.
AVENGERS: ENDGAME- 2014 Gamora and Nebula meet with Thanos, Nebula is overridden by 2023 Nebula.
GUARDIANS OF THE GALAXY- 2014 Star Lord, Gamora, Drax, Rocket and Groot are imprisoned together in the Klyn. They escape and end up helping the Nova Corps defeat Ronan the Accuser who wields the might of the Power Stone with the help of Yondu's Ravager team. They form The Guardians of the Galaxy.
GUARDIANS OF THE GALAXY VOL. 2- 2014 Peter meets his Father, Ego The Living Planet. He's a Celestial living with Mantis. Peter learns that Ego gave his mother the Cancer that killed her and with the help of the Guardians, kills his father. Yondu sacrifices himself to save Peter from the vacuum of space after Ego implodes.
AVENGERS: AGE OF ULTRON- 2015 During a strike against Baron Von Strucker's Hyrda base in Sokovia, The Avengers meet two enhanced twins, Wanda and Pietro Maximoff. Tony and Bruce work developing an A.I peacekeeping initiative called Ultron. Ultron begins to function and quickly begins to take control over everything in Avengers Tower in New York. He builds himself a body and Army as he conducts a plan to remove humans from earth to start anew. He unintentionally creates his own downfall in the form of Vision, an Android with a vibranium body, power of the Mind stone and mind of J.A.R.V.I.S. A New team of Avengers including Scarlet Witch, Quicksilver, The Vision and War Machhine come together to save the world against Ultron. Quicksilver dies after being shot when he used his own body as a shield. Hulk and Thor go off world and Tony leaves the Avengers.
ANT-MAN- 2015 Scott Lang is released from San Francisco prison and is roped back into a world of crime when Luis helps him break into Hank Pym's house. He finds a suit and unintentionally becomes the new Ant-Man. Darren Cross, Hank's former protege becomes Yellow Jacket and fights Scott. He loses and dies. Scott enters the Quantum Realm for the first time.
CAPTAIN AMERICA: CIVIL WAR- 2016 Secretary Ross informs the Avengers that the Sokovia Accords will be requiring them to register and be governed by the United Nations after a fatal explosion in Lagos Nigeria. The team is split. At the UN meeting in Vienna, an Explosion goes off that Kills T'Chacka, king of Wakanda and father to T'Challa. The Winter Soldier is blamed. Tony recruits Peter Parker: Spider-Man to his team.
SPIDER-MAN: HOMECOMING: 2016 Peter films a vlog of his trip to Germany.
CAPTAIN AMERICA: CIVIL WAR: 2016 Steve assembles his team in Germany. Iron Man, War Machine, Black Widow, Vision, Spider-Man and Black Panther fight Captain America, The Winter Soldier, The Falcon, Scarlet Witch, Ant-Man and Hawkeye. Steve and Bucky escape to Siberia. Tony arrives and finds out Bucky killed his parents. He fight Steve and Bucky and loses. Captain America drops his shield. The Avengers are toast.
SPIDER-MAN: HOMECOMING- 2016 Peter returns with Happy and Tony from Germany.
BLACK PANTHER- 2016 T'Challa arrives back in Wakanda. He takes part in a ceremony to fight to become the King of Wakanda. He beats M'Baku. Black Panther, Nakia and Okoye fight Ulysses Klaw in Seoul. Klaw escapes custody with the aid of Eric "Killmonger", who kills him. Eric takes the corpse of Klaw to Wakanda to reveal that he is N'Jadaka, son of N'Jobu brother if the late T'Chacka. N'Jadaka challenges T'Challa to the throne, seemingly beating him, only be bested and killed by T'Challa later. T'Challa opens up Wakanda for the whole world to see.
DOCTOR STRANGE- 2016 Stephen Strange is a genius surgeon in New York who suffers a terrible injury in a car accident. When western medicine fails him, he travels east.
SPIDER-MAN: HOMECOMING- 2016 Spider-Man takes on The Vulture and his team of underground super-weapon business. He stops The Shocker and Vulture and sends him to Jail. He turns down Tony's offer to become an Avenger. Aunt May finds out Peter is Spider-Man.
DOCTOR STRANGE- 2017 Stephen becomes a master if the mystic Arts alongside Mordo, The Ancient One and Wong. He stops Kaecillius by making a bargain with Dormamu in the Dark Demension by introducing Looped time.
ANT-MAN AND THE WASP- 2018 Scott is under house arrest for violating the Sokovia Accords. Hank and Hope are on the run as they too violated the accords by helping him. They are being stalked by Ghost who phases in and out of reality from her exposure to Quantum Energy. Hank enters the Quantum Realm and rescues his Wife Janet Van Dyne. Janet gained powers and helps settle Ghost, who leaves. Scott is released from house arrest.
THOR: RAGNAROK- 2018 Thor returns to Asgard from after defeating Sutur. Loki has been posing as Odin for the past 5 years thus sending the Nine Realms into Chaos. They go to find Odin and meet Doctor Strange who helps them find him just before he dies. Hela, Thor's sister is released from Hel and fights Thor and Loki. She destroys Mjolnir and travels to Asgard via the Bifrost. She kills the Warriors Three upon arrival. Loki and Thor end up on Sakar where they meet the Grandmaster, Valkyrie and reunite with Hulk. They all end up leaving to fight Hela on Asgard who has amassed an army of the dead. Loki unnleashes Surtur who lays waste to Asgard. Hela is defeated in the process.
AVENGERS INFINITY WAR: 2018 Thanos, wielding the Power stone, and the Black Order kill Half of the surviving Aagardians. Heimdall sends Hulk to earth after he unsuccessfully fights Thanos. Heimdall is killed. Thanos gets the Space stone from Loki, who's neck he snaps. Bruce warns Doctor Strange about Thanos. Iron Man, Doctor Strange, Wong and Spider-Man fight Ebony Maw and Cull Obsidian. They all end up in space, except Wong. The Guardians of The Galaxy find Thor. They split up as Rocket and Groot go with Thor to Nividalier. The others go to Knowhere to confront Thanos. Wanda and Vision are attacked by Proxima Midnight and Corvus Glave. Steve Rogers, Black Widow and Falcon arrive to help. The Guardians of The Galaxy find and subsequently get defeated by Thanos now wielding the Reality Stone, and he takes Gamora. Iron Man, Spider-Man and Doctor Strange kill Ebony Maw. They fly to Titan. Steve's team returns to Upsate New York where they meet up with Rhody and Bruce. They all fly to Wakanda where they meet T'Challa and Bucky. Gamora reveals to Thanos that the Soul Stone is on Vormir to spare her sister. They go together, but Thanos leave without her and with the stone, having sacrificed his own daughter. Iron Man's team mistakenly ends up fighting the Guardians of The Galaxy. Proxima Midnight, Corvus Glave and Cull Obsidian lead and army against The Avengers and Wakandans. Thor Arrives with Rocket and Groot wielding the newly forged Stormbreaker. Thanos arrives on Titan and is greeted by Doctor Strange. The Avengers and Guardians fight Thanos and are all taken down one by one. Strange asks Thanos to spare Tony's life in exchange for the Time Stone. Thanos accepts. He finally goes to Earth where he easily dismantles the Avengers. He takes the Soul stone from the Visions Head. Thor impales him with Stormbreaker. Thanos survives and snaps his fingers. Bucky, Sam, T'Challa, Shuri, Wanda, Groot, Peter Quill, Drax, Mantis, Peter Parker, Maria Hill and Nick Fury are wiped from existence. Thanos rests, looking out on a grateful universe.
ANT-MAN AND THE WASP- 2018 Scott enters the Quantum Tunnel. Hope, Hank and Janet get wiped from existence.
AVENGERS: ENDGAME- 2023 [2018] Hawkeye's entire family gets wiped from existence. Tony and Nebula are rescued by Captain Marvel. They go to Earth. Steve, Natasha, Carol, Thor and Bruce go to The Garden to find Thanos without the stones. Thor chops Thanos' head off. 5 YEARS LATER. Scott returns from the quantum realm. He goes to the Avengers facility and talks to Natasha and Steve. They meet Tony who refuses to help. They go to Meet with Hulk, who now has Bruce's personality. They try unsuccessfully to time travel. Tony cracks Time travel. They come up with a plan for how to collect all 6 Infinity Stones. They travel to 2012 New York, 2013 Asgard, 2014 Morag and Vormir and 1970 New Jersey. They come back, and mourn Natasha. They construct an Infinity Guantlet and revive half of the universe to life. Every Avenger Assembles to fight Thanos' Army. The fight is won when Tony snatches the Infinity Stones from Thanos and snaps him and his army out of existence. Captain America returns the stones, he goes back to 1945 to live out his life with Peggy.
SPIDER-MAN: FAR FROM HOME- 2023 A Earth Elemental destroys a Mexican city. Midtown Science High take a trip around Europe starting in Venice. They're attacked by a Water Elemetal. Peter tries to stop it but is helped out by a new hero, Mysterio. Nick Fury takes over the trip and sends them to Prague where Spider-Man and Mysterio fight a fire elemental. Peter takes MJ for a walk when she blurts out that she know's Peter's identity. They pair also find out about Mysterio's lying nature and that he's the villain. Peter tries to tell Nick Fury about Mysterio but is thrown into an illusion. Mysterio tricks Peter into being hit by a train that takes him to the Netherlands where he's picked up by Happy. They travel to London where he confronts Mysterio, beating him as he gets shot by his own drones. He frames Peter for his murder. J Jonah Jameson announces that Peter Parker is Spider-Man. Nick Fury was a Skrull, the real one is on a S.W.O.R.D Spacestation.
submitted by PotateTheOs to marvelstudios [link] [comments]

2020.09.23 18:29 ticklecorn Lost Mines Of Phandelver: The Tresendar Manor Clown Car (Area 2: Barracks)

Tactically speaking, the barracks (Area 2) in Tresendar Manor is a disaster. There are four empty squares in a room with three occupants in it. There are two sets of bunk beds in a space that has a 10 foot ceiling, meaning combatants can't stand on them. The other side of the room is piled with boxes. Running a combat within this room is like running a combat in a clown car. So what's a DM to do?
If you just said to yourself "draw them out, you dummy," I like the cut of your jib. Meet me below deck.
Did you know that unscientific studies have concluded 9 out of 10 players prefer to get stabbed as infrequently as possible? As such, your players may seek to control the method for how the ruffians enter Area 1 (Cellar) from Area 2 (Barracks). This means a bottleneck, where players will expect Glasstaff's greasers to cherish the idea of getting stabbed in the face as they attempt to fight their way out of their cramped dwelling. BOR-ING. You need some options to get the ruffians to more wide open spaces to be murdered in.
Final Thoughts: extricating the Redbrand Ruffians from the cramped confines of the barracks will not only give you more space to set up an interesting, tactical combat; it will also showcase some tactics that the players can use themselves down the line. Combats can often devolve into toe-to-toe hack & slash until one side drops to 0 HP. By making your Redbrands more dynamic in combat, you can educate your players on the possibilities in combat without them even knowing it!
I really enjoyed writing these recommendations, so be on the look out for more of these Tresendar Manor tips if you liked this post. Consider giving me a follow if you'd like to see future tips in your feed as soon as I post them. And if you have other tactics to liven up this encounter with rules from the PHB or DMG that don't get a lot of use (or even Unearthed Arcana or other editions of D&D) , please share them in the comments below!
If you're just getting ready to run LMOP, I have other posts with advice for running the following LMOP adventures:
submitted by ticklecorn to DMAcademy [link] [comments]

2020.09.05 09:38 1trance_org Trance AUGUST Megapack (890 releases)

Trance AUGUST Megapack (890 releases over 38 GB):


2thundersdxb_-_Nomet-(5059580290658)-SINGLE-WEB-2020-ZzZz 3lanko-Seagull_Scream-(WATR052)-WEB-2020-AFO 3RVIN-Proclivity-(PHAT084)-WEB-2020-AFO 4_Strings-Backlight-(CRR013)-WEB-2020-AFO_INT 4_Strings_-_Backlight-(CRR013)-WEB-2020-QMI 7ROSES_and_Natune-Hold_On_To_Your_Dreams_(Ash_Kunelius_Remix)-(YV089)-SINGLE-WEB-2020-AFO Aamos-Revolver-(ITAX009)-WEB-2020-KLIN Aatma_And_Somatica-Ghost_From_My_Past-SINGLE-WEB-2020-FALCON ABHISHEK_Y2V-Moon_Landing-(ITP116E)-SINGLE-WEB-2020-AFO ABHISHEK_Y2V_-_Moon_Landing-(ITP116)-WEB-2020-QMI_INT Abide-League_EP-(SR394)-WEB-2020-AFO_INT Above_and_Beyond-I_Saw_Good-(ANJ644D)-WEB-2020-AFO Accuface_-_The_Disaster_(Grief_and_Anger)_(Remastered)-(MPR068)-WEB-2020-JUSTiFY Active_Limbic_System-Twilight_Zone-(NKF031)-WEB-2020-AFO Adam_Francis-Escape-(RDXM116)-WEB-2020-AFO_INT Adam_Francis_-_Escape-(RDXM116)-WEB-2020-QMI Adama-DNA-WEB-2020-FALCON Adip_Kiyoi-2.4-(BASE098)-SINGLE-WEB-2020-AFO_INT Adip_Kiyoi-2.4-(BASE098A)-WEB-2020-AFO Adrenalin_Drum_California_Sunshine-Flying_Saucers_Smashing-WEB-2020-FALCON Adrenalinn_Drum-X-Perimental_Goa-WEB-2020-NDE Ahmed_Romel-Dystopia-(FSOE471A)-WEB-2020-AFO Airdream_and_Calvin_OCommor-Daylight-(SCR362)-SINGLE-WEB-2020-AFO Airdream_and_Calvin_Ocommor_-_Daylight-(SCR362)-WEB-2020-QMI_INT AirLab7_and_David_Surok-Urabe_Mikoto-(TR134)-SINGLE-WEB-2020-AFO_INT Aki_Harunari-Ryugu-(BM069)-SINGLE-WEB-2020-AFO Akretis-Neptun-(RDXF041)-WEB-2020-AFO Aktyum-Nightwalker-SINGLE-WEB-2020-FALCON Aladiah-Greatest_Of_Mysteries-(TSR0136)-SINGLE-WEB-2020-KLIN Alan_Morris_-_United-(FSOE466A)-WEB-2020-QMI Alderaan-Harmonic_Tales-WEB-2020-FALCON Alegro-What_People_Say-SINGLE-WEB-2020-FALCON Aleksey_Litunov-Open_Your_Eyes-(TF132)-SINGLE-WEB-2020-AFO Aleksey_Litunov-Top_10_Uplifting-(R2638)-WEB-2020-NDE Aleksey_Litunov_-_A_Lamp_Girl-(TF131)-SINGLE-WEB-2020-ZzZz Aleksey_Litunov_-_Ultra_Trance-(R2621)-WEB-2020-ZzZz Aleksey_Taranov_-_Soul_Light-(4061798692255)-WEB-2020-ZzZz Alex_Al_Onions-Drawing_Of_A_Lifetime-(YV087)-WEB-2020-AFO Alex_Byrka-Ravenna-(PDE12)-WEB-2020-AFO Alex_Numark-Endless_Summer-(BSR579)-WEB-2020-AFO Alex_Shevchenko-Out_Of_The_Dark-(SDR370)-WEB-2020-AFO Alex_Shevchenko-Out_Of_The_Dark-(SDR370)-WEB-2020-AFO_INT Alex_Sokolov_-_Run_Over_The_Horizon-(29TRANCE00012)-SINGLE-WEB-2020-ZzZz Alex_Sonata_and_TheRio_-_Nebula-(ASOT612)-WEB-2020-QMI Alex_Starsound_-_Laserdance-(IT043)-WEB-2020-ZzZz Alex_Wright_and_Daniel_Kandi_-_Gem_State-(ALWAYSA342)-WEB-2020-QMI Alexander_Gagarin-Still_Believe-(NIX173)-WEB-2020-AFO Alexander_Spark_and_Alexandra_Badoi-Dreaming_(A.R.D.I._Remix)-(ITP118E)-SINGLE-WEB-2020-AFO Alexander_Turok-Oscillation_(Incl._Tycoos_Remix)-(2RR062)-WEB-2020-AFO Alexei_Maslov-Apophis-(VRC029)-SINGLE-WEB-2020-KLIN AlexRusShev-Regenerate-(MSBKR183)-SINGLE-WEB-2020-AFO AlexRusShev_-_Summer_Waltz-(VRC028)-SINGLE-WEB-2020-QMI Ali_Mohtashami_and_Azin_Zahedi_-_Confident-(GRVV1007)-SINGLE-WEB-2020-ZzZz Alien_Chaos-Mechanical_Slaves-WEB-2020-FALCON Alien_Project_And_Astrix-Midnight_Sun_Save_The_Robot_Remix-SINGLE-WEB-2020-FALCON Allan_Berndtz_and_Sonic_Journey-Fierce-(TGR040)-WEB-2020-AFO Allan_Berndtz_and_Sonic_Journey-Levitate-(ALWAYSA345)-WEB-2020-AFO Allan_McLuhan_-_Acid_Theory-(TD001)-WEB-2020-ZzZz Allen_Belg-Another_Day-(SNM069)-SINGLE-WEB-2020-AFO Allen_Watts_and_Roman_Messer_-_Skyline-WEB-2020-QMI Alpha_Portal_And_Burn_In_Noise-Omnia-SINGLE-WEB-2020-FALCON Amanora_feat_Seif_Osama_-_The_Maze-(SR001)-WEB-2020-ZzZz Amir_Reza_and_Parham_Mohassel-Desert_Warriors-(LSR025)-WEB-2020-AFO Anatomic-Imaginary_Passage-WEB-2020-FALCON Ander_One_-_Shadow__Movement-WEB-2020-QMI Andrea_Mazza-It_Cant_Rain_Forever-(GOM030)-WEB-2020-AFO Andrea_Mazza-It_Cant_Rain_Forever-(GOM030)-WEB-2020-AOV Andrea_Ribeca-Sogni_Progressivi_(Andrea_Ribeca_Riialto_Remix)-(AZINK001CLA)-SINGLE-WEB-2020-AFO Andrea_Ribeca_and_Lokka_Vox-Cyberfly-(AZINK002CLA)-WEB-2020-AFO Andrea_Scopsi-Legato-(YV095)-WEB-2020-AFO Andreas_Tillnert_and_Emma_Horan_-_Perfect_Strangers-(MOLSO057)-WEB-2020-JUSTiFY Andrew_Frenir-Breathing-(ECT171)-SINGLE-WEB-2020-AFO Andrew_Rayel_and_Olivia_Sebastianelli_-_Everything_Everything-(IHM115)-WEB-2020-JUSTiFY Andrew_Rayel_and_Robbie_Seed_ft._That_Girl_-_Stars_Collide_(Remixes)-(ARMD1526R1)-WEB-2020-QMI Andy_Bianchini_and_Snowx_ft._Tara_Louise_-_Stay-(ENHANCED467)-WEB-2020-QMI Andy_Jay_Powell_-_Children_Of_Paradise_2020-(53580013)-WEB-2020-MARiBOR Andy_Jornee-Green_Sphere-(U70820)-WEB-2020-AFO Andy_Jornee-My_Silence-(BTSR333)-WEB-2020-AFO Andy_Jornee-My_Silence-(BTSR333)-WEB-2020-AFO_INT Animato-Want_You_To_Know-SINGLE-WEB-2020-FALCON Ansun_and_Arsen_and_Adam_Juhl_ft_Able_Faces-Evolution-(HCR376D)-WEB-2020-AFO Antaluk-Good_Old_Times-SINGLE-WEB-2020-FALCON Anton_By-Magic-(PVM082)-WEB-2020-AFO Anton_Mokhnachev-Milky_Way-(NSM351)-SINGLE-WEB-2020-wAx Apex_-_Virtuoso-(NEW354A)-WEB-2020-ZzZz_iNT APH_-_Floating_Moments-(NSM357)-SINGLE-WEB-2020-ZzZz Archaic_-_The_Solution_Comes_In_Non-Ordinary_Realities-(PYRDG004)-WEB-2020-BarGhest AREO-Tetra-(PLST0003)-WEB-2020-AFO Armin_Van_Buuren-Lost_Tapes-ARDI4256-WEB-2020-TraX Armin_Van_Buuren_-_Lost_Tapes-(ARDI4256)-WEB-2020-QMI Armin_Van_Buuren_pres._Rising_Star_ft._Cari-The_Voice-WEB-2020-AOV ARS-Restart-(DIGISOC372)-WEB-2020-AFO Arsen_Gold-Together_At_Dawn-(TAR138125)-SINGLE-WEB-2020-AFO Arsen_Gold-Together_At_Dawn-(TAR138125)-SINGLE-WEB-2020-AFO_INT Arsen_Gold_and_Hidden_Tigress-Introspection-(TTR074)-SINGLE-WEB-2020-AFO Arti5an_ft_Anki-Thank_You_(Vince_Blakk_Remix)-(INS060)-WEB-2020-AFO Asarualim-No_Light_Without_Darkness-Remastered-WEB-2020-FALCON Ash_Kunelius-Fly-(IPR195)-SINGLE-WEB-2020-AFO Ashley_Gibson_-_Impending_Gloom-(NSM359)-SINGLE-WEB-2020-ZzZz Asioto-Over_The_Clouds-(AURALSN162)-SINGLE-WEB-2020-AFO Asmodeo_-_Prometheus-(5059580260064)-SINGLE-WEB-2020-ZzZz Aspiration_-_Lighthouse-(ASP70)-SINGLE-WEB-2020-ZzZz Astral_Legacy-You_Couldnt_Have_Me-(YR1324)-SINGLE-WEB-2020-AFO Astro_D--Digi_Babas-(SPIT216)-SINGLE-WEB-2020-BABAS AstroFegs-Babette-(AE412)-WEB-2020-AFO_INT Athzira_And_Angry_Luna-Zaculeu-SINGLE-WEB-2020-FALCON Atohmic-Chakra_Healing-WEB-2020-FALCON Atomas-Cartesian_Space-WEB-2020-NDE Atragun-Amarok-(ENTRM186)-WEB-2020-AFO Audio-X_And_Mad_Haters-Mind_Of_Grams-WEB-2020-FALCON Audiobass_-_Feel_That_Way-(PSY006)-SINGLE-WEB-2020-ZzZz AudioStorm-Revolt-(SPIT214)-WEB-2020-AFO Aum_Shanti-Magical_Anthology-(PTND009)-SINGLE-WEB-2020-KLIN Aurawave-Hyperspace-WEB-2020-FALCON Avenia_and_With_The_Winds-Falling-(SCR028)-WEB-2020-AFO_INT Avenia_and_With_The_Winds_-_Falling-(SCR028)-WEB-2020-QMI Averagaint-Oceans_Deep-(MONSTER117)-SINGLE-WEB-2020-AFO_INT Avylo-Magical_Waters-(SDM056)-WEB-2020-AFO_INT Axel_Core_-_Proton-(KAR020)-WEB-2020-ZzZz AZ_XVER_VKTNZER-PSY_TEKNO_M1-WEB-2020-NDE Azima-Your_Way_(Kiyoi_and_Eky_Remix)-(LAR078)-WEB-2020-AFO_INT Bardalimov-Late_Summer_Fields-(JMP021)-WEB-2020-AFO BarTar_-_Mythology-(GRVV1021)-SINGLE-WEB-2020-ZzZz Becker-Cyberdelic_World-(DM7003)-SINGLE-WEB-2020-KLIN Behind_The_Sunset-The_Beast-(PHAT085)-WEB-2020-AFO Belokrinitsky-Loss-(RDXM113)-WEB-2020-AFO Belokrinitsky_pres_Onstream89-The_Hope__Number89-(ENTRM187)-WEB-2020-AFO Ben_Ashley_and_Natalie_Dime-U-(ABRD229)-WEB-2020-AFO Ben_Stone-Aragon-(INTER175)-WEB-2020-AFO Bent-Low_Freqs_Freak-(KSX437)-SINGLE-WEB-2020-AFO Beyond_Senses-Disco_Noise-SINGLE-WEB-2020-FALCON Bibhu_Prasad_Samantray_-_Heartless-(OZR035)-SINGLE-WEB-2020-ZzZz Bigtopo-Vida-(RA116)-WEB-2020-AFO_INT Billik-What_A_Nightmare-(AEP409)-WEB-2020-AFO_INT BiXX_and_Roxanne_Emery-Unbroken-(NK055)-WEB-2020-AFO Black_Marvin-Moongoose-SINGLE-WEB-2020-FALCON Bloodfury-Hypernova-(YV096)-SINGLE-WEB-2020-AFO BMA_Project_-_Rebellious-(CMS007)-SINGLE-WEB-2020-ZzZz Borena-Purple-(BT272)-WEB-2020-AFO Boris_Foong_-_The_Catalyst-(BIPCLUB2733)-WEB-2020-QMI_INT Boris_Foong_and_BLU_EYES_-_I_Wish-(AVA332)-WEB-2020-QMI Brassed_and_Slix_-_Apollo_11-(MR009)-SINGLE-WEB-2020-ZzZz Braulio_Stefield-Blanquito-(ESK098)-SINGLE-WEB-2020-AFO Braulio_Stefield-TECO-(7425412064090)-WEB-2020-AFO BT-The_Lost_Art_of_Longing-(BHCD203)-WEB-2020-AFO Calvin_OCommor-Water_World-(BTSR335)-WEB-2020-AFO_INT Carl_Daylim_ft_Teira-Hand_In_Hand-(ABL003)-WEB-2020-AFO Casaris_feat_Toni_Fox_-_(In_the_Name_of)_Friday_Night-(SFL056)-WEB-2020-ZzZz Chapperz_-_Iron_Fist-(5059580193515)-SINGLE-WEB-2020-ZzZz Checho_Suarez-Enigma-(MSBKR185)-SINGLE-WEB-2020-AFO_INT Chris_Connolly-After_Eternity-(PTN049)-WEB-2020-AFO_INT Chris_Connolly_-_After_Eternity-(PTN049)-WEB-2020-QMI Chris_Deme-Let_The_Sun_Shine_Through-(NRG030)-WEB-2020-AFO Chris_Fennec_-_Burst_on_Fire-(BIPCLUB2762)-SINGLE-WEB-2020-QMI_INT Chris_Lyf-Alive-(SSR380)-WEB-2020-AOV Christian_Voulgaropoulos_-_Vision_Synthe-(4061798664887)-SINGLE-WEB-2020-ZzZz Christina_Novelli_-_Im_OK_(Allen_Watts_Remixes)-WEB-2020-QMI_INT Christopher_Corrigan-Back_To_Me-(MPURE115)-SINGLE-WEB-2020-AFO_INT Christopher_Corrigan-Back_To_Me-(MPURE115)-WEB-2020-AFO Christopher_Corrigan-Delectation-(ABL002)-WEB-2020-AFO_INT Christopher_Corrigan_-_Auspicious-(WAO138299)-WEB-2020-QMI Christopher_Corrigan_-_Delectation-(ABL002)-WEB-2020-QMI Chukiess_and_Whackboi_vs_Vision_X-Nusantara-(IHM114)-SINGLE-WEB-2020-AFO Ciaran_McAuley_and_Susana-Daring_To_Love-(NK053)-WEB-2020-AFO Circle-Triangle-WEB-2020-FALCON Claus_Backlash_-_Legendary_Places-(BIPCLUB2801)-WEB-2020-QMI_INT Clean_Tears_-_Wall_Of_Atmosphere-(RRRNEW068)-WEB-2020-ZzZz Clubskills_-_3_AM-(RU244210)-WEB-2020-ZzZz Cochame_-_The_Princeps-(HD198)-WEB-2020-ZzZz Coffee_Lake-Vanquished-(LR1672459)-SINGLE-WEB-2020-KLIN Coke_Montilla_-_When_You_Come_Back-(4061707427008)-WEB-2020-ZzZz Cole_Twains-You_Can_Never_Be_Ready-(RDX399)-WEB-2020-AFO Corrado_Baggieri_And_R-TEC-Happiness__Lotus_EP-(UPLFT057)-WEB-2020-AOV Corrie_Theron-DCS_Melody-(WATR051)-WEB-2020-AFO_INT Corti_Organ_and_Sarah_De_Warren-Better_One_(Roman_Messer_Remix)-(IHM107)-WEB-2020-AFO Cosinus-Parallel_Worlds-WEB-2020-FALCON Cosma-Keep_Going_Ghost_Note_Remix-SINGLE-WEB-2020-FALCON Cosmithex-Ground_Control_(The_Remixes)-(FOR073)-WEB-2020-AFO Costa_and_Denise_Rivera-Miles_Away-(RNMR196)-WEB-2020-AFO_INT Craig_Connelly_and_Siskin-All_for_Love_(Giuseppe_Ottaviani_Remix)-(BH10240)-WEB-2020-AFO Cristian_Nevez-Moon_Dust-(KSX425)-SINGLE-WEB-2020-AFO CRW_-_I_Feel_Love-WEB-2020-iDC_INT Crystal_Ocean-A_Journey_Into_Trance-(AWR096)-WEB-2020-AFO Cybered-Quantum_Entanglement-WEB-2020-FALCON D-Minus_x_Make_One_x_Seegy_-_Run_From_Me_(Extended_Mix)-(ITP110E)-SINGLE-WEB-2020-QMI D72-Blissful-(TAR138127)-WEB-2020-AFO_INT Da_Hool_ft._CICI-ROSE_-_Heartbleed-(ARMAS1806)-WEB-2020-QMI Dagaro-Empty_Space-(PVM080)-SINGLE-WEB-2020-AFO Dan_Stone-All_for_You-(EUPH323)-WEB-2020-AFO Dan_Thompson-Split_Dimension-(MCS96)-WEB-2020-AFO Dance_Fly_FX-Mood_Music-(ESR448)-WEB-2020-AFO Daniel_Cesana_-_Phoenix-(ABL004)-WEB-2020-JUSTiFY_iNT Daniel_Wake_-_Dark_Days-SINGLE-WEB-2020-ZzZz Danny_Cullen_and_Kid_Alien_-_I_Surrender-(BIPCLUB2735)-WEB-2020-QMI_INT Darkmind_-_Fogdog-(BT273)-SINGLE-WEB-2020-JUSTiFY_iNT Darkophonic_Temple-Darvesh-WEB-2020-NDE Darren_Hall-Second_Wind-(HQ023)-WEB-2020-AFO Darren_Hall-Second_Wind-(HQ023)-WEB-2020-AFO_INT Dave_Hassell_-_Breach-(JDR035)-SINGLE-WEB-2020-ZzZz Dave_Oren-Uplifting_Mass-(NIX172)-WEB-2020-AFO Dave_Steward-Hooked_and_Juiced_(Miroslav_Vrlik_Remix)-(NO0081R)-SINGLE-WEB-2020-AFO Dave_Steward_-_Burnt_But_Alive-(NC0120)-WEB-2020-QMI Dave_Steward_-_Fully_Fitted_(Miroslav_Vrlik_Remix)-(NC0110)-WEB-2020-ZzZz Dave_Steward_-_Played_Resonance_(Original_Mix)-(NC0124)-WEB-2020-ZzZz Dave_Steward_-_Reversed_Law-(NC0114)-WEB-2020-ZzZz Dave_Steward_-_The_Rabbit_Hole-(NC0078)-WEB-2020-JUSTiFY David_Forbes-Splice-WEB-2020-AOV David_Surok-Orchidea-(LEV130)-WEB-2020-AFO Daybreakers_and_Roberta_Harrison_-_Five_Miles_High-(MAEL176B)-WEB-2020-JUSTiFY_iNT Dealazer_-_Cyperio_The_Great_Billy_60-(PROM123)-SINGLE-WEB-2020-ZzZz Declaration_Of_Unity-Photon_Tracer-(SOULECTRO031)-WEB-2020-KLIN Deep_Parliament_-_With_You-(ML20201007)-SINGLE-WEB-2020-ZzZz Deep_Parliament_-_With_You_(Extended)-(ML11072020)-SINGLE-WEB-2020-ZzZz Deeplexbr_-_Quarantine-(BIB038)-WEB-2020-ZzZz Deline_Project-Club_Life__Only_For_Their-(ESR449)-WEB-2020-AFO Denis_Efremov-Moonslide-(AURALSN167)-SINGLE-WEB-2020-AFO Denis_Sender-One_Love-(PROG073)-SINGLE-WEB-2020-AFO_INT Dennis_Sheperd_and_Sunlounger-I_Can_Feel-WEB-2020-AFO Desdeth-Breakthroughs-WEB-2020-NDE Diago-Axiom-(10176950)-SINGLE-WEB-2020-AFO Dillon_James_Torok_-_Falling_Hard-(EMLCV19)-SINGLE-WEB-2020-ZzZz DIM3NSION_and_Pascal_S-Green_Ride-(FLASH214)-SINGLE-WEB-2020-AOV DIM3NSION_and_Pascal_S-Green_Ride_(Incl._Extended_Mix)-(FLASH214)-WEB-2020-AOV DIM3NSION_ft_Lydia_Schrough-Always_Loved_You-(FLASH211)-WEB-2020-AFO Dirkie_Coetzee-Sizavuka-WEB-2020-AFO Distant_Identity-Dream_It-(SUBMISSION208)-WEB-2020-AFO_INT District5-Butterflies-(BM067)-WEB-2020-AFO DJ_156_BPM-Oh_Baby__Everybody_Scream-(ESR447)-WEB-2020-AFO DJ_Amadeus-SMASH-(WAO138298)-WEB-2020-AFO DJ_Geri-Turn_the_Volume_Down-(NHWD002)-WEB-2020-AFO_INT DJ_Panda-Sinless__Gold_Dark-(AE410)-WEB-2020-AFO_INT DJ_Pawel_C-Dimension-(MCS98)-WEB-2020-AFO_INT DJ_Sunkeeperz_-_Abracadabra-(29TRANCE00013)-SINGLE-WEB-2020-ZzZz DJ_Tivek_-_Euphoria-(3616407634860)-SINGLE-WEB-2020-ZzZz DJ_Ton_TB-Static_Bullet_(Stoneface_and_Terminal_Remix)-(NKR006)-WEB-2020-AFO Dj_Xboy-Forbidden_Dreams-(TRNCA379)-SINGLE-WEB-2020-KLIN Djantrix_-_Transcription_(Chronosphere_Remix)_(DOPDIGI243)-SINGLE-WEB-2020-gEm Djvani_-_Deteto_(Child)-(5059580166014)-WEB-2020-ZzZz Dmitry_Ershov_-_Moon_Light-(WSR0001)-WEB-2020-ZzZz Doppler-Bright_Spheres-SINGLE-WEB-2020-FALCON Dory_Badawi_ft._Roxanne_Emery_-_Real_Love-(RDX401)-WEB-2020-JUSTiFY_iNT DP_-_Waterfall-(WS1142)-SINGLE-WEB-2020-ZzZz Dr_Riddle_feat_Akamana_-_Recession-(MST080)-SINGLE-WEB-2020-ZzZz Dream_Travel_feat_Zara_Taylor_-_Forgiven-(DB135)-SINGLE-WEB-2020-ZzZz DreamAir-Interstellar-(BTSR338)-WEB-2020-AFO_INT DreaMJ_-_Sky_Wars_(Full_and_Ambient_Mixes)-(NSM364)-WEB-2020-JUSTiFY Driftmoon-High_Tide-(PURETRANCE191)-WEB-2020-AFO_INT Driftmoon_-_High_Tide-(PURETRANCE191)-WEB-2020-QMI Durs-The_Day_We_Met-(SPN1DIGI605)-SINGLE-WEB-2020-KLIN Durs_And_Jilax-Unlimited-SINGLE-WEB-2020-FALCON Duton-The_Daywalker-WEB-2020-FALCON Dx_And_Baladeva-We_Are_One-SINGLE-WEB-2020-FALCON E-Mantra_-_15_Years_Of_Music_Special_Release_Vol_1-WEB-2020-gEm Ecodrive_-_Long_Hot_Summer-(ECODRIVEMUSIC001)-SINGLE-WEB-2020-ZzZz Electrypnose-Metikulus-WEB-2020-NDE Elenski-Disappointment-(RDXF042)-WEB-2020-AFO Elenski_-_The_Excitation_and_Thrill-(NS912)-SINGLE-WEB-2020-ZzZz Elian_West-Miracle-(YR1329)-SINGLE-WEB-2020-AFO Elian_West-Saturn-(YR1326)-SINGLE-WEB-2020-AFO Ellez_Ria-Injustice-(KSX422)-SINGLE-WEB-2020-AFO Ellez_Ria-Injustice-(KSX422)-SINGLE-WEB-2020-AFO_INT Elliot_Kempaggio_-_Playalinda_Beach-(GRVV0999)-SINGLE-WEB-2020-ZzZz Eloquentia_and_Jo_Cartwright-How_Deep_Is_Your_Touch-(MOLSO055)-WEB-2020-AFO Eloquentia_and_Jo_Cartwright_-_How_Deep_is_Your_Touch-(MOLSO055)-WEB-2020-QMI_INT ELV_-_Mystery_Voice-(WATR053)-WEB-2020-JUSTiFY_iNT Emanuele_Congeddu_and_Claudiu_Adam-Alyssa_(Mercurial_Virus_Remix)-(BTSR339)-WEB-2020-AFO_INT Emdivity-Iron_Sky-(DARK065)-SINGLE-WEB-2020-AFO_INT Eminor9_-_Ragnar-(RW009)-SINGLE-WEB-2020-ZzZz Empirian-Cassius-(INFRAP185)-WEB-2020-AFO Empirian-Cassius-(INFRAP185)-WEB-2020-AFO_INT Enarxis-Follow_The_Light-SINGLE-WEB-2020-FALCON Encount3r-Light_Paths-(RDX138156)-WEB-2020-AFO_INT Endemic-Ancestral_Prophecy-WEB-2020-FALCON Ergit_Krahs-Into_The_Light-(195541419951)-SINGLE-WEB-2020-KLIN Erian_White_-_Summertime_Happiness-(YV097)-SINGLE-WEB-2020-ZzZz Escea-POTUS-(BTSR334)-WEB-2020-AFO Escea-POTUS-(BTSR334)-WEB-2020-AFO_INT ESP-Live_Better_Electrically-SINGLE-WEB-2020-WAV ETON_feat_Max_Blaike_-_Your_Eyes-(SAP011)-SINGLE-WEB-2020-ZzZz Eugenio_Tokarev-Melifluo-(WAO138297)-WEB-2020-AFO Evolving_Suns_Audio_-_Galactica_Rising-(BR450)-SINGLE-WEB-2020-ZzZz Exeland-Bongo-(YR1325)-SINGLE-WEB-2020-AFO Eximinds-Sundown-(SND231)-SINGLE-WEB-2020-AFO_INT Eximinds-Sundown-(SND231A)-WEB-2020-AFO Eximinds_and_HamzeH-Arena-(ITP117E)-SINGLE-WEB-2020-AFO_INT Eximinds_and_Jean_Clemence-The_Venue-(EA073)-SINGLE-WEB-2020-AFO Exouler_and_Eugenio_Tokarev-Cloudiness-(FSOE470A)-WEB-2020-AFO_INT Exouler_and_Eugenio_Tokarev_-_Cloudiness-(FSOE470A)-WEB-2020-QMI F.E.B_and_R.E.L.O.A.D-Acronyms-(KSX427)-SINGLE-WEB-2020-AFO_INT F4T4L3RR0R-Glitch_In_The_Universe_(Extended_Mixes_Part_1)-(ASR250E1)-WEB-2020-AFO F4T4L3RR0R-Glitch_In_The_Universe_(Extended_Mixes_Part_2)-(ASR250E2)-WEB-2020-AFO_INT F4T4L3RR0R-Glitch_In_The_Universe_(Remixes_and_Pt._1)-(ASR250R1)-WEB-2020-AFO_INT Fabian_Linden-Kama_Muta-(RDXM114)-WEB-2020-AFO Fabio_Fusco-Paralyzed-SINGLE-WEB-2020-FALCON Fabrice-Station_35-(NRG032)-SINGLE-WEB-2020-AFO Fantazm_-_Inverted_Consciousness-(GRVV1017)-SINGLE-WEB-2020-ZzZz Faraday-Gold_Chariot-(FLASH215)-REPACK-SINGLE-WEB-2020-AFO Faraday-Gold_Chariot-(FLASH215)-WEB-2020-AFO Faraday-Gold_Chariot-(FLASH215)_z_-2-SINGLE-WEB-2020-AFO Farb-Techno_Pilot-(MSBKR182)-SINGLE-WEB-2020-AFO Fatum-Faceless-(ARMD1547)-WEB-2020-AFO FAWZY-Double_Strike-(YR1328)-SINGLE-WEB-2020-AFO FAWZY-Resonating_Force-(SUBMISSION203)-WEB-2020-AFO FAWZY_and_Ajfam-The_Power_Of_Feeling-(SUBMISSION207)-WEB-2020-AFO_INT FAWZY_and_Gayax-A_Universe_Beyond-(EA080)-SINGLE-WEB-2020-AFO FAWZY_and_WSS-Horizont-(LSR027)-WEB-2020-AFO Feel-Equestrian-(BASE099)-SINGLE-WEB-2020-AFO_INT Ferry_Corsten_and_Trance_Wax_-_Black_Lion-(FLASH213)-WEB-2020-QMI Filteria_Vs._Tsuyoshi_Suzuki-Time_Slip-SINGLE-WEB-2020-FALCON Fisical_Project-Breaking_Silence-(ALWAYSA344)-WEB-2020-AFO_INT Fisical_Project_-_Breaking_Silence-(ALWAYSA344)-WEB-2020-QMI Flowjob-How_To_Move_A_Daymoon-WEB-2020-FALCON Flowjob-Royal_Crush-(ITWT7580)-SINGLE-WEB-2020-AFO_INT Fluidsky-Virtual_Being-(195542351274)-SINGLE-WEB-2020-KLIN Flutlicht-The_Fall_(Richard_Tanselli_Remix)-(NKR005)-WEB-2020-AFO_INT Francesco_Sambero-Aperture-(SCRP006)-WEB-2020-AFO_INT Frank_Dueffel-Hawaiian_Spirit-(VAN2402)-WEB-2020-AFO Frank_Ten_-_Celtic_Trance-(4061798683611)-SINGLE-WEB-2020-ZzZz Franz_Johann_-_Chords_N_Growl_(IMIX_Dream_Remix)-(BABAREC226)-WEB-2020-JUSTiFY Fredd_Moz_and_Laucco-Live_and_Love_and_Laugh-(BTSR329)-WEB-2020-AFO French_Skies_-_Superdrive_EP-(RA114)-WEB-2020-QMI FSDW_-_To_France_(The_Cleric_Remix)-(ZD625)-WEB-2020-MARiBOR Gabriel_and_Dresden_ft._Sub_Teal-No_Ones_To_Blame_(Dylhen_and_Gabriel_and_Dresden_Mixes)-WEB-2020-AOV Gabriele_De_Santis-Otherside-(TGR042)-WEB-2020-AFO_INT Galactic_Explorers-Outbreak-WEB-2020-FALCON Galaxston_and_Kanallia-Constellations-(NS092)-WEB-2020-AOV Garza_and_Poe_-_Spark-WEB-2020-FMC Gayax-Kuroi_Namida-(NHW039)-WEB-2020-AFO_INT Gayax_-_Kuroi_Namida-(NHW039)-WEB-2020-QMI Gcmn-Plurima-(BLV7666907)-SINGLE-WEB-2020-KLIN Gcmn-Power_Ranck-(BLV7666931)-SINGLE-WEB-2020-KLIN Geck-o_feat_Erika_-_Together_We_Build_The_Future-(CATID073)-SINGLE-WEB-2020-ZzZz Geekon_-_Fly_To_The_Sky-(RM324)-WEB-2020-ZzZz Gerome_and_Dennis_Pedersen-Enjoyable-WEB-2020-AFO Ghost_Note-The_Hive-(IBOGADIGITAL640)-SINGLE-WEB-2020-KLIN Ghost_Rider-Summer_Never_Ends_Lovegun_Remix-SINGLE-WEB-2020-FALCON Glideslope-Dreaming-(PURETRANCE192)-SINGLE-WEB-2020-AFO_INT Glynn_Alan-Quondam-(PRFCT170)-WEB-2020-AFO_INT Glynn_Alan_-_Quondam-(PRFCT170)-WEB-2020-QMI GMS_And_Menog-Our_Story-(NANODIGI245)-WEB-2020-wAx Golden_Sky-The_Battery-(HCR372D)-REPACK-WEB-2020-AOV Goldengate_-_48K-(CAT399226)-SINGLE-WEB-2020-ZzZz Gordey_Tsukanov-Remember_The_Past-(PRFCT172)-SINGLE-WEB-2020-AFO_INT Gouryella-Gouryella_(Alan_Fitzpatrick_Tribute_To_99_Remix)-(FLASHBACK016R1)-WEB-2020-AOV Guava-Purity-(YV090)-WEB-2020-AFO Haikal_Ahmad-Listen_To_My_Tears-(ABSK076)-WEB-2020-AFO Harry_Neighbour_-_Marker_Keys-(PRO20132)-WEB-2020-ZzZz Hatikwa_Vs._Smalltownfreakz-Casual_Conflict-SINGLE-WEB-2020-FALCON Hausman_and_5ALVO-Maelstrom__Leviathan-(ENPROG403)-WEB-2020-AFO Heatbeat-Sheena-(RA117)-WEB-2020-AFO Hemstock_and_Mercurial_Virus-Amena-(DARK064)-SINGLE-WEB-2020-AFO_INT Henry_Caster-Midnight-(MSBKPR0071)-SINGLE-WEB-2020-AFO Henry_Caster-Midnight-(MSBKPR0071)-SINGLE-WEB-2020-AFO_INT Henry_Caster-Showroom-(NHWD01)-WEB-2020-AFO Henry_Caster-Showroom-WEB-2020-AFO Henry_Caster_-_Tierra_Blanca-(RW010)-SINGLE-WEB-2020-ZzZz Hidden_Secret_-_True_Lies-(BTRDR781)-WEB-2020-JUSTiFY High_0ct4ne_-_Start_The_Fever-(PRO20125)-WEB-2020-ZzZz Hit_The_Bass-Paradise-(SDM058)-WEB-2020-KLIN Holbrook_and_SkyKeeper-Distant_Hill-(CLHR410)-SINGLE-WEB-2020-AFO_INT Holon-Passport_To_My_Planet-WEB-2020-NDE Hydro_89-Shining_Light-(SBLR105)-WEB-2020-AFO_INT Iblis-Sicily_Lover-(BLV7567959)-SINGLE-WEB-2020-KLIN Iblis-Silver_Club-(BLV7568019)-SINGLE-WEB-2020-KLIN Iblis_-_Hammer_To_My_Head-(3616406632676)-SINGLE-WEB-2020-ZzZz Iblis_-_Loneliness_One-(3616406633062)-SINGLE-WEB-2020-ZzZz Ikerya_Project_and_Robin_Vane-Kingdom__Dub_Mixes-(ABRD228)-WEB-2020-AFO IKON-Dawn_Eagle-SINGLE-WEB-2020-FALCON Ilan_Bluestone_pres_Stoneblue_ft_Emma_Hewitt-Hypnotized_(Markus_Schulz_Extended_Remix)-(MCS9632)-SINGLE-WEB-2020-AFO_INT Impact-Inner_Spirit-SINGLE-WEB-2020-FALCON Impulse_Wave_-_Rushed_Addiction-(FLR002)-WEB-2020-QMI Independent_Art-Exodus-(GERT0517)-SINGLE-WEB-2020-AFO Independent_Art-State_of_Art-(GERT0523)-SINGLE-WEB-2020-AFO Insane_Brothers_-_OMG-(RC004)-WEB-2020-ZzZz Insignia_And_Quantum_Loop-Area_51-SINGLE-WEB-2020-FALCON Intelligence-Lightime_Programs-SINGLE-WEB-2020-FALCON Inttruder-Mad_Soup-(MSCRS016)-SINGLE-WEB-2020-KLIN Irdi-Circulation_EP-(AEP406)-WEB-2020-AFO_INT Isometric-Manipulated_Dreams-WEB-2020-FALCON Jacob_Ireng-Firestarter-WEB-2020-FALCON Jacob_Kliuiev-Valeria__Endurance-(TF045)-WEB-2020-AFO Jacob_Vs._Doktor_Froid-Sun-SINGLE-WEB-2020-FALCON Jakaan-Humans-WEB-2020-FALCON Jake_T_and_Criostasis_-_Maximise_(2020_Rework)-(ES109)-WEB-2020-ZzZz James_Black_ft_John_Robertson-The_Dark_Room-(DISDAR232)-SINGLE-WEB-2020-AFO Jameson_Tullar_and_Annabelle_Hayes_-_Dreaming_(Remixes)-(YR1317)-WEB-2020-ZzZz Jan_Johnston_and_DJ_Xquizit-Disorientated-(ARD071)-WEB-2020-AFO_INT Jared_Knapp_and_Patrick_De_Vere_and_Neev_Kennedy-Night_Moves-(ADRAZ082)-WEB-2020-AFO Jase_Thirlwall_ft_Victoriya-Drowning-(ASOT611)-WEB-2020-AFO Jason_Ross_-_The_Accord-WEB-2020-QMI Jay_Flynn-In_My_Head-(RGEN044)-WEB-2020-AOV Jay_Turio_ft_Kumiko_Mouri-Paradise-(AURALSN166)-SINGLE-WEB-2020-AFO Jaytech_-_The_Axis__Lunero-(POSD040)-WEB-2020-QMI_INT Jens_Jakob-Rotten_Sandwich-(USR116)-SINGLE-WEB-2020-KLIN Jens_Soderlund--The_Best_In_One_(Part_II)-(DTCR030)-WEB-2020-OMA Jericho_Frequency_and_Kate_Miles-Blink_Of_An_Eye-(ABRD231)-WEB-2020-AOV JES-Under_the_Midnight_Sun-WEB-2020-AFO Jim_Abruzzi_-_Lockdown-WEB-2020-QMI Jimmy_Chou-Wayfarer-(AE411)-WEB-2020-AFO_INT Jirah-Booty_Tangers-WEB-2020-FALCON Jody_6-DreamaVerse-(NK054)-WEB-2020-AFO Joe_Cormack_and_Binary_Ensemble-For_The_Ones_We_Love-(VRS101)-WEB-2020-AFO Joe_Fares-Barcelona-(AURALSN161)-WEB-2020-AFO Joe_Fares_-_The_Next_Sunset-(CMS005)-WEB-2020-ZzZz Joe_Smooth-Promised_Land_(Cosmic_Gates_No_Gravity_Remix)-WEB-2020-AOV Joe_Smooth-Promised_Land_(Cosmic_Gates_No_Gravity_Remixes)-(ARMD1551)-WEB-2020-AOV Joey_Smith_-_My_Heart-(STR190)-SINGLE-WEB-2020-ZzZz Johan_Gielen-Balearic_Reflection-(CLHR412)-SINGLE-WEB-2020-AFO_INT Johan_Gielen_-_Balearic_Reflection-SINGLE-WEB-2020-QMI John_Askew_and_Gary_Go-Smile-(DIT010)-SINGLE-WEB-2020-AFO_INT John_Clarcq_and_T.O.M_-_Evolution-(LSR028)-SINGLE-WEB-2020-ZzZz John_Newall-Second_Self-(WATR050)-WEB-2020-AFO Johnny_E_-_Destination_Unknown-(UPLY109)-WEB-2020-ZzZz Jon_Bourne-Palinka-(RDS046)-WEB-2020-AFO Jon_Dbois-Make_It_Rain_(NooSurname_Remix)-(NEW336C)-SINGLE-WEB-2020-ENTANGLE Jordan_Suckley_and_Ontune_-_Tranceformations_Anthem_2020-(BIPCLUB2737)-WEB-2020-QMI_INT Jordy_Eley-Euphoria_Injection-(INFRAR030)-SINGLE-WEB-2020-AFO Jordy_Eley-Summer_Days-(TM150)-WEB-2020-AFO Jose_Betances_-_Fantastic_Voyage-(FNDEP175)-WEB-2020-ZzZz JPL_and_Jason_Van_Wyk_and_Cat_Martin_-_Unsteady-(BH10190)-WEB-2020-QMI_INT K_Studio_-_Rome-(29TRANCE00010)-WEB-2020-ZzZz Kaimo_K_and_Trance_Classics_and_Maria_Nayler-Closest_Thing_To_Heaven_(Niall_McKeever_Remix)-(MOLSO056)-WEB-2020-AFO_INT Kanallia-Lily-(AVA331)-WEB-2020-AOV Kanallia-Lily-WEB-2020-AFO Kaos-Like_A_Movie-WEB-2020-FALCON Karanda-Fusion-(ESR497)-WEB-2020-AFO Katari_and_Camille_-_Never_Escape_(Remixes)-(YV071)-WEB-2020-ZzZz Kayan_Code_and_Miikka_Leinonen-The_Journey-(DIGISOC373)-WEB-2020-AFO KBK_and_Grande_Piano_ft_Agata_Pasternak-Mystery_Of_Tomorrow-(SDR373)-WEB-2020-AFO_INT Kelvin_Rowlands-Zeus-(AURALSN156)-SINGLE-WEB-2020-AFO Kerris_-_Ice_Maiden-(UPLY114)-WEB-2020-JUSTiFY Key4050-Faustino-(SUBC209)-SINGLE-WEB-2020-AFO_INT Key_Lean-Seascape_1985-(PROG072A)-WEB-2020-AFO KeyWork_-_Ellipsis-(ARD072)-WEB-2020-JUSTiFY_iNT Khalai-Cyclone_E.P-(INFRAR031)-WEB-2020-AFO_INT Kinetica_-_Global_Reset-(RGEN043)-SINGLE-WEB-2020-QMI KINETICA_meets_Pete_Delete-To_The_Point-(FSOEC109A)-WEB-2020-AFO Kiran_M_Sajeev-Someone_Like_You-(AV043)-WEB-2020-AFO Kiran_M_Sajeev_-_Someone_Like_You_(Incl._Ferry_Tayle_Remix)-(AV043)-WEB-2020-QMI_INT Kiraz-Avenue_13-(PRFLU123)-WEB-2020-AFO Komfuzius_Vs._Fobi_And_Zaiklophobia-Matrix_Mechanics-WEB-2020-FALCON Kriess_Guyte-Rudeboy-(OT062)-SINGLE-WEB-2020-AFO_INT Kyau_and_Albert-Shimmer-(EUPH324)-WEB-2020-AFO Last_Soldier_and_Sina7-Lost-(LSR026)-WEB-2020-AFO Lastfloor-Endless_Time-(SR0009)-WEB-2020-KLIN Leahvana-Sanctus-(RU242814)-SINGLE-WEB-2020-KLIN Lemurians_Vs._Daksinamurti-Its_Goaaan-WEB-2020-FALCON Leo_Itskovich_-_Message_From_The_Future-(ATR97)-SINGLE-WEB-2020-ZzZz Leo_Lauretti-Stay_With_Me-(ESR499)-WEB-2020-AFO Leon_Bolier-Kronos-(BH10270)-WEB-2020-KLIN Leon_Bolier_-_Perpetual-(FLASH212)-WEB-2020-QMI Lepo_-_Genesis-(RRRNEW069)-WEB-2020-ZzZz Less_Is_More-String_Theory-SINGLE-WEB-2020-FALCON Levitate-Tucan-(ESR498)-WEB-2020-AFO Lhara_-_Be_Free-(EDGE121)-WEB-2020-JUSTiFY LiftChain-Metamorphosis-(PLRP0008)-WEB-2020-AFO Lightsphere-Out_Of_Limits-WEB-2020-FALCON Liquid_3Nergy-Reach_For_The_Sky-(195543594809)-WEB-2020-KLIN Liquidized_Elements-Perspective-(PVM079)-SINGLE-WEB-2020-AFO Litchfield_Project-Synchrony-(MCS97)-WEB-2020-AFO_INT Liza_Divine_-_Bifrost-(VAU099)-WEB-2020-JUSTiFY Lorjs_-_Dark_Side_Of_The_Moon-(CAT413285)-WEB-2020-ZzZz Lost_Tribe_-_My_Vision_One_Nation_One_Tribe-(8014090094599)-WEB-2020-ZzZz_iNT Lost_Witness_and_Laura-Ly-Carry_Me_Home-(AMSTR343)-WEB-2020-AFO Lost_Witness_and_Laura-Ly_-_Carry_Me_Home-(AMSTR343)-WEB-2020-QMI_INT Loudwave_-_Hands_Down_Hands_Up-(DCR131)-SINGLE-WEB-2020-ZzZz LTN-Remixed-WEB-2020-AOV Luca_De_Maas_-_Tycoon-(VR275)-SINGLE-WEB-2020-ZzZz Lucid_Alias-Black_Hole-(BUT037)-SINGLE-WEB-2020-KLIN Luke_Bond_ft._Sarah_De_Warren_-_Satellites-(ARMD1549)-WEB-2020-QMI Luke_Terry-Snow_Drift-(Incl_Running_Man_And_Corsar_Remixes)-(YANABC017)-WEB-2020-wAx M.I.K.E._Push-The_Remains_Of_Time-(FSOE469A)-WEB-2020-AFO Madmace-Desert_Magic-SINGLE-WEB-2020-FALCON Maduin_and_Joorg_Matt-Moonstone-(AURALSN163)-SINGLE-WEB-2020-AFO Magnevi_-_Bermudas_Little_Sound-(LOT024)-WEB-2020-JUSTiFY Mahaputra-Like_The_First_Time-(MND322)-SINGLE-WEB-2020-AFO MakeFlame-High_Voltage-(RR036)-WEB-2020-AFO Malagon_and_Staysis_-_Butterfly_Effect-(EDM190724)-SINGLE-WEB-2020-ZzZz Mallory_Kennedy_-_Tapestry-(EMB013)-SINGLE-WEB-2020-ZzZz Mandelbrot-Strange_Attractions-WEB-2020-WAV Maratone_and_Frailai-Opus-(ABRD230)-WEB-2020-AFO Marc_Antony_feat_Rob_Townley_-_Release_(Dance_Mix)-(5059435782536)-SINGLE-WEB-2020-ZzZz Marcos-Here_We_Are-(FSOE467A)-WEB-2020-AFO Marian_Closca-Mareea-(TR133)-WEB-2020-AFO Mario_Pfeiffer_-_The_Voice_(Things_To_Loop_Mix)-(5059580204358)-SINGLE-WEB-2020-ZzZz Mario_Piu-The_Vision_2020_(Remixes)-(NEUBK0003R)-WEB-2020-AFO Mario_Puccio-Enigma-(PRFBL067)-WEB-2020-KLIN Mark_Alexander-Reborn-(ALWAYSA343)-WEB-2020-AFO Mark_Alexander-Reborn-(ALWAYSA343)-WEB-2020-AOV Mark_Digital-Until_The_Sunrise-(195398052332)-SINGLE-WEB-2020-KLIN Mark_Sherry_-_Total_Eclipse-(BIPCLUB2795)-WEB-2020-QMI_INT Markus_Schulz_and_Adina_Butar-In_Search_of_Sunrise_(Solarstone_Pure_Mix)-(CLHR411A)-SINGLE-WEB-2020-AFO_INT Markus_Schulz_and_Adina_Butar-In_Search_of_Sunrise_(The_Remixes)-(CLHR411)-WEB-2020-AFO_INT Markus_Schulz_and_Adina_Butar-In_Search_of_Sunrise_(The_Remixes)-WEB-2020-AFO MaRLo-Remixed_EP_Part_4-(RA115)-WEB-2020-AFO Marv_-_Tru_Frequency-(BTR2026)-SINGLE-WEB-2020-ZzZz Mastered-Reflex-(FFR135)-SINGLE-WEB-2020-AFO Matrick_and_Forces_-_Interstellar-(RA118)-WEB-2020-JUSTiFY_iNT Matt_Diadema-Lost-(MSBKR184)-SINGLE-WEB-2020-AFO Matt_Diadema-Lost-(MSBKR184)-SINGLE-WEB-2020-AFO_INT Matthias_Bishop-Night_In_Norway-(AURALSN122)-WEB-2020-AFO Matthias_Bishop_-_Mystic_Planet_(Remixes)-(AURALSN124)-WEB-2020-JUSTiFY_iNT Mavairic_-_Piece_Of_Me__Close_Your_Eyes-(FSOEP113A)-WEB-2020-JUSTiFY_iNT Max_Blaike_-_Summer_Time-(BSR582)-WEB-2020-ZzZz Mazeev-Dandelion-(TAR138123)-SINGLE-WEB-2020-AFO Mazza_-_Madwave-(MAZZA20204001)-SINGLE-WEB-2020-ZzZz Mechanical_Species-Avocado_Express-WEB-2020-FALCON Megatone-A_Billion_Stories-WEB-2020-NDE Mekkanikka_And_Sonic_Species-Untamed_Beast-SINGLE-WEB-2020-FALCON Memory_Loss-Forever-(AVAW175)-WEB-2020-KLIN Meraj_Uddin_Khan_-_Rivals-(TPR99)-SINGLE-WEB-2020-ZzZz Metronome-What_Goes_Up_Must_Come_Down_Kleysky_Remix-SINGLE-WEB-2020-FALCON Metta_and_Glyde-Renaissance-(FSOEF057A)-WEB-2020-AFO_INT Metta_and_Glyde_-_Renaissance-(FSOEF057A)-WEB-2020-QMI Mhammed_El_Alami_and_Cathy_Burton-Never_Fade_Away-(AMSTR345)-WEB-2020-AFO_INT Mhammed_El_Alami_and_Cathy_Burton_-_Never_Fade_Away-(AMSTR345)-WEB-2020-QMI Michael_Milov-I_Tried-(EDGE119)-WEB-2020-AFO Michael_Oak_-_Ariana-(AWR014)-SINGLE-WEB-2020-JUSTiFY Micro_Out_-_Resolution-(GERT0529)-WEB-2020-ZzZz Middlestones_-_I_Can_Help_Myself-SINGLE-WEB-2020-JUSTiFY Middlestones_-_Love_Will_Survive-(4061707421273)-SINGLE-WEB-2020-ZzZz Mike_Sanders-Totem-(FSOE468A)-WEB-2020-AFO Mike_Sang-Elevate-(SUBMISSION205)-WEB-2020-AFO_INT Mike_Van_Fabio-Limerence-(EDGE120)-WEB-2020-AFO Mike_Way_-_Drifting_In_The_Darkness-(NSM358)-WEB-2020-ZzZz Mindsoundscapes_with_Hamza_Messaoudi-Our_World-(SCR361)-SINGLE-WEB-2020-AFO Mindsoundscapes_with_Hamza_Messaoudi-Our_World-(SCR361)-WEB-2020-AFO_INT Miroslav_Vrlik-Expanse-(AV042)-SINGLE-WEB-2020-AFO Miroslav_Vrlik_-_Expanse_(Beatsole_Remix)-(AV042)-WEB-2020-QMI_INT Miroslav_Vrlik_-_Let_it_Be_(Original_Mixes)-(MCV97)-WEB-2020-QMI_INT Miroslav_Vrlik_and_Dave_Steward-Promises_(Original_Mix)-(NC0131)-WEB-2020-AOV Mohamed_Bahi-Derivation-(MPURE116)-SINGLE-WEB-2020-AFO_INT Mohamed_Neptune-Dream_and_Be_The_Dream-(SUBMISSION206)-WEB-2020-AFO_INT Monod-A_Story_To_Be_Told-SINGLE-WEB-2020-FALCON Monod-Ocean_Whisper-SINGLE-WEB-2020-FALCON Monolock-Bass_Dreamer-SINGLE-WEB-2020-FALCON Moreno_J-I_Hear_You_Calling-(VRS102)-WEB-2020-AFO Morgan_Page_and_Mark_Sixma-Our_Song_(Orjan_Nilsen_Remix)-SINGLE-WEB-2020-AOV Morrisound-Nocturnal_Rites-WEB-2020-FALCON Morsei-Hypnosis-SINGLE-WEB-2020-FALCON Mr._and_Mrs._Smith-Get_Loose-(PTN050)-WEB-2020-AFO_INT Mr._and_Mrs._Smith_-_Get_Loose_(The_Conductor_and_The_Cowboy_Rework)-(PTN050)-WEB-2020-QMI Mystery_Sense_And_Absolute_9-Absolute_Mystery-SINGLE-WEB-2020-FALCON Nakhiya_-_Eranahe_EP-(SWM145)-WEB-2020-ZzZz Name_In_Process-The_Time_Has_Come-(DSK016)-SINGLE-WEB-2020-KLIN Network_X-Klendathu-(OHMM081)-SINGLE-WEB-2020-KLIN New_Horizons-Take_Flight-(SMLD072)-WEB-2020-AFO NG_Rezonance_and_Costa_Pantazis-Giga_Shadow-(MA023)-WEB-2020-AFO_INT Nicholas_Gunn_ft._Alina_Renae_-_Fallen_(Richard_Durand_Remix)-SINGLE-WEB-2020-QMI Nicholas_Gunn_ft_Alina_Renae-Fallen_(Richard_Durand_Remix)-WEB-2020-AFO Nico_Cranxx-Sunset_On_Buitenzorg-(SCR364)-WEB-2020-AFO_INT Niko_Hoffren-Leave_Me_Again-(YR1323)-WEB-2020-AFO Nikolauss-Elivagar-(SUBC208)-SINGLE-WEB-2020-AFO_INT Nikolauss-Elivagar-SINGLE-WEB-2020-AFO Ninurta_-_Fire_Bike-(3616406660815)-SINGLE-WEB-2020-ZzZz Niveus_and_Ren_Tanahashi-Maze_EP-(SDR365)-WEB-2020-AFO Noath_-_Simply_Your_Life-(IR108)-SINGLE-WEB-2020-ZzZz NoMosk-Aurora-(DARK063A)-WEB-2020-AFO Norma_Sheffield_-_Love_Is_All_You_Need-(4061707428531)-SINGLE-WEB-2020-ZzZz_iNT Normalize-Tubular-SINGLE-WEB-2020-FALCON Norni_and_Natalie_Gioia-By_Your_Side-(VOICE091)-SINGLE-WEB-2020-AFO_INT Nostic_-_Exploring_Space-(HRR067)-WEB-2020-JUSTiFY_iNT Notdutch_-_Listen-(UPLY107)-WEB-2020-ZzZz Novan_-_The_Story_of_Novan-WEB-2020-QMI Novel-Heavenly_Mind-(SDR372)-WEB-2020-AFO_INT NrgMind_and_Christian_C-The_Lost_Paradise-(LEV129)-WEB-2020-AFO Numar1_-_My_Little_Dream_(Original_Mix)-(SR002)-SINGLE-WEB-2020-ZzZz Obie_Fernandez-Obie_Fernandez_EP-(HQ022)-WEB-2020-AFO Odep_-_Solar_Points-(PRO20131)-WEB-2020-ZzZz Of_Paradise-Spiral-(PTL00029)-SINGLE-WEB-2020-KLIN Oleg_Kozlov_-_Good_Memory-(GERT0530)-WEB-2020-JUSTiFY Omech_-_Unexpected-(ESHOT084)-WEB-2020-JUSTiFY Omiki_Vs._Dego-Miracle-SINGLE-WEB-2020-FALCON Omnia_-_Escape_The_Night-(ARMD1550)-WEB-2020-QMI Omnia_-_Escape_The_Night-(ARMD1550)-WEB-2020-QMI_INT Ondrej_Bezdek_-_Popularity_Should_Be_Illegal-(FJR025)-WEB-2020-ZzZz One_Function_And_Mindbenderz-Counterpoint-SINGLE-WEB-2020-FALCON Opt-in-Echo_Chamber-(HTE089)-SINGLE-WEB-2020-AFO_INT Optimus_Raton_-_Infinity-(48462)-WEB-2020-ZzZz Orisma-The_Truth-Remix_WEB-2020-FALCON Orkidea-Orkidea_Rebel-(PTP118)-WEB-2020-AFO Orkidea-Orkidea_Rebel-(PTP118)-WEB-2020-AFO_INT Oscar_Metz_and_Luca_Antolini_-_Sulfur-(BNR121)-SINGLE-WEB-2020-ZzZz OTIOT-The_Beginning__Ingonyama__Samsara-(ASOT610)-WEB-2020-AFO Ovnimoon-Interdimensional_Travel-WEB-2020-FALCON Owl_Stone_-_Collection_Of_The_Best_Tracks_From_Owl_Stone_Part_2-(SM150)-WEB-2020-ZzZz P.R.O.G.-Red_Skin_P.R.O.G._And_Kibacs_Remix-SINGLE-WEB-2020-FALCON Pablo_Gargano_-_Golden_Deity-(5059580139599)-SINGLE-WEB-2020-ZzZz Pacificbeats_-_Stars-(4061707410482)-SINGLE-WEB-2020-ZzZz Painters_Of_Thoughts-Three-O-Three-WEB-2020-FALCON Panbo_-_Rebirth-(CAT405358)-WEB-2020-ZzZz Pandoul_-_Everything_Is_Cancelled-(EFF239)-WEB-2020-ZzZz Papulin_and_Kate_Miles-Home_(Aimoon_Remix)-(VOICE090)-SINGLE-WEB-2020-AFO_INT Para_X-Bluebonnet-(PRFCT173)-WEB-2020-KLIN Paul_Denton_and_Deirdre_McLaughlin-Let_You_Go-(SUBC207)-SINGLE-WEB-2020-AFO_INT Paul_elov8_Smith-Another_Way-(STATICS040)-SINGLE-WEB-2020-AFO Paul_ELOV8_Smith_-_Super_8-(TPR101)-SINGLE-WEB-2020-ZzZz Paul_Hawcroft_and_Matt_Black_-_Transcendence-(EMC2007)-WEB-2020-ZzZz Paul_M.-Etnia-(BT270)-SINGLE-WEB-2020-AFO Paul_Miller-On_and_On-(VAN2399)-WEB-2020-AFO Paul_Priestley_and_Quake-Totem-(MCS95)-WEB-2020-AFO_INT Peetu_S-Infected_Sector-(OUT162)-SINGLE-WEB-2020-AFO_INT Petr_Vojacek-Sunrise-(10175217)-SINGLE-WEB-2020-AFO Ph4se_-_Edna-WEB-2020-JUSTiFY Phaxe-Never_The_Less-SINGLE-WEB-2020-FALCON Phil_Matthew_-_The_Lightwalk-(4260135040210)-WEB-2020-ZzZz Pierre_Pienaar-Bliss-(ELEVATE031)-WEB-2020-KLIN Pierre_Pienaar_and_Rob_Dalby-Diverge-(VAN2403)-WEB-2020-AFO Polaris_X_-_Canine_Sounds-(PRO20126)-WEB-2020-ZzZz Pop_Art-Fall-SINGLE-WEB-2020-FALCON Porat-Garden-SINGLE-WEB-2020-FALCON Prajdy_and_EMULE-From_North_To_South_(Electro_Roses_Anthem)-(MSBKPR0069)-SINGLE-WEB-2020-AFO Prime_Mover-Black_Dogs_(Prime_Mover_Remix)-(SKLD036)-SINGLE-WEB-2020-AFO_INT Protoculture-Shine-WEB-2020-AOV Protonica_-_Exoplanet_(Kalki_Remix)_(IBOGADIGITAL636)-WEB-2020-gEm Psyklone_-_at_Night-(5059580197230)-WEB-2020-ZzZz Psypien-Ver_Sacrum-WEB-2020-FALCON Purple_Stories_-_Secret-(BIPCLUB2739)-WEB-2020-QMI_INT Quake_and_Nick_The_Kid-Chroma-(HTE088)-SINGLE-WEB-2020-AFO_INT Quantik-Natural_Energy-(OVNIEP423)-SINGLE-WEB-2020-KLIN Quantor-Jet-(HCR373D)-WEB-2020-AFO Quantum_Loop-Unveiling-WEB-2020-FALCON Querox_And_Synesthetic-Novo_Mundo-SINGLE-WEB-2020-FALCON R1TURAJ-Beyond_Imagination-(NRG026)-SINGLE-WEB-2020-wAx R3dub-Anima-(UA100)-SINGLE-WEB-2020-AFO_INT Raddle_B-Antivirus-(BTSR331)-WEB-2020-AFO Rafael_Osmo-Imagination_EP-(FSOEC111A)-WEB-2020-AFO Rafael_Osmo_and_Spectral-World_Cup-(ENTRMR092)-SINGLE-WEB-2020-AFO Rafael_Osmo_pres._RFL_and_Rubbi_Heller_-_Overdrive-(BIPCLUB2797)-WEB-2020-QMI_INT Ram-J_and_Eze_Colombo_and_Sheism-Loneliness_Landscapes-(PRFCT169)-WEB-2020-AFO Ramin_Arab-Beyond_Feeling-(TAR138124)-WEB-2020-AFO Ranji_And_Jilax-Away_Henrique_Camacho_Official_Remix-SINGLE-WEB-2020-FALCON Rau_Lizzard-Stoned-(RU243578)-WEB-2020-KLIN Reach_Moment_-_Enter_The_Darkness-(RD046)-SINGLE-WEB-2020-ZzZz Reefer_Decree-The_Art_Of_Absence-WEB-2020-FALCON Relais_-_Memory_Of_The_Past-(BSR586)-WEB-2020-JUSTiFY Rene_Ablaze-Red_Sea_2030-(ABL001)-SINGLE-WEB-2020-AOV Renegade_System-Ganymede-(BSR005)-WEB-2020-AFO Renegade_System-Urban_Viper-(ARD119)-SINGLE-WEB-2020-AFO_INT ReOrder_And_Xijaro_And_Pitch_-_Elevate-(WAO138300)-WEB-2020-QMI_INT ReOrder_ft_Bo_Bruce-We_Are_The_World-(WAO138296)-WEB-2020-AFO Repulsive_System-1000_Feelings-(PHZ304)-WEB-2020-VRG Repulsive_System-1000_Feelings-WEB-2020-NDE Retronic_-_Hello_Darkness-(URDR139)-SINGLE-WEB-2020-BarGhest Rinkadink_And_Mindfold_-_Interlinked-(FMR100)-SINGLE-WEB-2020-BarGhest RJ_Hernandez-Daybreak-(AURALSN157)-WEB-2020-AFO Rob_Mooney-Feelin_Electro_(Tasso_Remix)-(WAO138302)-WEB-2020-AFO Rob_Mooney-Feelin_Electro_(Tasso_Remix)-WEB-2020-AFO Robert_Curtis_-_Hold_You-(RRD14)-SINGLE-WEB-2020-ZzZz Robert_Maya_and_Kate_Miles-Stay-(TRUE136A)-WEB-2020-AFO Roburck-Portals-(PAM004)-SINGLE-WEB-2020-KLIN Rodg_x_Super8_and_Tab-Soundcheck-(STM318)-WEB-2020-AFO and much more ...... 
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2020.09.01 16:35 Equivalent-Many4783 The Student Regent just mass sent this email to 30,000 University of Alaska students

Hello All! First, I do realize that this letter is a unique one—no surprise, it comes from my very heart, and I am, undoubtedly, unique. You probably ain’t eveh gonna get another letter like this… unless I send you another one this year, which I am certainly liable to do, because the love is real, y’all. I might even be inclined to send a few more. So here goes. Please read to the end, it’s long I know, but please do me this honor. I humbly, yet boldly, ask to be met (received, acknowledged) by you because I am working very hard for you. I am your student regent; my name is Cachet.
My Dear Beloved Fellow Students,
Congratulations on getting through the first week of our semester in these unprecedented times! Thank you for opening my email; this letter has been a long time in coming. I wanted to reach out to you over a year ago when I first became your student regent—to introduce myself and to ask you to lead with me, right by my side, and directing my movements, as you all are my very motivation to serve, and I wish to serve you with all that I am, no matter the circumstances of our world.
Many of you will have heard of me by now—me with my mama-bearness in my representation of you; my implicit adoration of you; my calling to serve you, Alaska’s students, and through you, serving the entirety of this incredible state. My conviction is off-the-charts strong and has been for a long while—since the days I was a student senator, then student body president, and also president of the student alumni association at UAS in Juneau, Alaska’s beautiful capital city. Student leadership, and leadership in general, comes innately to me, and it is impossible for me to not serve. It is one of the two paramount callings of my life, and I will answer it every day that I am living. Still, some of you have yet to encounter the term regent, let alone to know that your university has a Board of Regents (which is a State board) that governs the administration of our university system, and which is thus wholly responsible for what happens on our campuses, alongside our three chancellors whom are chief among the institutions wherein they are at the helm.
In this letter, you will learn more about what the student regent is, and how one gets to serve in this capacity. You will also be called to action to empower your (our) communication and participation in these challenging times, and to empower and advocate for our cumulative vision for our universities, as well. Further, I implore you to care for yourselves to the utmost, and I will do the same. Being a regent at this time is certainly not easy. The demands upon the regents (thus far of my tenure) is anywhere from 6-10 times as much as in any other normal years (if not more). I understand that this pressure is not limited to our board of regents but is indeed spread throughout the entirety of our universities: it is heavy upon our administrators, our faculty, our staff, and our dear students across all our communities.
It is for this reason—to engage your activation, your activism, your action, your passion, your empowerment—that I am now (and always, frankly) yours in service. It started, in all fairness, in my childhood (a story I will save for one-on-one conversations with you if you wish to ask me more), and so for the purposes of this letter I shall say it began with my very interesting experience of my first year of graduate school at UAF, which I began in the Fall of 2018:
I was all enthusiasm beforehand (for years, in anticipation of my much-desired graduate education), and in short order I found myself having an atrocious experience within my program (another story I will save for our one-on-ones if you wish to know more—I am an open book). And you know what? I am honestly grateful for it—the trials and tribulations, the tremendous lack of support I felt—for it did not defeat me, rather, it showed me who I am and what I am made of. I am unbreakable; I am stronger than I ever knew. And if you have yet to realize this about yourselves, my friends, let me help you. Let me help to shoulder your burdens, so that you can feel truly supported. I am here for you always.
I wanted to be your regent so that I could do everything in my power to ensure that no other student would experience the extreme dysfunction that I perceived in my experience of my first year. Please note: I am NOT bashing my university—I quite love my university—that is why I demand that it always strives for excellence in its treatment of our students and that anything short of that is a failure that I, as regent, want to be personally accountable for. The regents are the ones who must account for all that goes on within the University of Alaska system. If something sucks at UA*, I* will step up to answer for it, and I will call a spade a spade. And if it is a red spade, I will call it the red. spade. that it is*,* because I am NOT afraid of accountability, and I am not afraid of Truth-capital-T, and I am NOT afraid of engaging tough conversations, nor am I afraid of leadership in challenging times. In fact, I was made for it.
So how did I become your student regent? It’s really cool, actually: the student regent is the only regent who must conduct a campaign (on their home campus) to be considered for this position. The students elect this individual to be then submitted to the governor for vetting and for nomination to the position. Like all regents, I am a gubernatorial appointee. Unlike the other regents who serve eight-year terms, the student regent serves for a two-year term. That being said, I am considering putting in for another two years, if you will have me, elections will be held soon. ALSO, if you feel called to this position, check with your student government about your upcoming election and the process, or reach out to me to guide you. May the most qualified students step up! The student regent must pay to be regent, as we are mandated to be full-time students during our tenures. I am happy to continue studying at UA for an extended duration if you wish me to continue in this role.
Please know this clearly: I DO NOT EVER speak for, or on behalf of, the regents. Anything I say and do comes from me and only me and is sourced from my strong convictions as a servant-leader. It is the board’s chair who speaks for the board; this position is currently held by Regent Sheri Buretta. The board also empowers the president of the university system with board representation. This position is currently held by a woman named Pat Pitney, who serves us as Interim President. The president is the sole employee of the Board of Regents, working specifically at the behest of the board as a whole, who works to serve the state and it’s needs by providing quality education to you, our students, and thus the president works for you. I expect great things from Ms. Pitney this year, as should you. The pressure upon her is not light, my friends. It is not light upon any of us in this time, as we wholly know.
My term as your student regent is from June 1, 2019 through May 31, 2021 and is, of course, subject to legislative confirmation. Due to the unexpectedness of the global pandemic, all of the recent gubernatorial appointees are as yet unconfirmed. I have received word that the legislature will attend to duty to confirm our governors’ appointees as soon as they can during their 2021 Legislative Session. If you wish, you may send your senators and representatives your personal recommendation to confirm me in 2021 as your student regent. In spite of delayed confirmation, all appointees are legally permitted to serve in our appointed positions. I am deeply grateful to Governor Dunleavy for selecting me for this hard work, in light of unprecedented budgetary cuts to the UA system, and for entrusting me to uncover with my fellow regents the best ways forward for our universities in service to our state.
From the very start of my tenure I committed myself to always being a strong voice on behalf of the students of the universities we collectively call UA. I will always represent the students’ (youour) perspectives, wishes, and concerns; and I will always vote in your favor—the way that you would have me vote—UNLESS I stridently feel that I am compromising the fiduciary responsibility entrusted to me, and then I will be accountable before you and will honestly explain to you why I made my decision thus. I will always do my best for you. As with everyone, my best may change with the circumstances of my days: depending on my homework load (I am a student first and foremost!) or my mental/emotional/physical state.
Warning, vulnerable share: I value self-care, incredibly so, and I very much value the care-of-you. I am a massage therapist by trade and a health nut by choice; I work hard to stay on top of my whole health, despite some of my tendencies. I want to vulnerably share with you now that I do face the edginess of mental/emotional turbulence regularly, which is fundamentally rooted in both my ‘expectancy violation’ of the reality I wish to create with the people I come to share space with, as well as in my being an extreme empath, wherein I expect people to just do right and to treat each other, and the living earth, with compassion and without selfish aim or gain. This is what allows me to genuinely and unconditionally love people—even if they are strangers to me, and even if they are unkind or I inherently disagree with them. I am widely known for this lovingness, and I appreciate who I AM because of it. The shadow side of this edginess—an aspect of me which I ultimately consider a welcomed strength—is that sometimes people do not understand me or my intentions, and I have been judged for my directness and abruptness and even called “disrespectful.” I am working on this ardently, how I present myself to the world (just real, I am only just real) and on impression management, though—disclaimer—I have emotional maturity enough to know that I am NOT responsible for how anyone feels, or perceives me, or reacts to me (only oneself is responsible for one's feelings, perceptions and reactions) and I am wise enough to know that what anyone thinks about me is actually none of my business and it does not need to affect me, neither positively nor negatively. I am a longtime student of yoga, and of tantra (which is NOT about sex, people; this is a misguided belief many people have but it is not without reason). Both yoga and tantra are exercises in authenticity, integrity, and perseverance, rooted in deep self-care. When one is practicing these, you can see how one’s life (in all aspects) could thrive. I always know when I fall short of this, and that is on me to reconcile within my own self, and to make amends where necessary.
It is for this reason that I offer apology ONLY where it is truly warranted. If I accidently bump into you, for example, it is not a situation that actually warrants my “being sorry,” it warrants instead a smile and a hello—my acknowledgement of your presence. If I hurt you, or hurt myself in my treatment of you, a sincere apology is absolutely necessary. Now if you did something that results in your perception that I hurt you, but I actually did nothing directly to you, then you must grow to recognize Truth—capital T. This self-reflection and introspection are the makings of great people, and of great leaders. I only strive to lead by example. And as I serve you, my fellow students, if ever I do something that you find is a poor example of what you wish to see in your student regent—you damn sure better call me on it! Hold me to account, I tell you! I hold myself thus. Most people say they are sorry far too often, which renders their necessary apologies less meaningful, in my opinion. I invite you to witness for yourselves how often you are apologizing for things that do not need to be apologized for. Instead, simply say, “excuse me for bumping you, I did not intend to,” and engage your beautiful smile. How does that feel to you, hearing me say this?
I do not wish to ever be gruff with or inhospitable to anyone, I wish to be gracious with everyone, and yet I find I must voraciously repeat: I am not afraid of directness or of facing, head-on, seemingly insurmountable issues that bring us to our knees, and I am not afraid of metaphorical bullets and gut-wrenching ridicule. I am not afraid of disagreement, and I eagerly stand firm for what I believe in. In this case, I believe in you**. All of you. And I believe in our universities**, and in our beautiful state constitution, wherein we hold a special place sealed into perpetuity. Do you know how critical our universities are?! We are the very representatives of something that is meant to be golden. If it appears as coal to you, apply your inner alchemy, you beautiful magician, you beautiful miracle-worker. Do you know your power? You are an incredibly powerful creator. You are co-creating your reality daily with life, and life conspires to give you all that your heart desires. All you must do is ask, believe, and receive. Stand in this power, let nothing knock you from this space. Do you pray? Prayer is a powerful manifestation tool, and a powerful tool to use to feel better as prayer is, indeed, a medicine.
It is at this point which I must express the urgency of ceasing ANY negative talk around our beloved university system. Instead, engage your tools, engage the power of prayer, and lift up our universities and their leaders, please; the UA system needs loving and tender care right now, as do we all. Honest acknowledgement of any loci of dysfunction in our system is not being negative; it is simply calling spades what they are and demanding change for the better, and for the better, and for the better. The old paradigms are coming crashing down and we are living in an amazing time of change. When I share with you what I experienced in my first year at UAF, I am simply acknowledging my Truth, that which I lived through, and the depths of the despair. I am not ashamed to communicate with you that I suffered and that it made me stronger. COMMUNICATION IS EVERYTHING, and it is an art and a skill that takes continued and fervent commitment; honest communication can bring great healing.
I am certain that what I went through was a matter of others simply not understanding my implicit uniqueness, my specific needs, or the reality of my fierce independence, all stemming from 20 years of solo globe-trotting adventures, one major life-changing pilgrimage (have you heard of the Camino de Santiago?!), and from being my own boss for the past ten years. These qualities that I worked so hard on were mistaken and mislabeled as “entitlement.” We are all entitled to feel safe and supported in our environments, my friends. Remember this that I tell you. And more importantly, I honor that my experience of that time in graduate school played a critical role leading to my tremendous self-development. I can, with this mentality, be truly grateful for how hard it was to endure that first year, and for my ability to persist in spite of all odds. Whereas I began my graduate career as a Teaching Assistant impacting the lives of the 19 students I was fortunate to teach, I evolved into being (once again) a student senator in the student governance of my university and representing many thousands of students, from where I evolved into becoming your student regent, the highest position of student leadership in Alaska, representing well over 20,000 students, and at a most critical time.
While I strive for excellence in communication, excellence in service, and excellence in leadership, I am only human and I ask for your patience, leniency, and support as I continue my mission to serve and to become my very best self in service to my state. I love Alaska with all of my heart, and I wish to inspire this passion within you, too. It is for this reason that I now fully invigorate and charge forward with the power invested in me that WE THE STUDENTS continue to communicate with each other wholeheartedly and with intensified frequency. Please continue your communication with me over this next year. If you have yet to email me your concerns, I invite you to do so directly. You may absolutely be blunt with me and you may curse if you feel the need to, I will not take offense. I only ask you for your honesty in what your experience has been and in what you want to see happen, not only for the future of our universities, but for the future of our lives. You may call me anytime, as well.
And so that leads me to my call-to-action of you all, one I wish I had sent to you as my introduction in May of 2019: I BOLDLY charge you all to connect with me, and I charge you all with the great task of self-care, not only in this year (in this very critical year in the history of our universities), but always. And with this I must humbly, vulnerably, and bravely request of you all, please dear ones, NO MORE SUICIDING. Suicide Prevention Week is next week, September 6-12. If you feel you are at risk in this vulnerable area, please reach out for help. As bad as things do get sometimes, admittedly, the cup does pass. A new day does come, and you do belong here. How can I help you feel more of a sense of place and belonging? What can I do to support you more?
I recognize that it is unorthodox for a regent to speak thus, but I am no status-quo individual and I could not be if I tried. What I AM is your servant-leader working my butt off to represent you, to serve you, to empower you and to embolden your very precious lives. And it is with this strong conviction that I demand, with tears of concern in my eyes even, that you do not commit self-harm upon your bodies, your hearts, or your minds, and that you INSTEAD acknowledge and honor the deep Truths within you, your feelings, your wants, your desires, your sufferings, and that you hold them in a space of love. Hold yourselves and each other in a space of love. I hold you always in this space of love, and I implore you with all that I am, to take care of yourselves, and each other. Say hello to your classmates, make the effort to know and to use their names and to look into one another’s eyes. You never know when these simple actions will lift someone’s spirit that day, or even save their lives.
And speaking of saving lives, WE MUST, WE ABSOLUTELY MUST, regardless (or irregardless, if you prefer, haha) of our independent feelings regarding this pandemic and its impacts on us physically, emotionally, mentally, socially, etc. WE SIMPLY MUST follow our universities precautions and the rules that are in place. This IS temporary, and we ARE a resilient people. Until this pandemic does pass, this is how we can show our love and support not only of others, but our love and respect for ourselves. Do it. We really don’t have a choice. I also do not enjoy keeping distance from folks (I am a hugger and I kiss people on their cheeks), and who really enjoys wearing a mask when out and staying home more than ever? We just have to do what we have to do, and this community-mindedness is what will help Alaska be the best it could ever be: when we care for another. We must tirelessly strive to lift people up so they do not feel lost and alone.
Finally, I ask you to engage new levels of participation with the goings-on of our universities collectively—we are a system after all. You can do this by engaging conversation with faculty and staff, in particular the staff and leadership of Student Services, with your student governance, with your legislators, and with me. You can participate as a witness and testifier to the Board of Regents by attending our public committee meetings and full-board meetings, discussing them with your peers, and by showing up to let your voice be heard at Public Testimony. The Regents website is and from there you can track our meeting schedules, minutes, agendas, public testimony sessions, and more. All of our contact information is listed for you to write or call us at any time.
Public testimony provides an opportunity for direct public input in advance of the board’s next committee meetings which will be held September 3-4, and the full board meeting, which will be held on September 10-11. These meetings will be streamed at and I encourage you all to tune in whenever you can. You may provide your written testimony anytime by emailing though in my opinion emailing the regents at our individual email addresses is most effective. Written testimony sent to our group address is shared with the Board of Regents and Interim President Pat Pitney and comes in the form of a large PDF, sometimes as many as 20 pages long.
The next opportunity for public testimony is TONIGHT August 31, 2020, from 4:00-6:00 p.m. and you must be willing to call in early and wait (sometimes up to 45 minutes, I’ve heard) to be recognized to speak. If you call later than 4:00ish you risk not getting into queue. Call 1-866-831-8713 to join the queue for testimony. Public testimony session will be live streamed at: Please do not be nervous, do speak loud and clear; we’re all in this together, and your voices and your opinions matter. Agendas are posted at and the upcoming meetings are:
Thursday, September 3 – via ZoomAcademic and Student Affairs Committee - 9:00 a.m. - 11:00 a.m. (I am on this committee)
Facilities and Land Management Committee - 1:00 p.m. - 3:00 p.m.
Friday, September 4 - ZoomAudit Committee - 9:00 a.m. - 12:00 noon
Thursday and Friday, September 10-11 – FULL BOARD MEETING via Zoom
Thursday, September 10, 8:00 a.m. - 5:00 p.m.
Friday, September 11, 9:00 a.m. - 1:00 p.m.
Lastly, for levity, does anyone else miss going out dancing like I do? Blast this song I love by Citizen Cope and dance around your living rooms (and know that I’m doing it, too!): “Bullet and a Target,” my Song of the Day 📷 Send me your favorites so I can add them to my dance list. Woo hoo! Move your bodies, it is crucially important. Find a way to move every day. It will keep your spirits high.
I very much look forward to hearing from you! And if you send me six, or seven, pages worth like I did to you, well, fair is fair!
Yours in service, always, and know that I love you—even if you think that that is nuts, or impossible, or whatever, you ought to know by now that my Truth is my Truth and I speak it boldly, and I want the very same for you,
Cachet Garrett, Student Regent

p.s. If you are no longer a student and wish to be removed from this UA listserve please email your request to Morgan Dufseth, Executive Officer, System Governance.Thank you!
p.p.s. The pictures attached are: me with my sweet dog, Kai’aka, on a pre-pandemic flight. She is pure joy in the form of a forever-puppy and I hope you all get to meet her, and me! She is a certified emotional support animal who is a major part of my own self-care. Bless our animal companions!
The next pictures are of Kai’aka and me in my hometown of Palmer at the incredible Matanuska Greenbelt. Go see it and hike around, it’s gorgeous!
And finally, mask-wearing me at UAF with a life-size photo of our beloved Vice Chancellor for Student Affairs, Keith Champagne.
submitted by Equivalent-Many4783 to cringe [link] [comments]

2020.08.23 23:31 YellowEnclave The Lost Soldier

Waxer stared at the wooden beams along the ceiling of his room. The morning light shone down the alleyway, light danced soundlessly along the cobblestones. His memory of last night's dream quickly left him before he could reflect upon it, he remembered a woman, the mountains, and the feeling of a price unpaid. He slowly lifted himself from his bed and sat, staring at the floor and his large calloused feet. Across the alleyway from him he heard Olek, his neighbour, a large, portly man who announced his return to the waking world with a resounding yawn, a dopey warbling war horn before he rose to face the day.
Waxer donned his uniform. It was a plain woolen tunic and breeches. He hauled himself into a heavy coat with small, iron plates woven in. The belt that held his breeches up had a sheath for him to carry a large meat cleaver, he also had a small dagger no larger than his fist on a piece of string he wore around his neck. He drank some ale to heal his parched throat and left his house. Climbing the steps that lifted him from the narrow, musty alley to the streets of King's Landing.
Waxer could see the two peddlers a quarter mile before he reached them, he had the appropriate coinage ready for them. He knew them by name, the first was the baker's wife, Una, selling her husband's bread on the side of the street, he would buy a half loaf from her every morning, and then Bors, who he would pay a few coins to fill a bottle full of ale. Bors offered him some stronger beers and wines, again, and Waxer would decline politely, again. He would then continue on his walk to the bathhouse. Picking apart the bread and stuffing into his mouth, washing it down with the ale as he walked.
The smell of spices and lavender invited themselves sweetly unto Waxer's senses as he rounded the corner and began the last leg of his commute down the Street of Silk. The workers of the Street where already outside ready to peddle their wares, he felt some of their eyes as he walked, hearing their sweet invitations and greetings. They would call out his name, though he could never remember theirs. But he always recognized two of the figures. Two women, still and flawless, perched upon the pillars outside "The Spicer's Maiden". Their stone hair feel across their chests. If only they all looked like them, he thought for a moment. He opened the front door to the bathhouse and entered, kicking the dust off his boots at the door.
As he made his way through the bathhouse, he spotted The Lyseni attending to the marble baths, sprinkling little purple flower pedals into the steaming water. The Lyseni was a beautiful man, if they were truly a "man". They had long, full locks of cream white hair, and a smooth, elegant face with full lips. He came to a big oak door and wrapped his knuckles on it, he found himself gazing at the Lyseni's form again before a voice from the other side of the door beckoned him in.
"Come in, Waxer".
Standing at an ornate wooden table stood Mors. Waxer knew that Mors was taller than him, but from a distance you couldn't tell, most of Mors' features were rather unremarkable, he wasn't tall nor short nor thin nor fat, and he wasn't a particularly muscular man, but he could lift almost as much as Doughface or Trank. He was regarding a few letters on his desk, he spotted a cracked purple seal on one of them. Flanking Mors were two burly men, they used to be butchers, Waxer remembered. Trank and Kennett, twins. They both had coarse black hair parted in the middle with hooked noses. Tranks wasn't as straight as Kennetts, probably wasn't set right after a brawl.
"I trust you are well rested, Mister Waxer?"
"Aye ser, I slept well last night, what would you have me do?"
Waxer knew his boss wasn't a knight, but he referred to him as Ser regardless, partially out of respect, partially out of habit, but also because he was never told not to.
"That meat cleaver, you use, how has it served you thus far?" Mors didn't lift his eyes from the letters he had buried himself in.
"This one, Ser? Works just fine, I'm more accustomed to the longsword but they're not totally dissimilar. Weight distribution leaves quite a lot to be desired, and it's quite heavy."
"You were trained to fight with longsword?"
"Aye Ser, for most of my career"
"Well then perhaps today is your lucky day" Said Mors, finally lifting his face to meet Waxer's eyes with his. "Talks with the smith's guild is finished, they're currently working on a larger knife for you and our lads to wield".
"Pardon me, Ser, you mean a sword?"
"I know what I said, it's a large knife. People like you aren't allowed to bare swords of any variety unless you're in a war, a lord, a bastard, a scion, or a member of the goldcloaks. But knives? Every blobtit from here to Eel Alley's got a knife, so who's to say we can't just carry a big knife".
"Forgive me, Ser, I'm not a very learned man, isn't a sword a large knife?"
"No, Waxer, a sword's a sword. A knife's a knife. I don't believe the Master of Laws ever thought to illustrate the differences between knives and swords but one would imagine there are certain distinctions."
"Differences, Waxer. Regardless, the King's nameday feast draws near and I am to accompany my father, his radiant holiness, to the feast. You are to accompany me as our bodyguard."
The King's nameday feast....
"I-I don't know what to say, Ser."
"Then don't, I have instructions to give you anyways. I want you to go to the Smith's guild and examine the knives they're making us, see if they're actually usable, once you're done that Prettyboy knows a tailor a few blocks from here, you're going to get fitted with something more appropriate for the Feast, when you're done that you'll return to me."
"Aye Ser, it'll be done"
"You're dismissed"
Waxer had his hand on the doorknob when Mors stopped him.
"Oh, and Waxer? Shave."
"Yes sir". Waxer nodded politely and left.
As the door swung open, Mors beckoned the Lyseni into his office. Within a few seconds he came in. He stood opposite Mors, significantly taller than the bastard, a cordial smile had curled across his face, and he had eyes the colour of the flower pedals he was throwing into the water. Mors always admired him for his posture. Most of the other commoners slouched and stooped, even Waxer had a queer gait when he walked, through that could stem from a lot of things.
"Have one of the men deliver this to the Sept of Baelor, Maelys." The Lyseni took a rolled up piece of parchment which Mors handed him.
"Of course, Ser, for his radiant holiness?"
The Lyseni bowed deep and excused himself from the chamber, as he left, Mors could hear a knock at the front door of the Bathhouse, the first wave of customers were arriving, just as they always do.
submitted by YellowEnclave to IronThroneRP [link] [comments]

2020.08.23 17:24 1trance_org Trance JULY 2020 Releases Megapack

Trance 2020 JULY Megapack (1280 releases over 72 GB):


29_Palms-Touch_the_Sky_(Incl._Remixes)-(PRFCT167)-WEB-2020-AOV 2asONE-Giri_(Original_Extended)-(94TR35)-SINGLE-WEB-2020-AFO 2Sher-We_Can_Be-(PHAT083)-WEB-2020-AFO 3RVIN-Confused-(ASR249)-WEB-2020-AFO_INT 40THAVHA-Amor_Roma-(SDR364)-WEB-2020-AFO_INT 4_Seas-Circles-(LEV126)-WEB-2020-AFO 4_Strings_and_Sue_McLaren-Never_Ever_After-(RNMR029A)-WEB-2020-AFO 4_Strings_and_Susanne_Teutenberg-I_Feel_You_(Nord_Horizon_Remix)-(RNMR194)-WEB-2020-AFO 4motion_Vs._Opix_And_Nomos-Our_Friend_Harry-SINGLE-WEB-2020-FALCON 79Rpm-No_Way_Back-(NSM339)-SINGLE-WEB-2020-KLIN 7Roses_and_Camille_-_Trying_Not_To_Cry_(Remixes)-(YL070)-WEB-2020-FMC 7ROSES_and_Natune-Keep_Moving_On-(YR1311)-SINGLE-WEB-2020-AFO 7Roses_and_Rebecca_Louise_Burch--This_Heart-(YR1298)-WEB-2020-OMA 8Th_Sin-Beside_You-(CAT403151)-SINGLE-WEB-2020-KLIN A_and_E_Project-Birth_Of_Galaxy-(ESR445)-WEB-2020-AFO Abide-Forget_Me_EP-(SDR359)-WEB-2020-AFO Abide-Forget_Me_EP-(SDR359)-WEB-2020-AFO_INT Abide_and_U-Mount-All_Alone-(NHW035)-WEB-2020-AFO Above_and_Beyond-Jam-WEB-2020-AFO Abstract_Vision_ft_Hydro_Poison-Orbiter-(VANXT22)-WEB-2020-AFO Accuface-The_Ride_(Remastered)-(MPR067)-WEB-2020-AFO Ace_Ventura-Deep_Breath-(IBOGADIGITAL631)-SINGLE-WEB-2020-KLIN Acidbots-Another_Revelation-(PAO1DW297)-WEB-2020-KLIN Activa-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Activa_ft._Julie_Harrington_-_Away_From_This_(Tim_Bourne_Remix)-WEB-2020-QMI Acues-Dont_Look_Behind-(DER043)-WEB-2020-AFO Adam_Dixon-Untitled_Society-(ST009)-SINGLE-WEB-2020-KLIN Adam_Sobiech-Roses_In_The_Sunrise-(EUPH319)-WEB-2020-AFO Adrenalin_Drum_Vs._California_Sunshine-Forest_Of_Dreams-WEB-2020-FALCON Aeden-Replica_(Blashear_Remix)-(UA096)-SINGLE-WEB-2020-AFO_INT Aeolu5-Loarun-(AEP404)-WEB-2020-AFO_INT Aesis_Alien-Twisted_Reality-WEB-2020-NDE Ahmed_Helmy-The_Unchained-(SND227A)-WEB-2020-AFO Ahmed_Romel-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Aimoon_ft_Alaera-Summer_Vibe-(VOICE088)-SINGLE-WEB-2020-AFO_INT Aioaska-Yond_The_Virus-SINGLE-WEB-2020-FALCON Airheadz-In_The_Air-(NEW350A)-SINGLE-WEB-2020-KLIN Airheadz-Stanley_(Here_I_Am)_(Remixes)-(NEW351A)-WEB-2020-AFO AJ_Gibson-Another_Journey-(NUCRD104)-WEB-2020-AFO Akakor-Strange_Light-(4AR158)-WEB-2020-KLIN Al3ss_-_Music_is_My_Life_(Extended_Version)-SINGLE-WEB-2020-ZzZz Aladiah-Stereo_Culture-(TSR0132)-SINGLE-WEB-2020-KLIN Alan_Morris-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Alan_Morris-United-(FSOE466A)-WEB-2020-AFO_INT Alan_Sharkey-Search_and_Find_(Extended_Mix)-(SCR354)-SINGLE-WEB-2020-AFO Alan_Sharkey-Search_and_Find_(Extended_Mix)-(SCR354)-SINGLE-WEB-2020-AFO_INT Aled_Mann-Cause_and_Effect-(DISCDIG06B)-WEB-2020-AFO_INT Aleksey_Litunov-Galaxy_Light_(Original_Mix)-(TF130)-SINGLE-WEB-2020-AFO Aleksey_Taranov-Activation-(4061798662357)-WEB-2020-KLIN Alevaz-Evolution-(PHZ295)-SINGLE-WEB-2020-KLIN Alex_Al_Onions-Our_Times-(YAWR252)-WEB-2020-KLIN Alex_Burn-Hypervoid-(MCS94)-WEB-2020-AFO Alex_Di_Stefano-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Alex_Djohn_and_Mike_Sang-Lullaby-(DEF225)-SINGLE-WEB-2020-AFO Alex_Drane-Breathe-(RDXM111)-WEB-2020-AFO Alex_Leavon-Field_Of_Dreams-(PRSPCTV012)-WEB-2020-AFO Alex_M.O.R.P.H.-Starfleet_Commander-(VAN2405)-WEB-2020-AFO Alex_Mazel-In_Your_Eyes-(BT269)-WEB-2020-AFO_INT Alex_Mazel-Serenity-(RDXRED164)-WEB-2020-AFO Alex_Sonata_and_TheRio-Nebula-(ASOT612)-SINGLE-WEB-2020-AFO_INT Alex_Soun_-_Angel_(Extended_Mix)-(ATR94)-SINGLE-WEB-2020-JUSTiFY Alex_V_Ice-Infinity-(YAWR249)-WEB-2020-KLIN Alex_Van_Sanders-Feel_Alive-(YL067)-SINGLE-WEB-2020-KLIN Alex_Wright-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Alex_Wright_and_DANIEL_KANDI-Gem_State-(ALWAYSA342)-WEB-2020-AFO_INT Alexander_Geon-Echoes_Of_The_Past-(YL066)-WEB-2020-KLIN Alexander_Komarov-Arabian_Adventure-(CMS003)-SINGLE-WEB-2020-KLIN Alexander_Popov_and_Kitone-Elements-(ARCV162)-WEB-2020-AFO Alexei_Maslov_-_Interstellar-(NSM342)-SINGLE-WEB-2020-FMC AlexMo_ft_HatStandy-Tinted_Specs-(MR022)-SINGLE-WEB-2020-AFO AlexMo_ft_HatStandy-Tinted_Specs-(MR022)-SINGLE-WEB-2020-AFO_INT AlexRusShev-Regenerate-(MSBKR183)-SINGLE-WEB-2020-AFO_INT AlexRusShev-Winter_Glow-(NIX168)-WEB-2020-AFO AlexZideyn_and_Margo_Lane--I_Want_To_Be_With_You-(NS904)-WEB-2020-OMA Alien_Dj-Feel_The_Harmony-(AR063)-SINGLE-WEB-2020-KLIN Alien_Life_Form-Down_To_Earth-SINGLE-WEB-2020-FALCON Alien_Visitors-We_Will_Meet_Again-(GEOSP090)-SINGLE-WEB-2020-KLIN Alienatic-Oumuamua-WEB-2020-FALCON Allan_Berndtz_and_Sonic_Journey-Fierce-(TGR040)-WEB-2020-AFO_INT Allan_Mcluhan-Courage-(PMK007)-SINGLE-WEB-2020-KLIN Allen_Watts_and_Steve_Dekay-The_Phuture-(WAO138295)-SINGLE-WEB-2020-AFO_INT Allen_Watts_and_Steve_Dekay-The_Phuture-(WAO138295)-WEB-2020-AFO Allen_Watts_and_Steve_Dekay_-_The_Phuture-SINGLE-WEB-2020-QMI Allen_Watts_and_Steve_Dekay_-_The_Phuture_(Extended_Mix)-(WAO138295)-WEB-2020-QMI_INT Alpha025-Hystoria-(UPLY098)-WEB-2020-KLIN Alpha025-Space_Crafter-(IPR193)-WEB-2020-AFO ALPHA_9-Tell_Me-(ANJ634BD)-SINGLE-WEB-2020-AFO_INT Alternate_High-Hyperion-(TAR138120)-SINGLE-WEB-2020-AFO Alternate_High-Hyperion-(TAR138120)-SINGLE-WEB-2020-AFO_INT Alternate_High-My_Fate_Within-(BTSR322)-WEB-2020-AFO Alyx-The_Alternative_World-(DER042)-WEB-2020-AFO Amir_Rad-Ghazal-(RDXM112)-WEB-2020-AFO Amir_Reza-Faraway-(RDX398)-WEB-2020-AFO_INT Amol_Tiwari-Unlock_The_Lockdown-(637285431979323253)-SINGLE-WEB-2020-KLIN Amos_and_Riot_Night_and_Robbie_Graham-Finish_Line-(FSOE463A)-WEB-2020-AFO Amplify-Automata-(SPIT213)-SINGLE-WEB-2020-KLIN An_Sinewave-Soul_Voyage-(SOL125)-WEB-2020-AFO Andrew_Bennett_and_Sir_Adrian-Run_Till_U_Shine-(ADRAZ079)-WEB-2020-AFO Andrew_Ddm-12_Celsius-(DDM094)-SINGLE-WEB-2020-KLIN Andrew_Modens_-_Progressive_Fantasy-(BSR581)-WEB-2020-ZzZz Andrew_Rayel-Dark_Warrior_(Chris_Schweizer_Remix)-(IHM105)-READNFO-WEB-2020-AFO Andrew_Rayel_and_Robbie_Seed_ft_That_Girl-Stars_Collide_(Remixes)-(ARMD1526R1)-WEB-2020-AFO_INT Andrew_Starkoff-Darena-(YV083)-SINGLE-WEB-2020-KLIN Andy_Duguid_and_Jaren-My_Thunder-(MM13480)-WEB-2020-AFO Andy_Elliass-For_One_Smile-(MPS107)-SINGLE-WEB-2020-AFO_INT Andy_Elliass-For_One_Smile_(Incl_Edit)-(MPS107)-WEB-2020-AFO_INT Andy_Jornee-Wide_Awake-(U70720)-WEB-2020-AFO Andy_Jornee-Writing_On_The_Wall-(BTSR328)-WEB-2020-AFO_INT Andy_Jornee-You_and_I-(WATR045)-WEB-2020-AFO Andy_Moor_and_Somna_ft_Monika_Santucci-Free_Fall_(Millennials_On_Full_Force_Remix)-WEB-2020-AFO_INT Antinomy-Eternal-(IBOGADIGITAL634)-SINGLE-WEB-2020-KLIN Anton_Kotov-Light_In_The_Darkness-(SCR358S)-WEB-2020-AFO Anton_Trian-Hydrae_EP-(ASR248)-WEB-2020-AFO Antone-Massive-(TAR138119)-SINGLE-WEB-2020-AFO Aran_Project-Strakals-(PAO1DW296)-SINGLE-WEB-2020-KLIN Arctic_Moon_ft_Jessica_Lawrence-Like_The_Sun-(FSOE464A)-WEB-2020-AFO Arentis_and_Jovi_Frost-Amrun-(VRS099)-WEB-2020-AFO Areo-Celestial-(GRVV0967)-SINGLE-WEB-2020-KLIN AREO-Tetra-(PLST0003)-WEB-2020-AFO_INT Arjans_and_OneBeat-Reverie-(BASE095)-WEB-2020-AFO Armin_Van_Buuren-Lost_Tapes-WEB-2020-AFO_INT Armin_Van_Buuren_And_AVIRA_Ft._Be_No_Rain_-_Hollow_(Extended_Mix)-(ARMD1546)-WEB-2020-QMI_INT Aron_Scott-Rose-(GLO165)-WEB-2020-AOV Arsika-Shine-(TCF41)-SINGLE-WEB-2020-KLIN Artento_Divini-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Arthesia_vs_DalNulla-Sonar-(SCR359S)-WEB-2020-AFO Artifex-Conscious_Dreams-(X7M226)-SINGLE-WEB-2020-KLIN Ascent-Now_I_Can_See-SINGLE-WEB-2020-FALCON Ash_K_and_Junior-Nour-(SBLR103)-WEB-2020-AFO Ash_Kunelius_-_Transcend_Reality-(YV081)-SINGLE-WEB-2020-FMC Ashley_Gibson_-_Gods_Of_The_Copybook_Headings-(NS901)-SINGLE-WEB-2020-ZzZz Ashley_Gibson_-_Ray_Of_Light-(VRC025)-SINGLE-WEB-2020-ZzZz Asteroid-Infrared-(MCV95)-WEB-2020-AFO_INT Asteroid-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Astro-D_And_Miranda-Psychic_Powers-SINGLE-WEB-2020-FALCON Astro_Nordik-Space_Rodeo-(195081794815)-SINGLE-WEB-2020-KLIN Atomo_Vs._Psywhispering-Psychedelic_Delight-SINGLE-WEB-2020-FALCON Atragun_vs_Mark_Wild_and_Eldream-Devotion-(SUBMISSION198)-WEB-2020-AFO Atragun_vs_Mark_Wild_and_Eldream-Devotion-(SUBMISSION198)-WEB-2020-AFO_INT Atzael_Trash-Retro_Wave-(RSR019)-SINGLE-WEB-2020-KLIN August_Vila-The_Answer-(UA094)-SINGLE-WEB-2020-AFO_INT Aurosonic_and_Kate_Louise_Smith-I_Wouldve_Stayed-(AUSOM017)-WEB-2020-AFO Avaastavik-Sedated-(473257)-SINGLE-WEB-2020-KLIN AVAO_ft_Mike_Schmid-Over_and_Over-(RA113)-WEB-2020-AFO Avd_-_Brave_Warrior-(IR109)-SINGLE-WEB-2020-ZzZz Awii-After_Effects-(RR034)-WEB-2020-AFO Awii-Molly_Polly-(BSR004)-WEB-2020-AFO Axel_Core-Alcoholic-(SAM333)-WEB-2020-KLIN AxelPolo_and_Danilo_Marinucci-Better_Days-(RUR095)-WEB-2020-AFO AXijaro_and_Pitch-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT AXMO_-_The_Mind-SINGLE-WEB-2020-FMC B.E.A.R_and_Kevin_Shiah-Ellicit_EP_Vol_2-(EL018)-WEB-2020-AFO Babak_Haleky-Elev8-(4061798671977)-SINGLE-WEB-2020-KLIN Barb_Icon-Alex_End-(EFF220)-WEB-2020-KLIN Bardalimov-Enthusiasm__Alone-(AE406)-WEB-2020-AFO_INT Base_Experience-Deep_Blue-(LS0087)-SINGLE-WEB-2020-KLIN Base_Trap-Vertigo-(ART108)-SINGLE-WEB-2020-KLIN Bassam_Jalid_and_Forest_Weed-Cyber_Lady-(BZM160)-SINGLE-WEB-2020-AFO Bassmite-No1-(TIME063)-SINGLE-WEB-2020-AFO Beat_Service_and_Sarah_Russell-Would_You-(RNMR033A)-WEB-2020-AFO_INT Bellatrix-Inside_You-SINGLE-WEB-2020-FALCON Ben_Gold-Starstruck-(ASOT605)-WEB-2020-AFO Ben_Stone-Aragon-(INTER175)-WEB-2020-AFO_INT Berg-Warzone-(BTRDR770)-SINGLE-WEB-2020-KLIN Betelgeuze--We_Can_Do-(BSR580)-WEB-2020-OMA Bidwell-Pieces-(OHMM078)-SINGLE-WEB-2020-AFO_INT Big_Booler-Empty_Out-(EFF184)-WEB-2020-KLIN Bill_McGruddy_ft_WAI-Iris-WEB-2020-AFO Billy_Gillies-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Binary_Finary-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT BIONIQUE-Supernova-(ECT168)-SINGLE-WEB-2020-AFO BiXX_and_Last_Soldier-Unity-(NK050)-WEB-2020-AFO Black_Fly-Metatron-(MR025)-SINGLE-WEB-2020-KLIN Blowminder-Violet-(10174580)-WEB-2020-KLIN Blowminder_-_Anabel-(4061707319433)-SINGLE-WEB-2020-ZzZz Blue5even_and_Farhad_Zohdabady-Silhouette-(EA079)-SINGLE-WEB-2020-AFO Blue_Serigala-The_Last_Call-(BTSR324)-WEB-2020-AFO Blue_Serigala-The_Last_Call-(BTSR324)-WEB-2020-AFO_INT Blufeld-Do_We_Really_Know-(VAS104)-SINGLE-WEB-2020-AFO Blufeld-Do_We_Really_Know-(VAS104)-SINGLE-WEB-2020-AFO_INT Bodo_Kaiser_and_Ron_Van_Den_Beuken_ft_Kim_Kiona-Walk_On_My_Own-(ENTRM185)-WEB-2020-AFO Brad_Thatcher-Be_The_One-(IDR72)-SINGLE-WEB-2020-wAx Bruno_Oloviani_-_Bliss-(GGR001)-SINGLE-WEB-2020-ZzZz Bryan_Kearney-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Bryn_Liedl-Integration-(EUPH321)-WEB-2020-AFO BT_ft_Emma_Hewitt-No_Warning_Lights_(Remixes)-WEB-2020-AFO_INT Buzzila-Methodical-(BR095)-SINGLE-WEB-2020-KLIN C-Systems_and_Hanna_Finsen-Time-(RNMR193)-WEB-2020-AFO C_A_G_E-Stratosphera-(SONE017)-SINGLE-WEB-2020-KLIN Cafdaly_-_Memory-(4061707411601)-WEB-2020-ZzZz California_Sunshine-Forest_Of_Dreams-(GOAEP380)-WEB-2020-KLIN Cambium-Illusion-WEB-2020-FALCON Cameron_Mo_ft_Horf-Open_The_Cage-(FSOE465A)-WEB-2020-AFO Capital_Monkey-Make_A_Move-(ARC491)-SINGLE-WEB-2020-KLIN Capslock-Wiggle_Wine-(BTPRT263093)-SINGLE-WEB-2020-KLIN Chacruna-Awakening_Intuition-SINGLE-WEB-2020-FALCON Chapperz_-_The_Journey-(5059580093525)-WEB-2020-ZzZz Checho_Suarez_-_Spectra-(YV069)-WEB-2020-FMC Chicane-No_Ordinary_Morning_(Remixed)-(MDA030)-WEB-2020-AFO Chicane-No_Ordinary_Morning_(Remixed)-WEB-2020-AFO Chicane-No_Ordinary_Morning_Remixed-(MDA030)-WEB-2020-AFO_INT Chris_Burke-Fly_Away-(AWD472374)-WEB-2020-KLIN Chris_Connolly-Genocide-(DSR039)-WEB-2020-AFO Chris_Connolly-Stimulation-(AE407)-WEB-2020-AFO_INT Chris_Deme-Let_The_Sun_Shine_Through-(NRG030)-WEB-2020-AFO_INT Chris_F_-_Mess_You_Up-(UTHHT022)-SINGLE-WEB-2020-ZzZz Chris_Schweizer-Dont_Be_Scared-(WAO138291)-WEB-2020-AFO Christian_C_and_Santiago_Ibanez-Hope_(Josh_Pvoi_Remix)-(TMM117)-WEB-2020-AFO Christina_Novelli-Im_Ok-(BH10090)-REPACK-WEB-2020-AFO Christopher_Urrea-Paradise-(637293452729985420)-SINGLE-WEB-2020-KLIN Chukiess_x_Whackboi_ft_Amin_Salmee-Alive-(IHM106)-SINGLE-WEB-2020-AFO Ciaran_Mcauley-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Ciro_Visone_and_Semper_T.-Lost_Thoughts-(NIX169)-WEB-2020-AFO CJ_Antz_-_An_Evening_In_The_Subway_2020-(ELGD041)-WEB-2020-ZzZz CJ_Art-Interstellar_Travel-(INB1DIGI023)-WEB-2020-AFO CJ_Mover_-_Drama-(GERT0519)-SINGLE-WEB-2020-ZzZz Clark-Rainfall-(ART110)-WEB-2020-KLIN Claus_Backslash-Absolute_Delusion-(FLASHTR160)-WEB-2020-AFO Claus_Backslash-Legendary_Places-(CLHR406)-SINGLE-WEB-2020-AFO_INT Cloud7-Wonderland-SINGLE-WEB-2020-FALCON Cm2-Together_We_Are_Stronger-(AE405)-WEB-2020-AFO_INT Co.Fi-Get_On_Up-(ESR494)-WEB-2020-AFO Coke_Montilla-Scape_Room-(10175871)-SINGLE-WEB-2020-AFO Cold_Blue-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Cold_Blue-Recovery_(John_OCallaghan)-SINGLE-WEB-2020-AFO Cold_Blue-Recovery_(John_OCallaghan_Remix)-(SUBC204)-SINGLE-WEB-2020-AFO_INT Colorblind-On_The_Other_Side-(BT267)-SINGLE-WEB-2020-AFO Contineum_Vs._Sabretooth-Megaphragma-SINGLE-WEB-2020-FALCON Controversial_-_Horizon_EP-(INTRSTLLR002)-WEB-2020-ZzZz Cor_Fijneman-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Coredata-Wander-(JOOF319)-WEB-2020-AFO Corrosive_System-D.M.T.-WEB-2020-FALCON Corti_Orga_and_and_Sarah_De_Warren-Better_One_(Roman_Messer_Remix)-(IHM107)-SINGLE-WEB-2020-AFO_INT Corti_Organ_and_Sarah_de_Warren_-_Better_One_(Incl._Roman_Messer_Remix)-(IHM107)-WEB-2020-QMI Cosmic_Flow_And_SOME1-Storyteller-SINGLE-WEB-2020-FALCON Costa_and_Hysteria-Dagger-(RNMR192)-WEB-2020-AFO Costa_Pantazis-Binary_Code-(MA019)-WEB-2020-AFO_INT Costa_Pantazis-Untamed_Wilds-(JMJR082)-WEB-2020-AFO Costa_Pantazis_-_Binary_Code_(Incl_Ikorus_Remix)-(MA019)-WEB-2020-ZzZz Craig_Connelly-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Craig_Connelly_ft._Cammie_Robinson_-_Run_Away_(Club_Mixes)-(BH10260)-WEB-2020-QMI_INT Craig_Connelly_ft_Cammie_Robinson-Run_Away_(feat._Cammie_Robinson)-(BH10260)-SINGLE-WEB-2020-AFO Craig_Connelly_ft_Karina_Ramage-Life_Half_Lived-(SUBC206)-WEB-2020-AFO_INT Craig_Forsyth-Salamancas_Bell-(DISDAR230)-SINGLE-WEB-2020-AFO CreationForce-Luz_Para_Este_Mundo-WEB-2020-NDE Crimson_Controllers-Unreliable-(EFF217)-WEB-2020-KLIN CRYDITS-After_Night_(Remixes)-(FORCE056)-WEB-2020-AFO Cybercraft--Maelstroem-(UGR010)-WEB-2020-OMA D-Nation-Emotions-SINGLE-WEB-2020-FALCON D72-Acid_Drop_(OBM_Notion_Dark_Notion_Remix)-(DMAXDR069)-SINGLE-WEB-2020-wAx D72-Interstellar-(INFRAR027)-WEB-2020-AFO D72-Orbit-(CLM138)-WEB-2020-KLIN D72_ft_Dan_Iwan-Lilly_2k20-(TAR138122)-WEB-2020-AFO_INT D72_pres_Dan_Iwan-Lilly_2k20-(TAR138122)-WEB-2020-AFO D__Russo-Kingpin-(MB085)-SINGLE-WEB-2020-KLIN Dafuqex-Zenith-(SRS11506)-SINGLE-WEB-2020-KLIN Dall_Eight-Full_Sets-(EFF194)-WEB-2020-KLIN Dalmoori_and_Binary_Ensemble-Liquid_Dreams-WEB-2020-AOV Dan_Delaforce-Always_Alive-(SUBMISSION199)-WEB-2020-AFO Dan_Schneider-Arclight-(SCR351)-SINGLE-WEB-2020-AFO Dan_Schneider-Arclight-(SCR351)-SINGLE-WEB-2020-AFO_INT Dan_Schneider-Deucalion-(KSX416)-SINGLE-WEB-2020-AFO Dan_Schneider-Deucalion-(KSX416)-SINGLE-WEB-2020-AFO_INT Dan_Stone-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Dan_Stone-Vice_Versa-(FSOEF056A)-WEB-2020-AFO Dan_Thompson-Supervention-(MCV94)-WEB-2020-AFO_INT Daneel_Dokhov_ft_Dariavush-Wave_in_Fire-(10175214)-WEB-2020-AFO Daniel_Dominguez-Escaping_From_Reality-(DDM100)-SINGLE-WEB-2020-KLIN Daniel_Lesden-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Daniel_Ortgiess_and_Yan_Weinstock-Maasai-(FLASHBL014)-WEB-2020-AFO Daniel_Patrick_Roy-New_Dawn-(PVM070)-WEB-2020-AFO Daniel_Skyver-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Daniel_Wanrooy_ft_Lachi-Years-WEB-2020-AFO_INT Daniel_Wanrooy_ft_Lachi-Zeta-WEB-2020-AFO Danilux-The_Light-(AR060)-SINGLE-WEB-2020-KLIN Danny_Eaton-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Danny_Fervent_-_Sonnenlicht_(Bravenus_Remixes)-(MMRD1187)-WEB-2020-MARiBOR Danny_Gee-Ntp-(ES108)-WEB-2020-KLIN Danny_Oliveira-Drop_It_Your_Love-(DISDAR10B)-WEB-2020-AFO_INT Darkness_Falls-Absent_Mind-(CLHR408)-SINGLE-WEB-2020-AFO_INT Darren_Hall-What_To_Do-(RR035)-SINGLE-WEB-2020-AFO DARVO-No_Looking_Back-(PHAT082)-WEB-2020-AFO Dave_Neven_and_Dan_Thompson-Lost_In_Amsterdam-(FLASHTR163)-SINGLE-WEB-2020-AFO_INT Dave_Steward-Hooked_and_Juiced-(NC0081)-WEB-2020-AFO Dave_Steward-Hooked_and_Juiced_(Phil_Reynolds_Remix)-(NC0113)-SINGLE-WEB-2020-AFO Dave_Steward-Inception_(The_Album)_Extended-(NC0041)-WEB-2020-AFO_INT Dave_Steward-Inception_(The_Album)_Radio_Edits-(NC0041R)-WEB-2020-AFO Dave_Steward-Manipulated_Waters_(Original_Mix)-(NC0123)-WEB-2020-AFO Dave_Steward_-_Charged_EP2-(NC0122)-WEB-2020-FMC Dave_Steward_-_Claptrap-(NC0051)-WEB-2020-FMC Dave_Steward_-_End_Of_Line-(NC0044)-WEB-2020-FMC Dave_Steward_-_Enslaved_(Miroslav_Vrlik_Remix)-(NC0041RM)-SINGLE-WEB-2020-FMC Dave_Steward_-_Fully_Fitted-(NC0106)-WEB-2020-FMC Dave_Steward_-_Inception_(The_Album)-WEB-2020-QMI Dave_Steward_-_Junkets_Mist-(NC0054)-WEB-2020-FMC Dave_Steward_-_Pollex-(NC0030)-WEB-2020-FMC Dave_Steward_-_Satans_Wardrobe-(NC0093)-WEB-2020-FMC Dave_Steward_-_Skyscraper_Affect-(NC0077)-WEB-2020-FMC Dave_Steward_-_The_Verge_(Richard_Tanselli_Remix)-(NC0049)-SINGLE-WEB-2020-FMC Davey_Asprey-The_Road_So_Far-(CLHR407)-SINGLE-WEB-2020-AFO_INT David_Forbes-Timewarp-(ARD117)-SINGLE-WEB-2020-AFO David_Rust-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT David_Surok-Cape_Hatteras__Desire-(BTSR321)-WEB-2020-AFO Daxson-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Deep_Vibration-Consciousness-WEB-2020-FALCON Deepsky-Cosmic_Dancer_(Orkidea_Pure_Progressive_Remix)-(PTP115)-SINGLE-WEB-2020-AFO_INT Deepsky-Cosmic_Dancer_(Orkidea_Pure_Progressive_Remix)_(Incl_Edit)-(PTP115)-WEB-2020-AFO_INT Delatte-Come_Back-(VWH022)-SINGLE-WEB-2020-AFO Denis_Efremov-Voice_of_the_Heart-(ESK095)-SINGLE-WEB-2020-AFO Denis_Krivoshein-Eagles_Path-(DMAX634)-SINGLE-WEB-2020-AFO Denis_Sender-Metropolis-(PROG071)-SINGLE-WEB-2020-AFO_INT Denis_Sender-Metropolis-(PROG071A)-WEB-2020-AFO Derek_Palmer_and_Hidden_Tigress-Desolation-(EGMSIN287)-WEB-2020-AFO Deykin-Anthropy-SINGLE-WEB-2020-FALCON Digital_Tribe-Difficult_Choices-(UTPDIG02)-SINGLE-WEB-2020-KLIN DIM3NSION_ft_Lydia_Schrough-Always_Loved_You-(FLASH211)-SINGLE-WEB-2020-AFO_INT Dimitri_Serrano-Ceneii-(SSCD2175)-SINGLE-WEB-2020-KLIN Discordia-Osorezan-(TA221)-WEB-2020-AFO_INT Dissociactive-Electric_Fields-WEB-2020-FALCON Distortion_Riders_and_Kev_Wild-Treacherous-(EGMSIN289)-WEB-2020-AFO District5-Frosted_Glass-(RDX138153)-WEB-2020-AFO Dito-Shadows_(Talla_2XLC_2K20_Remix)-(TCR001)-WEB-2020-AFO_INT DJ_Amadeus_-_Smash-(WAO138298)-WEB-2020-QMI_INT Dj_Darroo-Where_Are_We_Going-(IT041)-SINGLE-WEB-2020-KLIN DJ_Fait-Tell_Me_Anything-(AQL369)-WEB-2020-AOV DJ_GIO.PO-Electronic_Atlas-(MYC911)-WEB-2020-AFO DJ_H.I.R.O_(Hiro_Furuse)_-_Transcend-(5059435618538)-SINGLE-WEB-2020-ZzZz DJ_Jeffrey_and_De-Leit-Yara_(Jon_Doe_and_Friend_Remix)-(COHCL001R)-WEB-2020-AFO Dj_Rayne-Skyler-(EHE099)-WEB-2020-KLIN Dj_Rayne-Trancer-(EHE081)-WEB-2020-KLIN Dj_Rob-Seekers-(DJROB06062020)-SINGLE-WEB-2020-KLIN Dj_Rob-Shall_Be-(DJROB05122020)-WEB-2020-KLIN DJ_Sakin_and_Friends-Rising_Tide-(JMJR083)-WEB-2020-AFO DJ_SO4-I_Belong_Here-(DEVA72)-SINGLE-WEB-2020-AFO DJ_Spaceman-Pegasus_(Remixes)-(TF032R)-WEB-2020-AFO Dj_Sunkeeperz-Marakara-(29TRANCE0006)-SINGLE-WEB-2020-KLIN DJ_T.H.-Leonie_(Chillout_Mix)-(AVACH013)-SINGLE-WEB-2020-AFO DJ_Tomsten_-_Roadwarrior-(47798)-SINGLE-WEB-2020-ZzZz DJ_Tomsten_-_Worldalpha-(47799)-SINGLE-WEB-2020-ZzZz DJ_Vagabond_-_No_Future-(3616405256200)-WEB-2020-ZzZz DJT-Feel_Again-(TF042)-WEB-2020-AFO Djt-Rainy_Day-(10175137)-WEB-2020-KLIN Dmitriy_Chelnokov-The_Road-(R2586)-SINGLE-WEB-2020-KLIN Dmitry_Bereza-Fractures-(TRNCA371)-WEB-2020-KLIN Doccarai-Tuned-(PH006)-SINGLE-WEB-2020-KLIN Dominant_Space-Acid_Rave-(OT061)-SINGLE-WEB-2020-AFO_INT Dory_Badawi_ft_Roxanne_Emery-Weapon_Of_Choice-(RDX378)-WEB-2020-wAx Double_Motion-Way_into_the_Future-(10173260)-WEB-2020-AFO_INT Doxa-Stimulation_Of_Senses-WEB-2020-FALCON Drane_Forty_-_Small_Logs-(EFF226)-WEB-2020-ZzZz Dream_Dance_Alliance_-_Under_The_Moonlight-WEB-2020-QMI Dreamstate-From_Breath_To_Air-(AIGDIGI032)-SINGLE-WEB-2020-KLIN Drival-By_Your_Side-(ENTRMR090)-WEB-2020-AFO Dropmind_And_Dktronic-Lsd_Therapy-SINGLE-WEB-2020-FALCON DRYM-Icarus-(NK049)-WEB-2020-AFO DRYM-Icarus-(NK049)-WEB-2020-AOV Dyn_Taylor-Radiant_Refinement-(ISX009E)-WEB-2020-KLIN Dynamic_Freakuencies-Acid_Portal-SINGLE-WEB-2020-FALCON Eddie_Bitar-The_Underdog-(BTRDR768)-SINGLE-WEB-2020-KLIN Edgar_Weissenfels_and_Frank_Rest_-_Beethomania_Rhapsody-(4061707401299)-SINGLE-WEB-2020-ZzZz Edplacid_Patino_-_Euphorya-(RW007)-WEB-2020-ZzZz Edplacid_Patino_and_DJ_Kel-Eternity-(TMM115)-WEB-2020-AFO Edward_Rohm-La_Flaka-(VAU097)-SINGLE-WEB-2020-AFO Eklorian-Red_Skies-(UPRDIG107)-WEB-2020-KLIN Electric_Feel-Own_Reality-(PH0047)-SINGLE-WEB-2020-KLIN Elegy-Inside_Remixes-WEB-2020-FALCON Elias-Full_Soul-(IR110)-SINGLE-WEB-2020-KLIN Elitist-Keep_Pushing-(SUBMISSION197)-WEB-2020-AFO Emir_Guven-Save_My_Soul-(RDXRED163)-WEB-2020-AFO Emulate-Elements-(NH19320)-WEB-2020-KLIN Enarxis-One_Last_Dance-SINGLE-WEB-2020-FALCON Encount3r-El_Jefe-(SCR356)-SINGLE-WEB-2020-AFO_INT Epidemika_and_LNYX-Without_U-(INFRA205)-SINGLE-WEB-2020-AFO Equator-Silence-(COHCL004)-WEB-2020-KLIN Equinox_2000_-_Above_and_Beyond-(5059580027773)-WEB-2020-ZzZz Eric_Zimmer-Delta-(IFECT028)-SINGLE-WEB-2020-KLIN Erislandy-Totem-(MFORCE114)-SINGLE-WEB-2020-AFO_INT Eryon_Stocker-Rhapsody-(MPURE114)-SINGLE-WEB-2020-AFO_INT Escea--Qwertz_(Remixes)-(YV060)-WEB-2020-OMA Eternal_Basement-Reaching_Out-(HHSP2020)-SINGLE-WEB-2020-ENSLAVE Eugenio_Tokarev-Melifluo-(WAO138297)-SINGLE-WEB-2020-AFO_INT Eugenio_Tokarev-Melifluo-SINGLE-WEB-2020-AOV Evebe_and_Pittarius_Code-Infinity-(2RR061)-SINGLE-WEB-2020-AFO EverLight-Hyperdrive-(NKF029)-WEB-2020-AFO Evgeny_Venge_-_Appeasement-(NS892)-SINGLE-WEB-2020-ZzZz Evolving_Suns_Audio_-_Mysterious_Forces-(BR449)-SINGLE-WEB-2020-ZzZz Eximinds_and_Andromeda-One_of_These_Days-(IHM110)-SINGLE-WEB-2020-AFO Eximinds_and_Hghlnd-The_Tempest-(ITP113E)-SINGLE-WEB-2020-AFO Exoprodigy-Dancing_On_The_Rain-(LRI001)-SINGLE-WEB-2020-KLIN Exoprodigy-Raging_Wolf_On_The_Sky-(LRD001)-SINGLE-WEB-2020-KLIN Extense-Desperate_Love-(EA075)-SINGLE-WEB-2020-wAx Ezechiel-Leg_Press-(TR158)-SINGLE-WEB-2020-KLIN Ezequiel_Lovera-Two_Faces_EP-(UA097)-WEB-2020-AFO_INT F4T4L3RR0R-Glitch_In_The_Universe-(ASR250)-WEB-2020-AFO F4T4L3Rr0R-Glitch_In_The_Universe-(ASR250E1)-WEB-2020-KLIN F4T4L3RR0R-Glitch_In_The_Universe_(Extended_Mixes_Part_1)-(ASR250E1)-WEB-2020-AFO_INT Fabian_Linden-Marguerite__The_Power_Of_Dreams-(TF044)-WEB-2020-AFO Fabio_XB_and_Linnea_Schossow_with_Khrys_Kloudz-Run_The_Sky-(DIGISOC354)-WEB-2020-AFO Fabrice-Black_Force-(MPS108)-WEB-2020-AFO Fabrice-La_Pioggia-(YR1309)-SINGLE-WEB-2020-AFO Fabrice-Legion_(Zarotta_Remix)-(TF027R)-WEB-2020-AFO Fabrice-Santuary-(WATR048)-WEB-2020-AFO Factor_B-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Farb-Chase_Of_Dreams-(MSBKR179)-WEB-2020-AFO Farb-Techno_Pilot-(MSBKR182)-SINGLE-WEB-2020-AFO_INT Farhad_Mahdavi_and_Tricia_McTeague-You_Can_Run-(AMSTR341)-WEB-2020-AFO Farius-From_The_Start_(The_Extended_Mixes)-(ENPROG398E2)-WEB-2020-AFO_INT Fatum_-_Faceless-SINGLE-WEB-2020-QMI Fatum_-_Faceless_(Extended_Mix)-(ARMD1547)-SINGLE-WEB-2020-QMI_INT FAWZY-Cosmic_Mission-(HG038)-WEB-2020-AFO FAWZY-Resonating_Force-(SUBMISSION203)-WEB-2020-AFO_INT FAWZY-Survivor_(Remixes)-(YV079)-WEB-2020-AFO FAWZY_-_Survivor-(YR1306)-SINGLE-WEB-2020-FMC FAWZY_and_Anton_van_Sprundel-Astral_Projection-(EA078)-SINGLE-WEB-2020-AFO FAWZY_and_Anton_van_Sprundel-Forever_Today-(NRG029)-WEB-2020-AFO FAWZY_and_Anton_van_Sprundel-Forever_Today-(NRG029)-WEB-2020-AFO_INT FAWZY_and_Cyril_Ryaz-Knocking_on_Heavens_Door_(In_Memory_of_Cyril_Ryaz)-(YR1307)-SINGLE-WEB-2020-AFO FAWZY_and_NuttaLyA_with_Han_Beukers-Eternal_Resistance_(Extended_Mix)-(SCR353)-SINGLE-WEB-2020-AFO FAWZY_and_NuttaLyA_with_Han_Beukers-Eternal_Resistance_(Extended_Mix)-(SCR353)-SINGLE-WEB-2020-AFO_INT Fear_And_Blade-Saya-(FB06)-SINGLE-WEB-2020-KLIN Ferry_Corsten-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Ferry_Corsten_and_Ciaran_McAuley-Mo_Chara-(FLASH210)-WEB-2020-AFO Ferry_Corsten_and_Trance_Wax-Black_Lion-(FLASH213)-SINGLE-WEB-2020-AFO_INT Ferry_Tayle-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Fertile-Round_Midnight-(ZOOEP161)-SINGLE-WEB-2020-KLIN Fi-Fire-Radiation_Infection__Pill_Controller-(ESR442)-WEB-2020-AFO Fischer_and_Miethig_and_Rezwan_Khan-From_Munich_to_New_York-(NIX167)-WEB-2020-AFO Fisical_Project-Galaxia-(GLX001)-WEB-2020-AFO FloE_and_Amo_R-Eternal-(ENTRM184)-SINGLE-WEB-2020-AFO Flowjob_And_Novotech-Lets_Reconnect-SINGLE-WEB-2020-FALCON Fluidsky-Lucid_Emotions-(195395031934)-SINGLE-WEB-2020-KLIN Flynn_and_Denton_and_Audrey_Gallagher-Say_My_Name_(Paul_Denton_Remix)-(SUBC203)-SINGLE-WEB-2020-AFO_INT Flynn_and_Denton_and_Audrey_Gallagher-Say_My_Name_(Paul_Denton_Remix)-SINGLE-WEB-2020-AFO Fobi-The_Wolf_Is_Back-WEB-2020-FALCON Fred_Baker-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Fredd_Moz_and_Laucco-Live_and_Love_and_Laugh-(BTSR329)-WEB-2020-AFO_INT Frederik_Behr-Stay_True-(19AB20)-SINGLE-WEB-2020-KLIN Fredix-Back_To_The_Past-(NSM341)-SINGLE-WEB-2020-KLIN Fredix-Breeze-(NSM352)-SINGLE-WEB-2020-KLIN Freedom_Force-Positive_Energy-WEB-2020-NDE Freeman-Life_Goes_On-(EXD004)-SINGLE-WEB-2020-KLIN Fuenka-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Funky_Gong-Buddha_Eye-(MD043)-SINGLE-WEB-2020-KLIN Future_State-Arctica-SINGLE-WEB-2020-COS Future_State-Hyperform-SINGLE-WEB-2020-COS Fuzzy-Magical_Fuzz-(QUE012)-WEB-2020-PTC Gabriel_And_Dresden-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Gabriele_De_Santis-Skydive-(ENTRMR091)-WEB-2020-AFO_INT Gabrielle_Ag-Wallachia-(MM038)-WEB-2020-KLIN Gai_Barone-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Galacticode-Shamanic_Spell-WEB-2020-FALCON Ganesh_Project-Nowhere_Near-(PP021)-SINGLE-WEB-2020-KLIN Gary_Leroy-Stop_and_Go-(RDX395)-WEB-2020-AFO Gate_42-Flow-(DISCOVER12B)-WEB-2020-AOV Gee-Set_You_Free-(EGMSIN290)-WEB-2020-AFO Geneon-Celestial-(YL072)-SINGLE-WEB-2020-AFO Genzuru-Utopia-(AAR198)-WEB-2020-KLIN Geomystery--Ego_Is_A_Burning_Vehicle-WEB-2020-OMA Germind--Goa_Elixir-(PLX211)-WEB-2020-OMA Ginga-Mirakel-(TTR072)-SINGLE-WEB-2020-AFO Giuseppe_Ottaviani-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Giuseppe_Ottaviani-Till_We_Meet_Again-(ARMD1545)-SINGLE-WEB-2020-AFO_INT Giuseppe_Ottaviani-Till_We_Meet_Again-(ARMD1545)-WEB-2020-AFO Giuseppe_Ottaviani-Till_We_Meet_Again-SINGLE-WEB-2020-AFO Giuseppe_Ottaviani_-_Till_We_Meet_Again_(Extended_Mix)-(ARMD1545)-SINGLE-WEB-2020-QMI_INT Glacial_Storm-Fallout-(DISCOVER269)-WEB-2020-AFO Glideslope-Elerium-(SGM2020020)-SINGLE-WEB-2020-KLIN Glynn_Alan-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT GMS-The_G.M.S._Experiment-WEB-2020-FALCON Golden_Sky-On_The_Edge_and_Sand-(HCR371D)-WEB-2020-AFO Gonzalo_Bam_and_Milen_Ivanov-Hipnosia-(PVM075)-WEB-2020-AFO Grum_and_Genix-The_Light-(ANJ632D)-WEB-2020-AFO Guy_Townten-Dude_Knee-(EFF213)-WEB-2020-KLIN GXD_ft_Elle_Vee-Voices_(Photographer_Remix)-WEB-2020-AFO_INT Habashi_-_Till_We_Meet_Again-(YV075)-WEB-2020-ZzZz Haikal_Ahmad-Sleeping_Shaa-(ESK096)-SINGLE-WEB-2020-AFO Hamza_Messaoudi_ft_Ernesto_Avilez-Road_To_Nowhere-(RDXM109)-WEB-2020-AFO HamzeH-Shiva-WEB-2020-AFO Hanney_Mackoll-Omnisphera-(195081822655)-WEB-2020-KLIN Hanski-Synesthesia-(AEP405)-WEB-2020-AFO_INT Hardbeast-Survived-(UMH73)-SINGLE-WEB-2020-KLIN Hardhauser_-_Wut-(4061707401671)-SINGLE-WEB-2020-ZzZz Haris_C_and_Nicolas_Menicou-Dont_Say_Goodbye-(WATR046)-WEB-2020-AFO Hatstandy-Living_In_Limbo-(470922)-SINGLE-WEB-2020-KLIN Hays_and_RYDEX-Ulallappy-(PROG070A)-WEB-2020-AFO Hazmat_Haze-Come_Back-(BTRDR769)-SINGLE-WEB-2020-KLIN Heisenberg--Thoughts-WEB-2020-OMA Henrik_Nilsson_-_An_Untold_Tale-(TPR94)-SINGLE-WEB-2020-ZzZz Henry_Caster-Perpetual_Sun-(BRX012)-WEB-2020-AOV Highlighter_-_The_Beginning_(Original_Mix)-(UST008)-SINGLE-WEB-2020-ZzZz Hinap-Explorations-SINGLE-WEB-2020-FALCON Hiromori_Aso-Noble-(AURALSN120)-SINGLE-WEB-2020-AFO Hit_The_Bass_and_Oraw_ft_Kate_Miles-Let_Me_Be-(RA112)-WEB-2020-AFO Hoopoe-Hutan-(PURETRANCE189)-SINGLE-WEB-2020-AFO Hoppenfield-Luminary-(195336163137)-SINGLE-WEB-2020-KLIN Hoyaa_and_Joakim-La_Luna-(UN119)-WEB-2020-AFO Hoyaa_and_Joakim-La_Luna-(UN119)-WEB-2020-AOV Hroostovsky-Colloseum-(BMV007)-SINGLE-WEB-2020-AFO Human_Asteroid_Vs._Alter3d_Perception-Foxy_Methoxy-WEB-2020-FALCON Hyde-Oblivion-WEB-2020-FALCON Hypatia-La_Famille-WEB-2020-FALCON HyperPhysics-Between_Earth_and_Sky-(TRUE135)-SINGLE-WEB-2020-AFO_INT HyperPhysics-Between_Earth_and_Sky-(TRUE135A)-WEB-2020-AFO Hypnoise_And_Makida-Krkele-SINGLE-WEB-2020-FALCON Hypogean-Far_From_The_Ashes-(CS138)-SINGLE-WEB-2020-KLIN Hypogean_-_M-shi_EP-(CS139)-WEB-2020-ZzZz I-Biz_-_New_Day-WEB-2020-KNOWN I_O_And_Lights_-_Annihilation_(Afterhours_Mix)-(MAU50331)-SINGLE-WEB-2020-QMI Ian_Source_and_Ann-Thalia-Feel_The_Same-(MNEOS004)-WEB-2020-AFO_INT Ian_Stewart-Gravitation-(UPLY100)-WEB-2020-KLIN Ikerya_Project_ft_Robin_Vane-Kingdom-(ABRD227)-WEB-2020-AFO Ildrealex-Tears_Of_Joy-(ESI305)-SINGLE-WEB-2020-KLIN Impact-Strange_Days_In_India-(SPN1DIGI603)-WEB-2020-KLIN Improvement-Acid_Sensation-(OVNIEP420)-SINGLE-WEB-2020-KLIN Indecent_Noise-Acid_Rainmaker-(MA113)-SINGLE-WEB-2020-AFO_INT Indecent_Noise-Acid_Rainmaker-(MA113)-SINGLE-WEB-2020-wAx Indecent_Noise-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Independent_Art_-_Nexus-(GERT0520)-SINGLE-WEB-2020-ZzZz Indra-Free_Fire-(BTRDR756)-SINGLE-WEB-2020-KLIN Inigo__Rave-Fighting_Confinement-(NHW034)-WEB-2020-AFO Inner_Heart-Blown_Away-(GRVV0986)-SINGLE-WEB-2020-KLIN Inner_Heart_-_Show-(YR1308)-SINGLE-WEB-2020-FMC InnerSync-A_Gentle_Touch-(VRS093)-WEB-2020-AFO_INT Inpsyde_Out-No_Fame-(4DS003)-SINGLE-WEB-2020-KLIN Invisible_Reality-Spectral_Dimension-SINGLE-WEB-2020-FALCON Invisible_Reality-Visibility_2020_Edit-SINGLE-WEB-2020-FALCON Ithur-Rises-(RW005)-SINGLE-WEB-2020-KLIN Ivan_G.M-Vy_Canis_Majoris-(UA095)-SINGLE-WEB-2020-AFO_INT Jack_Hollow-Sphere-(467820)-SINGLE-WEB-2020-KLIN Jack_Hollow-Zebra-(470913)-SINGLE-WEB-2020-KLIN Jacob_Vs._Thrive-Restless-SINGLE-WEB-2020-FALCON Jak_Aggas-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Jake_Hanker-Elevation-(TMM116)-WEB-2020-AFO James_Black_Presents-Time_Is_the_Fire-(DISCOVER268)-WEB-2020-AFO James_Kitcher_and_Adam_Taylor-The_Spirit_Within-(RGEN037)-WEB-2020-AFO James_Williams-Dreams_Of_Harper-(SCR360)-WEB-2020-AFO_INT Jameson_Tullar_and_Annabelle_Hayes-Dreaming_(SinStar_Remix)-(YV086)-SINGLE-WEB-2020-AFO Jameson_Tullar_and_Leanne_McCauley-Echo_In_The_Dark_(Tycoos_Remix)-(YR1312)-SINGLE-WEB-2020-AFO Jameson_Tullar_and_Leanne_McCauley-Echo_In_The_Dark_(Tycoos_Remix)-(YR1312)-SINGLE-WEB-2020-AFO_INT Jamie_Walker-Goliath-(OUT161)-SINGLE-WEB-2020-AFO_INT Jan_Miller-Incendium_(Incl._Divisional_Phrase_Remix)-WEB-2020-AOV Jardin-82-(ARD118)-SINGLE-WEB-2020-AFO Jaron_Inc.-Serenity-(PURETRANCE188)-WEB-2020-AFO_INT Jase_Thirlwall_ft._Victoriya_-_Drowning-(ASOT611)-WEB-2020-QMI_INT Jason_Pascascio-Another_World-(195398541416)-SINGLE-WEB-2020-KLIN Jaspercap-Slotted-(EFF196)-WEB-2020-KLIN Jaspercap_-_Worthwhile_Pains-(EFF206)-WEB-2020-ZzZz Jaxx_and_Vega_and_Outrage_and_Machado-Rave_Control-(RA111)-WEB-2020-AFO_INT Jay_Flynn-Resonate-(ART67)-WEB-2020-AFO Jay_Turio_ft_Kumiko_Mouri-Paradise-(AURALSN166)-SINGLE-WEB-2020-AFO_INT Jhonny_Vergel-Beloved_Wife-(RDX138150)-WEB-2020-AFO Jilax-On_Fire-(BTRDR766)-SINGLE-WEB-2020-KLIN Jimmy_Chou-Domino_Effect__Krypto-(FSOEP112A)-WEB-2020-AFO_INT Jody_6-Commando-(MA114)-SINGLE-WEB-2020-AFO_INT Jody_6-Ill_Be_Your_Chemical-(RGEN040)-WEB-2020-AFO_INT Joe_Cormack-Deep_Into_My_Mind_(The_Remixes)-(BTSR330)-WEB-2020-AFO_INT Joe_Fares-Chance-(AURALSN153)-SINGLE-WEB-2020-AFO Joe_Fares-Falling_Star-(ALT090)-WEB-2020-AFO Joe_Fares-Sierra-(AURALSN104)-WEB-2020-AFO Joe_Fares-Stamina-(MSBKR180)-WEB-2020-AFO Joe_Fares-Stamina-(MSBKR180)-WEB-2020-AFO_INT John_Askew-Air_Guitar-(DISCOVER08B)-WEB-2020-AFO_INT John_Askew-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT John_Askew-Recalibrate_(Greg_Downey_Remix)-(VII055)-SINGLE-WEB-2020-AFO_INT John_Askew_and_Nick_Sentience-Mind_Control-(DISDAR08B)-WEB-2020-AFO_INT John_Grand-Iceberg-(ESR496)-WEB-2020-AFO John_Grand-Moondrifter-(EUPH320)-WEB-2020-AFO John_O_Callaghan-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT John_OO_Fleming-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Jon_Mangan-Flipside-(FSOEC106A)-WEB-2020-AFO Jonas_Steur-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Jopvandutch-Fuga-(SSM2156)-SINGLE-WEB-2020-KLIN Jordan_Suckley-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Jordy_Eley-Euphoria_Injection-(INFRAR030)-SINGLE-WEB-2020-AFO_INT Jorn_Van_Deynhoven-Fiesta_del_Sol-(ARCV164)-SINGLE-WEB-2020-AFO_INT Jorn_Van_Deynhoven-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Josecret-Prehispanic-(IND5EFEB4091374833)-SINGLE-WEB-2020-KLIN Josh_Ames-Is_It_A_Dream-(TPR97)-SINGLE-WEB-2020-KLIN Josh_Bailey-123-XYZ-(AEP402)-WEB-2020-AFO_INT Joyline_Snow-Heart_Beating-(SDR363)-WEB-2020-AFO_INT JPL-A_Better_Daze_(Karanda_Remix)-(ENPROG400B)-WEB-2020-AFO Juin_Hoarden-Holidays_Before-(EFF204)-WEB-2020-KLIN Julio_Posadas-Illusions-(PRE166)-WEB-2020-KLIN K4Nciio-Shankara-(BLV7608399)-SINGLE-WEB-2020-KLIN K4ne_and_Ascendant--K4ne_The_Remixes-(U0028)-WEB-2020-OMA Kai_Tracid-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Kaimo_K-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Kaimo_K_and_Ana_Criado-When_To_Stop_Looking-(AMSTR342)-WEB-2020-AFO Kalki-Aura-SINGLE-WEB-2020-FALCON Kamaya_Painters-Far_From_Over_(Vision_X_Remix)-(NKR004)-SINGLE-WEB-2020-AFO_INT KandF-Multiverse-(AE408)-WEB-2020-AFO_INT Katari_feat._Camille--Never_Escape_(Remixes)-(YR1299)-WEB-2020-OMA Kenneth_B-Believe_In_You-WEB-2020-KNOWN Kepik_x_David_Shane_-_Take_Me_There_(Incl._Triode_Remix)-(RA109)-WEB-2020-QMI Key_Lean-Oceans-(SND229)-SINGLE-WEB-2020-AFO_INT Key_Lean-Oceans-(SND229A)-WEB-2020-AFO Key_Lean-Seascape_1985-(PROG072)-SINGLE-WEB-2020-AFO_INT Key_Mind-Midnight_Sun-(10175040)-WEB-2020-KLIN Khairy_Ahmed_and_Eloquentia-Yalla_Trance-(KSX418)-SINGLE-WEB-2020-AFO Khalai-Cybercore-(DIGISOC369)-WEB-2020-AFO Khalai-Tempest-(INFRAR029)-WEB-2020-AFO Khalai-Tempest-(INFRAR029)-WEB-2020-AFO_INT Khoa_Shake-Fusion-(29TRANCE0007)-SINGLE-WEB-2020-KLIN Kido_Dee_vs_Bigtopo-Searching_Your_Love-(EA077)-SINGLE-WEB-2020-AFO Kimberly_Hale_and_Alex_Leavon-Theres_A_Storm-(RNMR195)-WEB-2020-AFO Kiran_M_Sajeev-Inborn-(INFRA204)-WEB-2020-AFO_INT Klassy_Project_ft_Zak-So_Cold-(SUBMISSION196)-WEB-2020-AFO Kobi-Happy_Dance-WEB-2020-FALCON Kolonie-Inception-(WYM054)-WEB-2020-AFO_INT Kolonie-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Kolplein-Our_Transition-(EFF205)-WEB-2020-KLIN Kolplein-Real_January-(EFF202)-WEB-2020-KLIN Kolplein-Thousand_Smiles-(EFF183)-WEB-2020-KLIN Kors-Dark_Flow-(BAL0026)-SINGLE-WEB-2020-KLIN Kosta-Cybernetix-WEB-2020-FALCON Kreaminals-Saanson-(467611)-SINGLE-WEB-2020-KLIN Ku3Biko-Exploit-(EMLCV99)-SINGLE-WEB-2020-KLIN Lab4-Country_Club_Nye_2001-LIVE-WEB-2020-XTC_iNT Lab4_and_Baby_Doc-Generator-(HQ020)-WEB-2020-AFO Last_Soldier-Desert_Rose-(LSR024)-WEB-2020-AFO Last_Soldier-Liberation-(DIGISOC368)-WEB-2020-AFO Last_Soldier-Remixes_EP-(LSR023)-WEB-2020-AFO Last_Soldier-Tree_Of_Time-(LSR020)-WEB-2020-AFO Last_Soldier_and_Parsa_Q-Saturn-(LSR022)-WEB-2020-AFO Lastlings_-_No_Time_(Rufus_Du_Sol_Remix)-(LRLP0021N)-WEB-2020-ZzZz Leafar-Moon-(KR021)-SINGLE-WEB-2020-KLIN Lee_Osborne-4am_At_The_Gallery-(COH022)-WEB-2020-AFO Legacy_One-Arkadia-(AAA026)-WEB-2020-AFO Leko_Deep-Mars_To_Earth-SINGLE-WEB-2020-FALCON Leo_Dantes_and_Kevin_Hoskin-Project_Fear-(MCS91)-WEB-2020-AFO Leon_Bogod-Dreams-(SDR356)-WEB-2020-AFO Leon_Bolier-Perpetual-SINGLE-FLASH212-WEB-2020-TraX Leopld-Come_Through-(RU239446)-SINGLE-WEB-2020-KLIN Lepi-Point_Of_No_Return-(SCR357)-SINGLE-WEB-2020-AFO_INT Liam_Van_Hoven-Ruth-(SDR367)-WEB-2020-AFO_INT Liam_Wilson_and_Nash-The_Instigator-(FSOE462A)-WEB-2020-AFO Light_and_Shadow-In_Your_Memory-(YR1315)-SINGLE-WEB-2020-AFO Limit_X_-_A_Lifelong_Friendship__World_In_Your_Hands-(DTCR028)-WEB-2020-ZzZz Limitless-Kira-SINGLE-WEB-2020-FALCON Lior_E_and_Kobi_White_-_Matador-(AR064)-SINGLE-WEB-2020-ZzZz Liquid_Sun--Interdimensional_Phenomena-(UGR006)-WEB-2020-OMA Liuck-Novembre-(ENTRME017)-WEB-2020-AFO Liz_Cirelli_and_Ples_Jones_vs_Manuel_Rocca-Rise-(LEV128)-WEB-2020-AFO Logman_N_Pstump-Interface-WEB-2020-FALCON LOKIMusic_and_Omarilzz-Desert_Prayer-(WATR047)-WEB-2020-AFO London_and_Niko-Rise-(SDR362)-WEB-2020-AFO London_and_Niko-Rise-(SDR362)-WEB-2020-AFO_INT Lostly-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT Loudwave-Darkness-(DCR118)-SINGLE-WEB-2020-KLIN Louvie_Lost-No_Palavas-(195395330297)-SINGLE-WEB-2020-KLIN LOV3TT-If_You_Should_Go-(YL069)-SINGLE-WEB-2020-AFO Lr_Uplift-Anya-(ABRD224)-WEB-2020-KLIN LR_Uplift-Way_Home_(Extended_Mix)-(SCR348)-SINGLE-WEB-2020-AFO LR_Uplift-We_Must_Live-(ABRD226)-WEB-2020-AFO LR_Uplift-We_Must_Live-(ABRD226)-WEB-2020-AOV Lukaone-Hidden_Kingdom-(RRD13)-SINGLE-WEB-2020-KLIN Luke_Bond_ft._Sarah_De_Warren_-_Satellites-(ARMD1549)-WEB-2020-QMI_INT Luke_Bond_ft_Sarah_De_Warren-Walk_Away-(ARMD1539)-WEB-2020-AFO Lurker_Vs._N3xu5-Dystopian_Dawns-WEB-2020-FALCON Lydia-Find_Your_Light-SINGLE-WEB-2020-FALCON M.i.k.e._Push-Luminosity_Beach_Festival_2020-LIVE-WEB-2020-XTC_iNT M4TT-Open_Your_Eyes-(PHAT081)-WEB-2020-AFO Maarten_De_Jong_vs_Corti_Organ-Flash-(WAO138293)-WEB-2020-AFO 
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2020.08.23 17:00 1techno_org Techno 2020 JULY Megapack (1636 albums - 105 GB)

Download Techno 2020 JULY Megapack

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2020.08.23 09:52 nbatman "Nothing in this world works the way you think it does. Nothing." - Jordan Maxwell

“You may choose to look the other way but you can never say again that you did not know.” - William Wilberforce

► Banking / Money

  • "Money is the alienated essence of man's work and existence; this essence dominates him and he worships it." - Karl Marx
  • "And I sincerely believe, with you, that banking establishments are more dangerous than standing armies; and that the principle of spending money to be paid by posterity, under the name of funding, is but swindling futurity on a large scale." - President Thomas Jefferson
  • "I was warned off when I got into this – don’t do this unless you can put your conscience one hundred percent in the freezer. I heard myself laugh at it back then, but it wasn’t a joke at all." - Ronald Bernard, Elite Dutch Banker
  • "All of the perplexities, confusion, and distress in America arises, not from the defects of the Constitution or Confederation, not from want of honor or virtue, so much as from downright ignorance of the nature of coin, credit and circulation." - President John Adams
  • "The Colonies would gladly have borne the little tax on tea and other matters had it not been the poverty caused by the bad influence of the English bankers on the Parliament, which has caused in the Colonies hatred of England and the Revolutionary War." - Benjamin Franklin
  • "It is well enough that people of the nation do not understand our banking and monetary system, for if they did, I believe there would be a revolution before tomorrow morning." - Charles G. Binderup, Representative of Nebraska (paraphrasing Henry Ford)
  • “The real truth of the matter is, as you and I know, that a financial element in the large centers has owned the government of the U.S. since the days of Andrew Jackson.” - President Franklin D. Roosevelt
  • “Most Americans have no real understanding of the operation of the international money lenders. The accounts of the Federal Reserve System have never been audited. It operates outside the control of Congress and manipulates the credit of the United States.” - Sen. Barry Goldwater
  • “In the United States today, we have two governments. We have the duly constituted government and then we have the independent, uncontrolled and uncoordinated government in the Federal Reserve System operating the money powers which are reserved for Congress by the Constitution.” - Rep. Wright Patman
  • “The people are naturally conservative. They are more conservative than the financiers. Those who believe that the people are so easily led that they would permit printing presses to run off money like milk tickets do not understand them. It is the innate conservation of the people that has kept our money good in spite of the fantastic tricks which the financiers play — and which they cover up with high technical terms. The people are on the side of sound money. They are so unalterably on the side of sound money that it is a serious question how they would regard the system under which they live, if they once knew what the initiated can do with it.” - Henry Ford, My Life and Work
  • “We have in this country one of the most corrupt institutions the world has ever known. I refer to the Federal Reserve Board and the Federal Reserve Banks. Some people think the Federal Reserve Banks are U.S. Government institutions. They are not government institutions. They are private credit monopolies; domestic swindlers, rich and predatory money lenders which prey upon the people of the United States for the benefit of themselves and their foreign customers. The Federal Reserve Banks are the agents of the foreign central banks. The truth is the Federal Reserve Board has usurped the Government of the United States by the arrogant credit monopoly which operates the Federal Reserve Board.” - Congressman Louis T. McFadden, Chairman of the House Banking & Currency Committee
  • “The powers of financial capitalism had a far-reaching plan, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole… Their secret is that they have annexed from governments, monarchies, and republics the power to create the world’s money…” - Prof. Carroll Quigley
  • "A great industrial nation is controlled by its system of credit. Our system of credit is privately concentrated. The growth of the nation, therefore, and all our activities are in the hands of a few men ... [W]e have come to be one of the worst ruled, one of the most completely controlled and dominated, governments in the civilized world—no longer a government by free opinion, no longer a government by conviction and the vote of the majority, but a government by the opinion and the duress of small groups of dominant men." - U.S. President Woodrow Wilson
  • "If money is the bond binding me to human life, binding society to me, binding me and nature and man, is not money the bond of all bonds? Can it not dissolve and bind all ties? Is it not, therefore, the universal agent of separation?" - Karl Marx
  • "We have grown literally afraid to be poor. We despise anyone who elects to be poor in order to simplify and save his inner life. If he does not join the general scramble and pant with the money-making street, we deem him spiritless and lacking in ambition" - William James
  • "I do not like money, money is the reason we fight." - Karl Marx
  • "Banking was conceived in iniquity and was born in sin. The bankers own the earth. Take it away from them, but leave them the power to create money, and with the flick of the pen they will create enough deposits to buy it back again. However, take away from them the power to create money and all the great fortunes like mine will disappear and they ought to disappear, for this would be a happier and better world to live in. But, if you wish to remain the slaves of bankers and pay the cost of your own slavery, let them continue to create money." - Sir Josiah Stamp, Director of the Bank of England (Said to be from an informal talk at the University of Texas in the 1920s, but as yet unverified.)

► Late Stage Capitalism

  • "We have deluded ourselves into believing the myth that capitalism grew and prospered out of the Protestant ethic of hard work and sacrifice. The fact is that capitalism was built on the exploitation and suffering of black slaves and continues to thrive on the exploitation of the poor - both black and white, here and abroad." - Martin Luther King, Jr.
  • "Let me remind everyone of some basic truths of all economic systems. They all are born usually out of another system. They evolve and change over time, and then they die, giving birth to the next system. Slavery, born, evolves, dies. Feudalism, born, evolves, dies. Capitalism, born, evolves... that's right. The next phase is the passing away. - Richard Wolff, Economics Professor

► The "Justice" System

  • "The attorney's first duty is to the courts and the public, not to the client, and wherever the duties to his client conflict with those he owes as an officer of the court in the administration of justice, the former must yield to the latter." - Corpus Juris Secundum
  • "It is not the duty of the police to protect you. Their job is to protect the corporation and arrest code breakers." - Sapp vs. Tallahassee, 348 80
  • "Clients (You) are called "wards of the court" in regard to their relationship with their attorneys." - Corupus Juris Secundum
  • According to Black Law Dictionary "Wards of court." are "Infants and persons of unsound mind."
  • “… the word ‘person’ designates each character man is called upon to play on the judicial stage… In this sense the same man can have several personae at the same time. In this respect he resembles the player in a comedy or drama.” - American Law and Procedure: Constitutional Law Vol.13
  • "By their definition of legal terms we are considered "actors" and "agents" of the "per-son" we identify as which is a creation and property of government. In law books they metaphorically describe juridical proceedings as a "comedy or drama." We are considered the vulgar masses, vulgar meaning the common illiterate people because we don't understand the law and we 'need' an attorney to re-present us, to act as our person. There's a legal maxim, "Lunaticus, qui gaudet in lucidis intervallis." - El Given Name
  • According to Legal Maxim: Lunaticus, qui gaudet in lucidis intervallis "A person is considered to be a lunatic who enjoys lucid intervals. According to this maxim, although a person enjoys lucid intervals of sanity, s/he is still considered insane."
  • According to Black’s Law Dictionary "Lucid Interval" is "A brief period during which an insane person regains sanity sufficient to have the legal capacity to contract and act on his or her own behalf.”

► Anti-Authoritarianism

  • "It is no measure of health to be well adjusted to a profoundly sick society." - Jiddu Krishnamurti
  • “To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.” - Ralph Waldo Emerson
  • "The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum...." - Noam Chomsky, The Common Good
  • "There exists a shadowy government with its own Air Force, its own Navy, its own fundraising mechanism, and the ability to pursue its own ideas of national interest, free from all checks and balances, and free from the law itself." - Senator Daniel Inouye
  • "The tyrant, who in order to hold his power, suppresses every superiority, does away with good men, forbids education and light, controls every movement of the citizens and, keeping them under a perpetual servitude, wants them to grow accustomed to baseness and cowardice, has his spies everywhere to listen to what is said in the meetings, and spreads dissension and calumny among the citizens and impoverishes them, is obliged to make war in order to keep his subjects occupied and impose on them permanent need of a chief." - Aristotle
  • "To be governed is to be watched over, inspected, spied on, directed, legislated at, regulated, docketed, indoctrinated, preached at, controlled, assessed, weighed, censored, ordered about, by men who have neither the right, nor the knowledge, nor the virtue." - Pierre-Joseph Proudhon
  • "The real hopeless victims of mental illness are to be found among those who appear to be most normal. Many of them are normal because they are so well adjusted to our mode of existence, because their human voice has been silenced so early in their lives, that they do not even struggle or suffer or develop symptoms as the neurotic does. They are normal not in what may be called the absolute sense of the word; they are normal only in relation to a profoundly abnormal society. Their perfect adjustment to that abnormal society is a measure of their mental sickness. These millions of abnormally normal people, living without fuss in a society to which, if they were fully human beings, they ought not to be adjusted." - Aldous Huxley, Brave New World Revisited
  • "A nation or world of people who will not use their intelligence are no better than animals that do not have intelligence. Such people are beasts of burden and steaks on the table by choice and consent." - Milton William Cooper, Behold a Pale Horse
  • "We are all responsible for our dream of storming the heavens. We cannot turn ourselves into dwarves now, after having dreamed, elbow to elbow, each feeling the others' heartbeats, of attacking and overthrowing the gods. This is the dream that makes power afraid." - Alfredo M. Bonanno
  • "So, when these gentlemen say, ‘You are utopians, you anarchists are dreamers, your utopia would never work’, we must reply, ‘Yes, it’s true, anarchism is a tension, not a realisation, not a concrete attempt to bring about anarchy tomorrow morning’. But we must also be able to say but you, distinguished democratic gentlemen in government that regulate our lives, that think you can get into our heads, our brains, that govern us through the opinions that you form daily in your newspapers, in the universities, schools, etc., what have you gentlemen accomplished? A world worth living in? Or a world of death, a world in which life is a flat affair, devoid of any quality, without any meaning to it? A world where one reaches a certain age, is about to get one’s pension, and asks oneself, ‘But what have I done with my life? What has been the sense of living all these years?’" - Alfredo M. Bonanno, The Anarchist Tension

► Anti-Work / Servitude

  • "Many things can be done ‘playfully’ yet most of the things we do, we do very ‘seriously’ wearing the death mask we have borrowed from capital." - Alfredo M. Bonanno
  • "The goal of the future is full unemployment, so we can play. That's why we have to destroy the present politico-economic system." - Arthur C. Clarke
  • "What madness the love of work is! With great scenic skill capital has succeeded in making the exploited love exploitation, the hanged man the rope and the slave his chains." - Alfredo M. Bonanno
  • "In the illusory world of commodities, play is also an illusion. We imagine we are playing, while all we are really doing is monotonously repeating the roles assigned to us by capital." - Alfredo M. Bonanno
  • "You are what you do. If you do boring, stupid monotonous work, chances are you'll end up boring, stupid and monotonous. Work is a much better explanation for the creeping cretinization all around us than even such significant moronizing mechanisms as television and education." - Bob Black, The Abolition of Work
  • "The neutralisation of the individual is a constant practice in capital’s reified totality. The flattening of opinions is a therapeutic process, a death machine. Production cannot take place without this flattening in the spectacular form of capitalism." - Alfredo M. Bonanno
  • "The answer clearly isn't economic: it's moral and political. The ruling class has figured out that a happy and productive population with free time on their hands is a mortal danger (think of what started to happen when this even began to be approximated in the '60s). And, on the other hand, the feeling that work is a moral value in itself, and that anyone not willing to submit themselves to some kind of intense work discipline for most of their waking hours deserves nothing, is extraordinarily convenient for them." - David Graeber
  • “There will be, in the next generation or so, a pharmacological method of making people love their servitude, and producing dictatorship without tears, so to speak, producing a kind of painless concentration camp for entire societies, so that people will in fact have their liberties taken away from them, but will rather enjoy it, because they will be distracted from any desire to rebel by propaganda or brainwashing, or brainwashing enhanced by pharmacological methods. And this seems to be the final revolution” - Aldous Huxley
  • "If I am right, that the story of the Western world is one of increasing left hemisphere domination, we would not expect insight to be the key note. Instead, we would expect a sort of insouciant optimism, the sleepwalker whistling a happy tune as he ambles towards the abyss." - Iain McGilchrist, The Master and his Emissary
  • “When the government is able to collect tax and seize private property without just compensation, it is an indication that the public is ripe for surrender and is consenting to enslavement and legal encroachment. A good and easily quantified indicator of harvest time is the number of public citizens who pay income tax despite an obvious lack of reciprocal or honest service from the government. - Milton William Cooper, Behold a Pale Horse
  • "These people cannot comprehend that it would be possible to not produce any surplus value, and that one could also refuse to do so. That it is possible to assert one’s will to not produce, so struggle against both the bosses’ economic structures and the ideological ones that permeate the whole of Western thought." - Alfredo M. Bonanno
  • "The reign of capital, which denies our very existence as human beings and reduces us to ‘things’, seems very serious, methodical and disciplined. But its possessive paroxysm, its ethical rigour, its obsession with ‘doing’ all hide a great illusion: the total emptiness of the commodity spectacle, the uselessness of indefinite accumulation and the absurdity of exploitation. So the great seriousness of the world of work and productivity hides a total lack of seriousness." - Alfredo M. Bonanno

► Socialism / Communism

  • "Only when socialism succeeds in substituting administrative control for money will it be possible to abandon a stable gold currency. Then money will become ordinary paper slips, like trolley or theater tickets. As socialism advances, these slips will also disappear, and control over individual consumption – whether by money or administration – will no longer be necessary when there is more than enough of everything for everybody!" - Leon Trotsky
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2020.07.25 17:04 slytherindoctor The Dragon Reborn, 100 pages, last chapter read Chapter 10 Secrets, spoilers to this point

Well here we are. Finally. I took a nice long break from this series and am jumping back into it. Fortunately, I didn't forget much about what was happening. I remember all the characters, even the secondary ones like the Shienarians. Unfortunately, though, this book starts out exactly like the first two started out, which is not a good sign. The main characters living in a relatively safe place/situation, getting attacked by Trollocs, and then having to go on some sort of chase scene. I swear there's a template somewhere for these first three books. Probably a Mad Libs. They're all opening exactly the same. Now I'm waiting for the inevitable teleport across the world for the ending. I know it's coming, we know that Rand is going to Tear to get the sword. It's the cover of the book after all. I'll be shocked if they don't use the ways or a stone or some other magical teleportation. But I'm getting ahead of myself. The summary:

The prologue opens with the lord commander of the Children of Light, Pedron Niall, hearing a couple different versions of what went down at the end of the second book in Falme. This would feel like a "last time on" sort of thing, except the stories are obviously very different from what actually happened as both of the people telling them are unreliable narrators. We then learn that Pedron Niall's whole plan had been to subjugate the Almoth Plain, create a new country there, and then rule over both that country and Amadicia. He was going to pressure Tarabon from both sides and subjugate that, made easier by its war with Arad Doman, and then eventually take over the world from this power base. Which is not surprising really, to see that this leader of this fanatical religious cult wants to take over the world.

He then has to go to plan B when the Dragon Reborn messes up his plan and tells the Questioner from the last book, Carridin, that his new plan is to use the Dragon to make the population in Almoth afraid and promise them protection. So he doesn't want the Dragon to be killed just yet, which is considered a blasphemous and treasonous thing to think to the Children. So he's treading on thin ice here.

Unfortunately for him, Carridin is actually a dark friend who has been ordered to kill the Dragon. So he's being pulled in both directions, ordered to both kill and keep alive the Dragon in a lose lose situation. I also assume this means that he's "the man calling himself Bors" from the prologue in the second book. Since his work was obviously in Almoth Plain and Toman Head, as was Bors' work in the prologue of the previous book.

I'm not a huge fan of revealing Carridin to be a dark friend because it kind of minimizes the impact of the Questioners' atrocities from the last book. You don't have to be specifically evil, or whatever, religious fanaticism absolutely can and has been enough to cause people to commit awful awful crimes in the service of their God. If you live in the US or Europe, you tend to forget this because our religious fanatics aren't nearly as outwardly violent anymore. They had their share of violence for thousands of years, but mostly, their violence is now limited to things like bombing abortion clinics or anti-gay conversion therapy. The Children of the Light, here, is acting very much like ISIS, trying to create a rogue state that claims to be the chosen of God.

Regardless, I absolutely love seeing religious fanaticism in stories. I've mentioned a few times that my degree was in history. One of the things I love most about history is studying awful people. They're fascinating to me. How does someone become so awful. And naturally, that leads to a lot of study of religious fanaticism. I actually wrote my final thesis on Ronald Reagan's alliance with the religious right. How it actually came about, because before Reagan, the religious right wasn't really a voting demographic in the US at all and religious people weren't really one party or the other. It's absolutely a fascinating story.

Anyway, we start the book proper with a Perrin!? chapter. Which surprised me right off the bat. Perrin gets the majority of the screen time for these first 100 pages. And Rand conspicuously gets nothing except right before the transition to Egwene. It was a weird/bold new direction to go and I liked it. I was so used to hearing Rand's "why can't I just be a farmboy" thoughts that it was now interesting to be in Perrin's head for so long. We learn that Moiraine has sent out several female spies to report on what is happening in the area. Moiraine has set up camp in the mountains above Almoth Plain where she hears about how quite a few scattered groups have declared for Rand as the Dragon. The Children are apparently not attacking the pro-Dragon groups, which tracks with what Niall ordered in the Prologue.

We see their camp as Moiraine tells this news to the main characters in the camp. We get to see Rand, very briefly, as he conspicuously is not the POV character. He has a little hidey hole away from the camp. When we last left off, Rand was forced to accept his place as the Dragon Reborn, after his image spread. He no longer has any choice in the matter and he seems to be accepting this. He's definitely going mad, which is what I was excited about in the last book. That's what I want to see! A mad chosen one who makes the world worse by existing, but is necessary to exist otherwise the whole world will get taken over. That's why I liked the prophecies about the Dragon and the idea that nobody really wants him to come. So I love the way he's acting here, going mad from the tainted half of the one power.

Even this little brief bit of interactions leads to him accidentally starting an earthquake which leads to the Trollocs/Myrdrall finding where they're at and they all get attacked. Perrin has some great scenes as he gives in to being a wolf and acts like a wolf, which is definitely really fun. Because of his alerting the bad guys to their location, Rand runs away, thinking that he doesn't want to let any more people die because of him. Which is not really going to work out being the Dragon Reborn.

He's also been having a dream about the fortress in Tear with the sword that the Dragon has to take according to some prophecy. The fortress won't fall until the Dragon gets the sword inside the fortress. So Rand is off to this fortress. Magical chosen one swords that give you divine right to rule, also not great. I'm not a big fan of them. I tend to go with the Monty Python school of thought on them:

"Oh, but you can't expect to wield supreme executive power justbecause some watery tart threw a sword at you! "

So, naturally, they have to go chase him down and bring him back before he's killed, since him being killed would be the end of the series and the dark one taking over. Moiraine has Min go to Tar Valon to tell the Amyrlin what happened while she, Lan, Perrin, and Loial go off to hunt him down. They come to a village where a whole bunch of people got married the previous day and Whitecloaks were super agitated and almost murdered everyone. Moiraine says this was because of Rand having been there, he's so strongly ta'varan that he makes people do things they wouldn't normally do. Or things they would do but only in their deepest desires. Something like that. Not sure I entirely understand how that works yet.

One of the people who works at the inn, Simion, has a brother, Noam, who is sick and asks Moiraine to look at him. She does and it turns out he has the same ability as Perrin, only he's a lot further gone than Perrin, actually snarling like a wolf, forgetting that he's a human. So it's a nice little look into the possible future for Perrin, what he might become. I did like that. Moiraine also tells him that wolves exist in dream worlds, which I'm not thrilled about.

Since it's finally an actual plot point, lets talk about dreams. I don't care for them in stories. I don't care for reading them. I think they're mostly boring, incomprehensible, and a waste of time. To me, they're kind of an exercise in self-indulgence by a writer. Like "Oh, look at all this foreshadowing I'm doing! I have this series all planned out from the beginning!" Which is great, but it's not that interesting in the moment when you're reading them. And personally I don't think they become interesting at all until you do a reread and already know what happens so you know what they're referring to.

Since I'm in the head of Perrin here for this whole section, I'm finding that Moiraine and especially Lan are becoming especially grating on me. Lan especially is awful, acting like a bootlicker. I haven't really been much of a fan of his character throughout the first two books, with the whole lost king trope and just being Aragorn, but he's especially rubbing me the wrong way now with his constantly getting angry when Perrin challenges Moiraine. Why would Nynaeve ever like him. She's better than that. I do still like Moiraine, though. I like that she's like that. Thinking she's better than Perrin, expecting him to obey her. That kind of stuff. That's what I expect from the Aes Sedai at this point.

There's a brief little snippet with Rand fighting off dogs? Weird? Part of the madness? Not sure? I wasn't a fan of this part because I thought it was more impactful when we didn't see him at all and it would have probably been better to maintain that until at least the characters catch him.

Anway, we move on to Egwene's group, which consists of Egwene, Nynaeve, Elayne, Hurrin, Verrin, and an unconscious Mat. They're also carrying the horn. Egwene, Nynaeve, and Elyane discuss how much trouble they're going to be in for running off. Mat is almost dead now. Hurrin has visions of something dangerous happening. Which turns out to be true as they meet Bornhald's son, Dain, trying to guard the road in front of Tar Valon. He knows he can't really get away with hurting them, but Egwene, Nynaeve, and Elayne, hastily attack the Children who are accosting them, against Verrin's wishes. She gets mad at them, telling them they're not supposed to use magic as a weapon except against the dark lord's people. It makes sense that they have to do this as an oath because mages are universally distrusted, but I'm not a huge fan of it.

So overall it's not starting out promising. We've got the same template as the beginning of the first two books, and I'm hoping we actually go in a different direction here instead of just copy/pasting the work from the first two. Keep in mind, also, that I will be and am overly critical here because the first two books were strikes one and two.
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2020.07.21 20:12 Pearl_the_5th [SPOILERS EXTENDED] Hounds, Hawks and Horses: Tyrell Tinfoil

"Gentle, pious, good-hearted Willas Tyrell. Be grateful you were spared, he would have bored you spitless." ASOS Sansa VI
If Sam and co. end up legging it to Highgarden to escape Euron, there's a good chance we'll finally meet Willas Tyrell, who may be a bit more interesting than Littlefinger thinks. TLDR below.
Willas' most recent heritage is Tyrell, Redwyne and Hightower. We don't know who his maternal grandmother (one of Leyton's first three wives) was, but whether or not she was also of the Reach, it's safe to assume Willas is mostly of Greenhand blood.
Garth Greenhand, with his heavy association with green, the legends of him planting trees, demanding blood sacrifice, mating with a giantess and having antlers, seems to have had some kinship with tCotF. His children point to this as well: Rose of Red Lake is outright called a skinchanger, "a power some say still manifests from time to time in the women of House Crane", Bors the Breaker is said to have grown bullhorns, Florys the Fox is self-explanatory, and Ellyn Ever Sweet was apparently able to talk to bees.
Along with his possible CotF ancestry, if the Hightowers do descend from the GEOTD, then it'd be no wonder if Willas (who could be the only child of Alerie's to inherit her colouring) has magical abilities. I'd argue it's stranger that these abilities don't seem to have manifested in any Reachers since the Age of Heroes, as well as unfortunate, if I'm right about what actually happened to Luthor Tyrell.
"My husband, the late Lord Luthor...He managed to ride off a cliff whilst hawking. They say he was looking up at the sky and paying no mind to where his horse was taking him. And now my oaf son is doing the same, only he's riding a lion instead of a palfrey." ASOS Sansa I
"Willas is heir to Highgarden, and by all reports a mild and courtly young man, fond of reading books and looking at the stars. He has a passion for breeding animals as well, and owns the finest hounds, hawks, and horses in the Seven Kingdoms." ASOS Tyrion III
Tyrion was beginning to wonder whether Lord Luthor Tyrell had ridden off that cliff intentionally. ASOS Tyrion VIII
I never gave much thought to Luthor's death, thinking it just some comical background noise, and that's probably all it is, but ask yourself this: What the hell was wrong with the horse?
I'm no equestrian, but I've never heard of a suicidal horse, and I'm sure, despite their limited visual field, they're able to recognise a cliff edge in time to veer themselves into safety. And of all horses he could've been riding, the poor thing was a palfrey. Not a wild stallion or tired veteran destrier, but probably the finest ambler in the realm apparently just decided to take a long run off a short cliff with the Lord Paramount of the Reach on its back.
Luthor died between 255 and 281#Luthor_Tyrell). If Willas was born in 275#Willas_Tyrell) and Luthor died at the latest he could have, Willas would've been six when I am theorising he skinchanged into Luthor's horse and made it charge off a cliff. I can't think of any reason why he would do this on purpose, so I think it was an accident that occurred while he was asleep. Little Willas probably woke up screaming from the feeling of falling or the death of the horse, and when he told his mother about his dream that she eventually learnt was a bit more than that, Alerie likely turned to her father, who thought it best to foster him at the Hightower where his personal library, as well as the Citadel's, would help Leyton and Willas better understand his powers.
Hubris and Humbling
"I had a letter from Willas not half a year past. We share an interest in fine horseflesh. He has never borne me any ill will for what happened in the lists. I struck his breastplate clean, but his foot caught in a stirrup as he fell and his horse came down on top of him. I sent a maester to him afterward, but it was all he could do to save the boy's leg. The knee was far past mending. If any were to blame, it was his fool of a father. Willas Tyrell was green as his surcoat and had no business riding in such company. The Fat Flower thrust him into tourneys at too tender an age, just as he did with the other two." ASOS Tyrion V
The fun of what-iffing aside, I see no reason to doubt that Willas' foot did catch in the stirrup, and the momentum of his fall, coupled with the force of Oberyn's strike, made his horse fall on his leg. The only odd part of Oberyn's account is that Willas never bore him any ill will for what happened. It would make a lot more sense if Willas had begrudged him before forgiving him, or they were frenemies or just plain old enemies, especially given the history between their houses. Also wouldn't this incident, along with what happened to his grandfather, make him a bit weary of horses? Maybe he blames the horse and took up husbandry to rid the world of ill-bred animal companions. Maybe his desire to live up to his family motto overrides any hippophobia he may have. Maybe he just likes animals and astronomy, two very common interests. Maybe he never blamed Oberyn because he's just that nice of a guy. But that's too simple and I'm bored, so he's a mastermind skinchanger now, but if that's indeed the case, how could he have let a horse fall on him?
I'm guessing Willas overestimated his abilities. Like his little brother, he was too good too young and thought he could win the joust via trickery, slipping into his opponents' horses and making them run off course, throw off their riders, etc. When the time came, he couldn't concentrate due to being on the back of a galloping horse surrounded by a cheering crowd, the sight of the Red Viper charging at him probably didn't help, and the rest is history.
So of course he didn't blame Oberyn, or even his dad; he blamed himself. His chances of ever walking unaided again, let alone knighthood, were gone in an instant. But despite everything, he was still a skinchanger, and since his squiring days were over and he had been knocked down a few pegs, he had a lot more time, energy and the right mindset to hone his gift.
When he whistled, the raven hopped onto his bandaged forearm. There was dried blood on its wings. "A hawk," Luwin murmured, "perhaps an owl. Poor thing, a wonder it got through." AGOT Bran VII
The river was a blue-green ribbon shining in the morning sun. Reeds grew thick in the shallows along the banks, and Arya saw a water snake skimming across the surface, ripples spreading out behind it as it went. Overhead a hawk flew in lazy circles. ACOK Arya IV
When Arianne spied a hawk wheeling high above them against a cloudless sky, she knew the worst was behind them. AFFC The Queenmaker
"We have the best horses, and pleasure boats to sail along the Mander. Do you hawk, Sansa?" ASOS Sansa I
Margaery was different, though. Sweet and gentle, yet there was a little of her grandmother in her, too. The day before last she'd taken Sansa hawking. ASOS Sansa II
Other times she would take her entourage across the river for an afternoon of hawking. The little queen was fond of going out on boats as well, sailing up and down the Blackwater Rush to no particular purpose. AFFC Cersei VI
Willas being able to skinchange every hound, hawk and horse in the realm is pretty unbelievable, even for me. The hawk south of the God's Eye circling above Arya could be a Green Man's, and the one above Arianne as she neared the Greenblood has as much chance of being a Fowler's as Willas'. Instead of checking every horse and dog to see which might have anything to do with Willas, I'm going to mostly concentrate on hawks, particularly Luwin suggesting the raven carrying the news of Ned's death was attacked by one, and (in the next part) Margaery's fondness for hawking.
During their studies, Leyton and Willas must've realised the Starks have a high likelihood of producing skinchangers due to their possible Greenhand blood through Bran of the Bloody Blade and marrying the daughters of the Warg King. If Luwin was chosen by them to take Walys' place, then they must want the Stark children alive, since he could've easily let Bran die from his fall, or killed any of the others. That said, Luwin constantly tries to stifle Bran's interest in magic, and twice in the same conversation suggests Bran study at the Citadel:
"You are a surpassing clever boy when you work at it, Bran. Have you ever thought that you might wear a maester's chain? There is no limit to what you might the Citadel in Oldtown they can teach you a thousand things more. But, Bran, no man can teach you magic." AGOT Bran VI
Bran was crippled at this point, so even if he wanted to, it'd be hard enough to get him to Oldtown during peacetime, let alone TWOTFK. And even if he got there, his tutors would likely have to go to him like they did for Peremore Hightower. And what would be the end goal? I doubt any noble house would choose a maester that requires so much special care, so he'd probably remain at the Citadel, but how much of a student and how much a subject would he have become, if Willas and Leyton intended him to be either? Maybe they just wanted him to go south so he could not journey north.
"Willas has the best birds in the Seven Kingdoms...He flies an eagle sometimes." ASOS Sansa II
Meera woke him up with a light touch on his arm. "Look," she said, pointing at the sky with her frog spear, "an eagle." ASOS Bran II
That could be why Willas and Leyton would want to delay the news of Eddard's death: with Ned dead, Bran was Robb's heir as well as acting Lord, and therefore wouldn't be allowed to go off and leave Winterfell to a traumatised toddler just to likely get kidnapped or worse on his way to Oldtown. Unfortunately for them, the raven managed to reach its destination, and it was a weak plan to begin with. Fortunately for them, Bran isn't the only Stark within reach.
"We were speaking of my grandson Willas. He is a bit old for you, to be sure, but a dear boy for all that. Not the least bit oafish, and heir to Highgarden besides." ASOS Sansa I
"When she's not off hawking with Janna Fossoway and Merry Crane, she's playing come-into-my-castle with that little Bulwer girl. She never goes riding but she takes a tail, four or five companions and a dozen guards at least." AFFC Cersei V
While the "Willas wants Bran" theory is pretty flimsy, it becomes a lot less so if you swap Bran for Sansa. For starters, Willas can't pass skinchanging onto the next generation with Bran. News of the direwolves and what happened to Lady could've reached Willas, who might see it as an opportunity to channel Sansa's power into multiple skins. It would explain why Olenna and Margaery wanted Sansa to marry him despite her entire house being denounced as traitors and the lack of appeal the North has to Reach lords (ASOS Tyrion III). It could also answer a seemingly unrelated question: why did Leyton Hightower let his youngest daughter marry a minor lord twice her age whose house is poor, seated on the other side of the realm and, oh yeah, whose female members are rumoured to have the ability to skinchange?
The Mormonts share this trait with the Cranes, another easily overlooked but quietly influential house. Melara Crane is Alester Florent's widow and the mother of his heir Alekyne, Leyton's fourth wife Rhea and Randyll Tarly's wife Melessa (so Leyton is Sam's uncle by marriage). Another Crane is Parmen the Purple, one of the three surviving members of Renly's Rainbow Guard who was suspiciously absent during his assassination and is now imprisoned at Highgarden, where his fellow Crane Vortimer is master-at-arms. And then there's Merry.
Margaery's companions are Taena Merryweather, Septa Nysterica, the pregnant (possibly by a Fossoway) Alyce Graceford, her sister-in-law Leonette Fossoway, her paternal aunt Janna Fossoway, her cousins Alysanne Bulwer, Alla, Elinor and Megga Tyrell, and Meredyth "Merry" Crane. Meredyth and Alysanne belong to Reach houses named after their therianthropic/horned founders, but the three lower roses have skinchanging links themselves: Alla's mother was born a Beesbury. Elinor is betrothed to Alyn Ambrose, who like Margaery is a grandchild of Leyton's through his mother, and whose house I believe to be a cadet branch of House Beesbury. Megga is supposed to marry Lady Bulwer's brother (whoever Taena meant by that) but prefers Mark Mullendore, who belongs to yet another house with insect symbolism and also had a pet monkey Megga is trying to help him replace. I wouldn't be surprised if all three of Leyton's previous wives were from these houses, and he picked them specifically because of that.
Alla, Elinor and Megga were arrested along with Margaery, Nysterica is in a penitent's cell and Taena's fled for Longtable, but there's no word about the rest. Leonette probably went with Garlan to claim Brightwater Keep. Alyce was last seen "large with child" during Tywin's funeral, and if she miscarried or gave birth at court it would've been noted, so she probably went back to Holyhall. That leaves Janna, Merry and Alysanne, and what a coincidence, the latter two have biological skinchanger connections, and the former two are the ones noted to hawk with Margaery.
I think Willas tasked Margaery and Olenna with bringing Sansa to him, and Margaery took her hawking so Willas could "meet" her. After Sansa disappeared and Olenna returned to Highgarden, Willas tasked Margaery, his gossipy aunt Janna and possible fellow skinchanger Merry with trying to find out where she went, keeping in frequent contact through their birds. Now with Margaery in the custody of Randyll Tarly, these tasks have fallen onto Janna and Merry's collective shoulders. Also, I don't think Margaery's trips up and down the Blackwater Rush were as purposeless as Cersei assumed: it's connected to a river that leads right to the Gods Eye, it's where Arya saw that hawk, and it's a bit odd Margaery would choose to sail up and down a river known to be "wide and deep" with "wicked and treacherous" currents, especially since it and its surroundings were a scene of mass destruction not that long ago and now has some pirates operating on it.
But what's the point of any of this? What effect would it have on the story? Well, if that eagle Meera saw was Willas', then he knows Bran is alive and traveling north. Likewise, if the hawk Arya saw was Willas' and he somehow recognised her and/or Gendry, then he knows they escaped KL with a wandering crow, and if he was also seeing through the hawk Arianne saw, he knows what happened at the Greenblood ambush and whether or not it really was Gerold Dayne who attacked Myrcella. One more thing: When Margaery took Sansa hawking, Sansa was given a merlin while Margaery used a peregrine, both of which are species of falcon that we can safely assume were bred by (and possibly a few of the many skins of) Willas. Tywin, a man who isn't easy to impress, is the one to tell us that Willas "owns the finest hounds, hawks, and horses in the Seven Kingdoms". In other words, his animals are fit for a king.
"Even Lord Jon's favorite falcon...His lordship loved that bird. King Robert gave it to him." AFFC Sansa I
A falcon soared above the frozen waterfall, blue wings spread wide against the morning sky. Would that I had wings as well. AFFC Alayne I
The sun was bright, the sky was blue, and there were falcons circling overhead, riding on the wind. AFFC Alayne II
So yeah, Littlefinger might come to learn Willas is not as boring, nor as gentle, as he thought.
TLDR: Willas is a skinchanger who was found out after he accidently caused his paternal grandfather's death by making his horse charge off a cliff. He was fostered at the Hightower where he and his maternal grandfather studied and honed his abilities. He caused his own crippling by trying to skinchange into Oberyn's horse. Willas and Leyton sent Lewin to spy on the Starks and may have wanted to get Bran to Oldtown, but more likely just wanted Sansa so she and Willas could make skinchanger babies. Margaery's entourage is full of women with links to skinchanging families, and her constant hawking and riding might be them going off to tell Willas of the goings on at KL and any news on where Sansa is. Willas being able to skinchange into birds opens the possibility of him knowing lots of things, including that Bran is alive and Sansa is at the Eyrie.
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2020.07.16 03:58 arcticaoutloud i am a depressed teen and my mum is dating a guy almost my age

ok, so my mum is 46, my parents were married for 20 years and they split up a year and a half ago but are still legally married. I am 18 and my sister is 16 and we live with our mum. my mother started dating again half a year ago and she said dad is okay with it and they're gonna have a formal divorce soon anyways so like... it's weird but i guess...
tr;dl few weeks ago she meet this young guy who is like 4 years older than me. she is generally really irritating when she meets someone new because shes almost all the time on her phone in the evenings and it's difficult to even get a hold of her except for the meals. she also has this really irritating habbit of talking all the fucking time about her private things regarding her relationships. i am really tired of this. i would like to have a normal relationship with her and be able to talk to her like to an adult about my worries and problems instead i feel as if she was really indifferent to whats going on in my and my sister's life or just kind of carefree.
it was a rough last two years for me. after a traumatic childhood with verbally and emotionally abusive father, when my parents broke up i had to start antidepressants for almost two years and my sister was hospitalized for anorexia and hardcore depression (now she's well tho, don't worry). i was really struggling to keep myself together and do well in school and i succeeded thus far even though i had some really bad suicidal shit going on in my darkest moments i am pretty stable now and i am going to apply to uni next year. i am really focused on my work and school and healing from my mental struggles... not on romantic relationships. i feel like some of the shit i have been through had made me much more mature and borring than most people my age but i came to appreciate it this way. but because of it i feel super disconnected from my mum who's very emotional, talkative spiritual and kind of whimsical person. she also managed to get herself into few short-lived but intense relationships with really weird guys in the last few months and she was really upset. shes kinda dumb sometimes and gets real invested quickly.
when i learned that she started dating this young guy i felt mildly irritated but again i tried not to care much. today though, she had a videocall with him and wanted to "introduce" me and my sisiter so just kind of gave me her phone and made me say hi and oh boy i wasn't ready for this fuckboy laying in his bed shirt off like hes livin' his best life. it just got me somehow pissed off like id hate for this guy to try to parent me or whatever if my mum and him had any serious relationship and i also kinda feel like hes no good and my mum is doing some stupid shit again and i feel like i am losing her...
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2020.07.08 21:26 removalbot 07-08 19:26 - 'Part 2/5 / ##Destruction of the rule of law. / Some of the passages below are taken from [this pdf] / No member state in the history of the EU has ever gone as far in subjugating its courts to executive control as the current...' by /u/Logiman43 removed from /r/europe within 82-92min

Part 2/5

Destruction of the rule of law.

Some of the passages below are taken from [this pdf]1
No member state in the history of the EU has ever gone as far in subjugating its courts to executive control as the current Polish government. The Polish case has become a test whether it is possible to create a Soviet-style justice system in an EU member state; a system where the control of courts, prosecutors and judges lies with the executive and a single party.
Across Europe, national courts recognise the judgements of courts in other member states, whether these involve commercial law, the European arrest warrant or child custody. Judges must assume that courts across the EU operate according to common values and principles set out in the European Union Treaty and in its Charter of Fundamental Rights. Once judges across the EU have reason to doubt whether courts in any member state provide effective judicial protection, the legal order on which the EU rests collapses.
[Freedom house - How PIS captured Poland’s Courts]2

Constitutional Tribunal changes

It all began with the constitutional crisis four years ago. [Constitutional crisis and the destruction of the rule of law]3 In 2015, parliament changed the law on the Constitutional Tribunal, which rules on the constitutionality of legislation. The changes allowed them to annul the nominations of three judges made by the previous parliament and appoint their own. It shortened the terms of the tribunal's president and vice-president from nine to three years. The tribunal ruled the move unconstitutional in an open rebellion, but the dispute remains unresolved. [Julia Przylebska]4 - was illegally named the president of the Tribunal court by the president. [And now Kaczynski, the PM have meetings at her house. Nice separation of power]5
There's too much to describe. For further info please visit the link. It is an amazing summary of the whole ordeal. [timeline]6

Supreme Court changes

The European Commission, the EU's executive arm, said one of the most controversial reforms was to do with the Supreme court, which, among other duties, is responsible for confirming election results. The idea was to lower the age of retirement for Supreme Court justices from 70 to 65, but allow the Polish president to grant a five-year extension to whomever they deemed worthy. In 2019, the European Court of Justice (ECJ) — the EU's highest court —ruled this was illegal, after an interim decision ordered 20 already-sacked judges be reinstated. Of course, PIS chose 2 new Constitutional judges, A politician Pawlowicz with communistic past and Piotrowicz, also a politician and a prosecutor that was an active communist during the 80 that prosecuted Solidarnosc. Both of them are above 65 years old.

Ordinary court judges

There were also moves to try a similar tactic in the general court system for judges and public prosecutors, lowering the age of retirement for women to 60 and for men to 65, down from the current 67. Under the reforms the justice minister, who is appointed by the ruling party, would have the power to extend a judge's term. The laws were somewhat adjusted after pressure from the European Commission, but in November 2019 the ECJ shot down these laws, too, citing gender discrimination and political influence over the judiciary.

Disciplinary measures for judges

Another PiS addition allowed judges to be investigated and sanctioned for their court rulings. The disciplinary hearings and procedures were to be carried out by judges selected via parliament. These reforms were criticized by the European Commission because "judges are not insulated from political control and thus judicial independence is violated." The commission brought legal action against Poland on this matter in October 2019.

National Council of the judiciary takeover

In 2017 PiS remodeled the National Council of the Judiciary, which selects candidates for appointment as judges by the President of the Republic. This allowed it, in the short term, to control appointments to the Supreme Court – including to a newly created Disciplinary Chamber, which hears disciplinary cases against judges, and to a new Extraordinary Appeals Chamber, which adjudicates on electoral issues. Over time PiS’ take-over of the National Judicial Council allows it to reshape the entirety of the judiciary. Fifteen of the 25 members of the National Council of the Judiciary were previously elected by judges themselves, as is common practice across Europe for such bodies. These fifteen judges are now elected by the majority in the Sejm, the lower chamber of the Polish parliament. The other ten members of the National Council of the Judiciary are: four members from the Sejm itself (all four members of PiS), two members from the Senate, one representative of the President of the Republic, the Minister of Justice, the president of the Supreme Court and the president of the Supreme Administrative Court. In total 23 of the 25 positions are directly appointed by political authorities.
After the election of the new KRS, a publication of the list with the names of judges declaring their support for specific candidates was refused. The Supreme Administrative Court ruled that those names must be disclosed. However, the Chancellery of the Sejm has yet to carry out the NSA’s ruling. The Constitutional Tribunal (TK) and the President of the Personal Data Protection Office have been roped into guarding the secret. [KRS destruction]7

Muzzle bill

[The muzzle bill]8 passed Dec 2019, victimize judges questioning the legitimacy of the government’s legal appointments, saying it is unlawful to “show hostility to other authorities of the Republic of Poland and its constitutional organs or to critisize the basic principles of the Republic of Poland.”The bill also delegalise the preliminary questions to the Court of Justice of the EU (CJEU). The bill also allows to fire judges ( which is unconstitutional according to the Constitution). In average Ziobro dismissed a judge every day and a half from its position of president of court [source]9

One of the worse Covid19 laws in EU.

Trampling Fundamental freedoms using a single ordnance and Critiquing the President will land you a year in jail. [report]10 .
In the latest special Covid19 law (already 4th lol) PIS smuggled an article straight from a communistic playbook about prosecuting people that critique the president. The sentence can be up to a year. They also smuggled a harsher law for abortions. Can someone tell me HOW it is related to Covid19? [source]11
More [Ruleoflaw]12
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Author: Logiman43
1: www*es*web.o*g/pdf/ESI-*a*ory%20**lan*s%2*deepe*ing**0cr*si*%201*%20De**m*er%2**0*9.p*f 2: f*ee*omhous**o*g/**port*specia*-re*orts/hos*il*-*a*eover***w-*aw**nd*j*stice-ca*tured-*ola*d-s-courts 3: *eco*nect-euro***eu/blo**ko****icz-p*lish-constitutio*a**c*urt/ 4: **w.w*rs**v*i**/pages/ar***/375*9/ne** 5: w*bor*,*5*98,24815201,c*ntru*-*o**d*enia**-domu-p*zyle**ki*j-*jawn*am*-sek*e*n*-sp*t*ania.*tml 6: w*w.*euter*.com/art*cl*/us*eu-po**n*-chr*no**g*/chr*nolog*-pola*d**l*shes**ith*e*-**er*j*di*ial-refo*ms-rule-of-law-i*USKB*1*U25U 7: r*leof****d-wi*h-*oubts*o*er-bod*s-lega**ty-*ud**ia*y-counc*l-*r**ident-rem*ins-*nre**nt*nt/ 8: www*eu**ect*on/*ustice-hom**a**a*rs***ter**ew/free-cour*s-**tivist*-po**nd*m*ke*-*nother-**g-*tep-to*ard*-pol*xit/ 9: www*pols*tn*ws*pl/*i**o*osc*201*-0*-13*t**-zi*br**o*wolywal-*r**esow*i-wic*p*e*e*ow-sa*ow-sr*d*io*jeden*sedzia-co-poltora-dnia* 10: *ra*eu*opa.*u/*i*es/defau*t***les/***_up*o*ds/pola**-r*port-covid*19-a*ril-2020_*n.pd* 11: www*dogm**ykarnis*****wc*odzi*w*zyc*e-*arcza-4*0/ 12: rule*flaw*pl*
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2020.07.04 17:01 slytherindoctor The Great Hunt, wrap up, review, final thoughts

Well this sure is an improvement. As much as I don't want to compare this to the first, this doesn't really stand on its own. Unfortunately. In retrospect, I wish I could have skipped right here, but that wouldn't really be possible. I have to compare this to the first book and what came before because it set the groundwork for what's happening here. And what's happening here is pretty decent.

One thing I particularly liked was that the book was not 90% Rand POV. There were a bunch more characters that we followed. Checking my notes, we had: the man who calls himself Bors, Rand, Moiraine, Bornhald, Liandrin, Padan Fain, Perrin, Nynaeve, Egwene, Thom, Bayle Doman, Min, and Byar. That's a lot of characters to juggle and I was glad to get so many different perspectives on what was happening. That's huge. Because we're no longer just in one person's head. We've moved from "this is a book about a generic chosen one" to "this is a book about a whole cast of characters." And I always much prefer the later.

Sure, I love Harry Potter, but I think Harry Potter suffers from only having POV of one character. And Harry can be a bit of a whiner sometimes, since he's a dumb teen, later in the series so it can get tedious with him thinking everyone's against him. I guess the idea of that series is that it's a mystery series, the audience is supposed to know exactly what Harry knows at any given time, and it would spoil the ending if we got other people's POV.

As I mentioned in the ending summary, Mat doesn't have a POV at all. It's extremely conspicuous by his absence because he's the only Emond's Fielder left who hasn't had one. Indeed, he and Lan are the only two original party member characters who haven't had a POV yet. It was why I thought he wasn't really doing much. Not changing much from his characterization as Pippin, but he blew the horn at the end. Which was crazy to me, because he didn't seem willing to take responsibility to do that. But he did, seemingly out of desperation.

I'm very interested in diving into the politics of the Aes Sedai. That was kind of the first thing that drew me in. But we never really got to do that in this book, so I'm hoping to see that later. We only really got the peripherals of it here.

I think the stealing back and forth of the horn was kind of hilarious. I don't know why nobody sounded it at the beginning of the book right after it was found. That would have seemed the more obvious thing to do so that they could use the heroes to fight the dark one in the Blight itself. I don't think the horn has limited uses. Mat did talk about how it was supposed to be used at the Last Battle. Sure Moiraine wanted Rand to take it down to Ilian, to get an army but they could have used it there. I also don't know why Fain didn't sound it. He had ample opportunity. He didn't seem to care about it at all. Which is curious. Apparently the heroes don't care about who blows it, they'll serve anyone? Fain could have used them for his own purposes.

Which, even here, are not exactly clear. Fain wanted to face Rand on Toman Head, but he didn't even do that. He seems to have disappeared completely during the ending of this book, which is also very curious. Fain seems to have thrown in with the Seanchan, but after the Seanchan left he might have left with them. Perhaps. Or he might have just left entirely. We don't know yet.

The first book's primary strength was in its worldbuilding. The story, obviously, left much to be desired. A constant chase scene isn't very interesting when that's all we're reading for 600 pages. But the book did a good job of showing the peasants who've never been out of their village having a sense of wonder to discover that the world is much bigger than their little village. Especially when they see a city for the first time. It was funny, even, when they learned that the Two Rivers is supposed to be a part of a larger kingdom that they didn't even know existed. My favorite part, of course, of the first book was the section when Rand was in Caemlyn and we got to just sit in and explore that space for a little bit. And, of course, when he fell into a palace like a clumsy idiot, and got to fear for his life for a little bit. That was super fun.

The world building continues here with a little bit of the White Tower, not as much as I would like, Cairhien, and the Seanchan. If I had not played Dragon Age before, I would have quite been impressed in the ideas of Cairhien and the Seanchan. They graft, broadly, onto Orlais and the Qunari respectively. I love Orlais in Dragon Age, so, of course, I quite enjoyed Cairhien here. I always love political maneuvering bullshit and this absolutely satisfied that itch. I love that Rand ends up causing a riots and a civil war by doing nothing at all. And, of course, that Thom almost certainly went and assassinated the king, sparking the actual civil war. The tensions were already clearly very high when a mysterious out of town foreign lord comes in and can cause them to explode.

I particularly would have been impressed with the idea of enslaving mages. Like I said, it was already a thing I've seen in Dragon Age with the Qunari. That's not usually something you see in fantasy stories, but it absolutely makes sense that someone would want to do it. Mages are the most powerful people in the world. They can do ridiculous things that no other person could possibly hope to stand up to. Why wouldn't you want to keep that in check if you could? It's like superheroes. Superheroes can do whatever the hell they want. They're very overpowered and you just have to hope that they're nice, good people. Hence Watchmen. Who watches the watchers, and all that. What happens when the overpowered superheroes are actually really bad people? We can't stop them, they just get to do what they want.

In Dragon Age, the enslavement is because mages reach into another universe called the Fade for their magic powers. And by reaching into the Fade, they attract demons that live in the Fade. If they lose control of their magic, they can become possessed by a demon. So keeping that under control makes even more sense. There's a group called the Templars, which are loyal to the Church, who live with the mages, ready to strike them down should they lose control.

The story here definitely leaves much to be desired. It still has the same fundamental problem of the first book. It's one long chase scene, but the subjects of the chase change a couple times. I definitely don't get why the author thinks chase scenes are so interesting, because I certainly don't. There's just so much downtime here as we first chase after Padan Fain, then Padan Fain chases after Rand, then we chase after Padan Fain again.

Now, granted, there are some interesting things going on with this story here. Changing the dynamic of who is chasing who allows for some differing perspectives on what's happening. Every time Padan Fain gets the horn he tries to led Rand towards Toman Head and whenever Rand gets the horn back he gets to bunker down in Cairhien while he's basically under siege.

For the most part, though, it's a lot of down time as we're basically just running back and forth after the horn. I found myself far more interested in the White Tower segments or the Falme segments than in what was going on with Rand and company. Unfortunately most of that didn't come to fruition until the ending.

Having this world be a part of a multiverse could potentially be interesting, depending on where it goes. But as of now it doesn't seem to have been used for much other than getting places quicker, ala the Ways. If we're going to introduce the concept of alternate universes into the story so early, I'd like to see it used for more than just fast travel. That's something that should be fully fleshed out. Meeting alternate selves, going to other worlds where the timeline is different. Stuff like that. It shouldn't just be used as a cheap plot device to transport everyone across the map. I did like, though, that scene where everyone saw a bunch of their alternate lives. That was absolutely a good use of it, though still transportation.

And speaking of the Ways, they're here again unfortunately. They still feel very inorganic here, and I still don't think they've been narratively justified. We have action going on on the other side of the world from where the characters are, yet again. So they teleport to the other side of the map, yet again, for that action. It feels very inorganic to have action going on in an area where the characters have to teleport to the other side of the world. To me, it reads like course correction. Fixing the mistake of having the book start in Shienar, but the author wanted action on the opposite side of the world from Shienar. Much like having the horn stolen at the beginning felt like course correction for finding the horn at the end of the first book. Obviously both books are written by the same author, so it's not course correction at all. But it's still rather jarring and pulls me out of the narrative more than anything.

That said, their use here is slightly more justified because the ending has something to do with the rest of the book. It didn't come out of nowhere like in the first book. There was build up, tension, and mystery to what was happening on Toman Head. We learned about it through the perspectives of several characters. There wasn't one throwaway line about something going on, there was a lot of build up to the occupation and eventual driving out of the Seanchan in Falme.

Most of the characters have definitely had some solid character development as well. The only ones of the original party who haven't changed are Lan and Moiraine. Lan is still Aragorn and Moiraine is still a part of a conspiracy to protect the Dragon. Obviously we didn't know that was what she was doing in the first book, but she was still doing it there, and is still doing it here.

However, the rest of the characters have definitely developed. Perrin not so much in this book, of course, moreso in the first when he embraces his talking to wolves ability. Rand develops more towards accepting his channeling abilities. He keeps wanting to run away, but he wants to stay to help his friends. That's his defining characteristic throughout this book. He cares about keeping his friends safe. But he starts to come to terms with his powers here and especially in the ending.

Mat had surprise character development when he decides to blow the horn. He becomes more and more desperate to not die to the point where he's willing to take on the responsibility of blowing the horn. Which is crazy. Like I've said a couple times before, his lack of POV was conspicuous and served to surprise me when he did it.

Egwene didn't change much until she was actually enslaved for a couple months and started really fighting back. Wide eyed and excited and optimistic about the world, she ended up being the one who started the fighting at the end in Falme because of her hatred towards the Seanchan. But being enslaved will do that to you.

Nynaeve realizes her anger block and she has to start trying to overcome it. She's fiercely loyal to her friends, even if she does box their ears and think men think with the hairs on their chest. I guess she hasn't changed that much. She just embraced her magical power more. And she's gone through her ceremony to become Accepted. I thought she was going to become red out of spite against Moiraine, but I doubt it now considering it was a red who betrayed them and sold Egwene into slavery.

Even Thom has developed, willing to assassinate the king in revenge. Although, I get the feeling that he would have been willing to do this already before this book.

It was a little disappointing that the Whitecloaks didn't end up doing anything. They just kind of all died at the end. I have to assume, then, that their presence there is just set up for later when Byar brings news of what happened to their leader.

So generally a definite improvement for sure. But it still falls into some of those reasons why I didn't like the first book in the first place. One long chase scene. Teleportation to the other side of the world for plot convenience. But it does those elements better than the first book did. So I'd probably put it at a 5/10. Very average. I think the best parts of the book are definitely when we step away from the chase scene and look at other characters or other sociological elements. Like when we spend time in Cairhien or Falme getting to know these cultures. Much like when we spent time in Caemlyn in the first book. That seems to be this author's strength. Sociological storytelling. Not so much actual book long story of what's happening to the characters. Or character development itself. The ending was also quite decent, unlike the first book. There still hasn't been a moment that's "grabbed me" yet. Nothing's made me really super hooked onto the series yet, especially when this book is kind of just more of the same of the first and I didn't really like the first. This is probably a strike two. Albeit a lesser strike than the first book.

I know that, as people have said, the first is not indicative of the quality of the series, so I assume this one also isn't either because it's so like the first. Hopefully we get something different here soon. A series of 14 chase scenes sounds ridiculously boring to me. I'm starting to feel the tedium here. I also know that everyone says the fourth book is fantastic, so I'm at least going to read to that point. But wow. I definitely think these two books could have been rolled into one and it would have been fine. This author seems way too wordy, for sure. Did he have an editor at all? -googles- Oh his editor was his wife? Oh god. Yeah, I see the problem. She probably didn't cut much because she was married to him.

The next two books I got from the library are both in hardback, so the 100 page marks are probably further away because these first two were in paperback. So keep that in mind as well.
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2020.06.30 12:18 quakeroatsistasty will i still be able to graduate?

i have 2 deficiencies, and pinaprocess naman na sa cash office yung isa. Yung isa di pa nasisimulan yung processing dahil unresponsive yung OUR. im worried na baka di ako makagraduate dahil sa deficiencies ko. may meeting daw BOR sa july 20 (?) para maofficiate yung list of graduates and Im scared na baka di umabot yung pagprocess.
di rin nagsend yung college ko ng email sakin re: online ceremony for graduating students, so i think that might be a sign na hindi ako candidate for grad just because of unsettled deficiencies.
gabi-gabi ko na tong iniiyak and this has been causing me so much anxiety lately. :(( help
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2020.06.28 21:33 Bloodytearsofrage [Uncommon Art] Movie Night

Written for the Monthly Writing Challenge Eye of the Beholder category.


The great hall fell silent, dozens of green-skinned centauroid ladies lowering their heads in acknowledgment as the Queen's Champion mounted the steps before the throne. She stopped a single step below the top as the Queen stepped down to meet her.

"So it is done, Highness," the Champion intoned, kneeling on her forelegs.

The Queen smiled and placed her left hand atop her Champion's head, her right arm still in a sling. She pushed back the feathery-branching tresses from the younger woman's face. "So it is," the Queen sighed, her eyes flicking to the corpse of her final rival lying on the flagstones, head twisted on a broken neck. "But a new task begins. We shall build something greater, you and I. Arise and join your Queen... Ulishanna reLishanna!"

There was an audible gasp from the assembled Felra at these words and then...

...theme music and the ending credits.

The apartment lights came back up as the 3V set shut off, taking the ancient Felra throne room with it. Three young women were thus revealed to be scattered around the den: Vikka Kzarathexes, a four-armed, reptiloid Jixavan, was on one end of the couch, looking thoughtful; her Human sister Arizona was sprawled across the remainder of the sofa, one hand dangling off into a bowl of mayonnaise-covered artificial humfish nuggets; their roommate, Shiralla reShinnalyn, a fine and healthy specimen of a Felra, was sitting on a straddle-chair next to them with a wineglass in one hand and a nearly-empty bottle in the other.

"So," said Arizona after a moment. "That was the greatest work of Felra cinema, huh?"

"Indeed," Shiralla answered. Her Galactiphonic normally had a drawling, slightly rustic sound to it. The more wine she drank, the thicker that accent tended to get. It was only medium-thick at this point, but another bottle or so and, even if she were still talking sensibly, it would be nearly incomprehensible. "The Rise of Yillidara the Conqueror is the pinnacle of Felra moviemaking. It simply does not get better than this." She smiled and raised her glass in salute to the 3V set, then drank it empty.

"Really? Wow." Arizona's eyes widened. "For the first time ever, I genuinely pity you guys."

Vikka swatted her on the leg. "Ari! Don't be culturally insensitive!"

Shiralla turned to regard the Human with a stare that was only a little bit off-kilter -- impressive considering the two empty bottles beside her -- and made a 'go-ahead' motion with her glass. "Are you deprecating the greatest movie ever produced, Arizona? The movie which has become a touchstone of Felra culture and the standard by which all other cinema is judged? Is that your intent?"

Arizona shrugged. "I'm not saying it was entirely terrible. I mean, we got to watch smoking-hot four-boobed centaur chicks flounce around for, what, five hours? So it had that going for it. And it was cool when Yillidara's buddy finally wrung the neck of that wannabe-princess bitch who'd been causing so much drama. Other than that, though? Bor-r-ring. Like, government office waiting-room boring. Lecture on proper flossing techniques boring." She grinned and nudged her sister with her foot. "Vikka's sex life boring."

"Hey!" Vikka swatted her again.

"My apologies, Arizona," Shiralla said, rather icily, "for exposing you to a film which contains neither non-stop explosions nor flatulence jokes."

"No worries." Arizona either missed the sarcasm or chose to ignore it. She perked up a little. "Do Felra make fart jokes? Do you guys even fart at all? Eh, knowing you, if you did it would sound like a clarinet and smell like orchids. But, hey, I like stuff that's not explodey or jokey, too. Like cowboy movies! Those are awesome!"

"The Rise of Yillidara the Conqueror is an artistic masterpiece," Shiralla tried again. "It is meant to both reflect the historical events and arouse contemplation of their context."

"Well, it didn't arouse anything else, which is kind of remarkable with all the hotties in it. I thought you said this film was all transgressive and taboo-breaking and stuff?"

"Very much so. It caused quite the controversy when it first came out. Viewers were shocked."

"I'll bet they were," Arizona chuckled. "Electric jolts would be the best way to keep the audience awake."

Vikka jumped into the conversation before her sister could get Shiralla's fuse lit. "I thought it was quite a spectacle," she offered. "Very lavish sets and costumes. And I've heard that it's very historically accurate."

Shiralla smiled and preened just a little.

"I didn't say it wasn't pretty to look at," Arizona said with a negligent wave. "And historical accuracy isn't all that. I mean, real-life cowboys very seldom shot each other, but there's a reason they make Western movies about gunfights and not about staring at cows and shoveling shit all day. People want action."

"There were two big battle scenes," Shiralla protested.

"So there were. Two four- or five-minute scenes of soldiers getting ambushed and then giving up in a nearly five-hour movie. And there must have been a half-hour of marching back-and-forth and symbols-on-a-map scenes before each one of those!"

"Felra warfare has always been centered on maneuver and ambush, especially in the ancient era." Shiralla poured herself another glassful and chugged most of it. "It's about subtlety and cunning, rather than brute force."

"And subtlety is probably really useful in real life," retorted Arizona, who had approximately the same relationship with subtlety that a cat does with altruism. "In a movie, it's a snooze-fest. Like that scene at the big party where Yillidara and what's-her-name, Princess Bitchtits--"

"Vlenthellin," Shiralla corrected.

"--spend twenty minutes changing outfits and adjusting their... that ferny stuff you guys have instead of hair--" She waved a hand in the general direction of Shiralla's feathery tresses.

"It's called tvan."

"--at each other. That was subtle. So subtle, only the seven energy drinks I had for supper were keeping me awake. Which is more than I could say for Vikka."

Vikka jerked slightly. "I didn't doze off! I was... contemplating... the subtext... of that scene."

"You drooled on your shoulder, sis."

"It was deep contemplation. Super deep."

Shiralla, meanwhile, had set her glass aside and took her next slug of wine straight from the bottle. "That scene was all about the tension, Arizona. The steadily mounting tension as Yillidara and Vlenthellin competed for dominance." She drew herself up proudly, wobbling just a little. "Felra leaders have always been chosen based on cunning, grace, and beauty. Yillidara and Bitchti-- er, Vlenthellin were seen by the other nobles as equals in intellect and grace, so they were each trying to establish themselves as the loveliest. Which Yillidara eventually did by putting the flower Lishanna gave her behind her ear. Vlenthellin had no answer for that, so Yillidara triumphed. And it symbolized that she couldn't have gotten where she was without Lishanna."

"And that's another thing that bugged me," Arizona groused. "Lishawhatsit actually seemed kind of cool, so I don't get why everybody was such a bitch to her all through the movie. They acted like she had mega-cooties, or something."

Shiralla pointed dramatically with the wine bottle. Not normally given to such gestures, booze had a way of bringing out her inner thespian. "Aha! That's part of what made this film so transgressive back in the day. Lishanna was a..." She paused, thinking. "Galactiphonic doesn't have a word for it, but her mother was a... Huh, there's no word for that, either." She considered, toying absently with her locks of tvan. "To put it bluntly, she was a product of... unilateral impregnation. Her mother was a self-fertilizer. That's why she had to use her mother's name, and why it was so dramatic when Queen Yillidara gave her a new one. It meant she was a 'real' person and not just a copy of her mother." She noticed that the others were staring at her, Vikka's mouth slightly open and Arizona's eyes worryingly alight. "What?"

Vikka was the first to respond, if a bit hesitantly. "Um, so, you guys... that is, Felra can... 'self-fertilize'?"

"We can," Shiralla said with a slight glare. "But it's not something that's done and most Felra cultures have outlawed or at least discouraged it. If for no other reason than that impregnating yourself with your own seed is the very pinnacle of narcissism."

Vikka was trying not to stare and failing. "But... I mean... biologically you..."

Shiralla's cheeks went a brighter green, though that could have been the wine, and she seemed to find something terribly interesting about the far wall. "Felra are... dormant hermaphrodites. We go through a brief 'active male' phase every few years for mating purposes. It is... not something we like to discuss with others." She noticed Arizona's eyes brightening even further and the smile on the girl's face would not have been out of place in a high-security asylum. Shiralla sighed. "I assume you have questions."

"An absolute metric fuckton," Arizona chirped. "But I'm gonna save 'em for when you're sober enough to be properly embarrassed by them. Right now, we've got your favorite movie to pick apart."

"Pick away," Shiralla said grandly. "It is an absolute masterpiece, a summit of the filmmaking art which can in no way be improved upon, and I shan't be convinced otherwise."

"Yeah? I can improve it with just three words. Leather. Halter. Tops."

For one of the very few times in her life, Shiralla was caught completely off-guard. "What?!"

"You heard me," Arizona said, with the sort of smug smile that, on a diplomat's face, might start a war. "This movie takes place in ancient barbarian times, right? Barbarians in a movie means leather. Ooh, and fur! Fur-trimmed leather halter tops!"

"I... doubt that's historical, Ari," Vikka said, not quite comfortable with the look in Shiralla's eyes.

Arizona shrugged. "Who cares? I'm talking about making it a better movie, not better history."

"Yillidara and Lishanna," said Shiralla, voice tight. "Two of the most iconic characters in Felra cinema. Dressed in leather halter tops."

"Yeah, that would be pretty sweet." Arizona popped a nugget into her mouth. "Oh, and that chase scene near the beginning, where the guards are after them. That should've been done in vehicles instead of on foot! Everybody loves a car chase!"

"You would put cars in The Rise of Yillidara the Conqueror?" Shiralla's tone of voice was about the same as if she were asking about putting turds on a birthday cake.

"Well, no. Not cars, duh. But they had those big freight-wagon things. Have the heroines commandeer one of those and the guards grab another one and off they go."

Shiralla took another drink to fortify herself. It seemed to get most of her control back. "Why would they take a freight-wagon? And if they did, why would the guards chase them in one? A Felra on foot is twice as fast."

"Because pedestrian crashes look stupid, but vehicle crashes look awesome! And every good vehicle chase should end with a big, spectacular crash."

"So... the whole point of putting the characters in vehicles would be... to crash them?"

"Duh. It's a movie," Arizona replied as if her point was self-evident.

Shiralla shook her head and drained the last swallow or two from her bottle. "So, you would 'improve' The Rise of Yillidara the Conqueror by making it into an entirely different film, is that it?"

"No, no. The basic story is fine." Arizona waved her hand as though granting a concession. "I'd just tighten it up. Cut the run time in half and speed everything up. Like trim all those scenes of Yillidara and Lishawhosit staring at each other and looking like they're trying to keep down a bad meal."

Shiralla made a frustrated little noise in the back of her throat. "Those looks were because Yillidara was going through a male phase and they weren't--" Whatever she was about to say, she cut it off and chewed it back. "Never mind about that. What else?"

"Let's see..." Arizona mused. "Skimpy leather, vehicle chase with a big crash, trim the boring stuff... I guess next would be to make the battle scenes bigger and longer. Oooh! And add catapults! Sword fight movies are always more epic with catapults. I mean, who doesn't love watching big flying rocks smashing stuff?"

"So, you would destroy all the romantic tension for the sake of 'big flying rocks', would you?"

"Nah, I'd deal with the romance stuff, too. Just, instead of Yillidara and her buddy exchanging all these aching glances and stuff there toward the end, I'd have ol' Yillie walk right up to her Champion after she strangles Princess Bitchtits and tell everybody, 'I'm Queen now, so what I say goes. And the Queen says, gimme some sugar, baby!' Then she smooches the breath right out of Lishawhatsit right there over Bitchtits's dead body and declares to everybody, 'This is my sweetie, you ho-bags! Anybody who don't like it can kiss my leather-trimmed royal ass!' Roll credits." Arizona started to pop a humfish nugget into her mouth, but thought better of it. "I need something to wash down my nuggies. Anybody else want anything from the kitchen?" No one did.

Once she was gone, Vikka turned to Shiralla, noting the hard set to the Felra's lips and the brusqueness with which she uncorked her next bottle. Always the peacemaker, she said quietly, "I'm sure Ari didn't mean to be offensive about your culture, Shiralla."

"There was no offense," Shiralla said with an airy wave of her hand. "Your sister is who she is and does what she does. I mean, yes, she just described hacking up one of the greatest artistic achievements of Felra filmmaking with a Human-shaped meat cleaver, but that does not bother me. No, as much as I love The Rise of Yillidara the Conqueror, I am upset mostly with myself."

"Yourself? What for?"

"The rather mortifying realization that..." Shiralla sighed deeply and took a big swig from the bottle before leaning forward and looking Vikka right in the eyes. In a soft, conspiratorial tone, she continued, "Arizona's version of the film? I would totally watch that shit..."

The sequel: Movie Night 2: the Subtext Strikes Back

Other Vikka & Arizona stories:
She Ain't Heavy, She's My Sister
Sisterhood and Other Sources of Anxiety
Stick Figures in the Sky
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